Not only is a treatment a vital selling tool for screenwriters, the process of writing a treatment can help screenwriters lay a solid foundation for their screenplay that can save valuable time in the writing process. This is your chance to map out your plot and develop your characters before you’ve backed yourself into a corner with ninety pages of blood, sweat, and tears behind you.
Let Script University show you, step-by-step, how to create an electrifying treatment! We’ve made the anxiety-producing process of treatment writing simple with our ground-breaking approach to the form. By the end of this workshop, you will have a strong treatment and a solid log line for your screenplay that has been vetted by an industry professional. |
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| - What a treatment is and what it isn’t
- When to use a treatment
- The differences between a treatment, synopsis, coverage, beat sheet and outline
- The proper format for a treatment
- How to choose what scenes go in your treatment
- What to do with your treatment
- Where to look for story ideas
- The five key components of a feature film treatment
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The six parts of a television series treatment
- How to write and what to include in a one-pager
- How to use a treatment as a sales tool
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| - For anyone whose goal is to write a treatment for a feature film or TV, regardless of experience or skill level.
- Learn the fundamentals of writing a treatment, including structure and format.
- Acquire the skills needed to write a screenplay treatment including learning how to create a logline and outline.
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Bryan Young is an award-winning writer, journalist, and filmmaker. He's worked on numerous documentaries, including one the New York Times called "filmmaking gold." He co-wrote the political documentary Killer at Large about America's obesity epidemic and works daily doing documentary work for government clients. He writes frequently for /Film, StarWars.Com, Syfy, and others. |
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