⭐ Alum Spotlight: Breaking in with Lily Blau Lear ⭐

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Jul 26, 2026, 10:29:08 AM (yesterday) Jul 26
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Rewrite Your TV Script with Professional Guidance & Live Table Reads with a Writer from Peacock! ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  
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Alum Spotlight: Breaking In with Lily Blau Lear

LilyBlauLear

Lily Blau Lear is a journalist/playwright-turned-TV writer. She has created series for Sony, StyleHaul, Lindy Goldstein Productions, and Pinewood Studios/Twelve Town.  Additionally, she has developed series with Warner Bros., LuckyChap Productions, Blondie Girl, Intuition Productions, and Busted Shark. She has also been a staff writer on the teen dramas CROWN LAKE and CHICKEN GIRLS, and the kids comedy MANI.  

 

Theatrically, Lily’s work has been produced at Boston Court Theatre, The LA Fringe, and The New York Vignette’s festival, among others. Lily has also served as the Playwright in Residence at Occidental College. As a journalist, Lily has written essays and articles for the Huffington Post; Sirens Magazine (now Sexy Feminist Magazine); Alternet; and Mercer Street. Lily holds a BFA from NYU’s Tisch School of the Arts with concentrations in writing, drama, and French. She is currently working on a novel. 

 

How She Landed Her First Opportunity

“I wrote a play right after I graduated from college. Before its first professional production, my director and I did two Equity Staged Readings. A friend of my director saw one of the readings back in NYC and reached out when he moved to LA. I sent him my first TV script and a year later, he gave me my first job. It was a good lesson in sharing my work.” 

 

The Turning Point

“There was the first time I got a check for my writing (I framed it). There was the first time I didn’t want to take a meeting because I already had two writing jobs. But my career has had plenty of ups and downs. So maybe the real turning point was when I realized there is no true “arriving,” just a next turn in the road.” 

 

A Game-Changing Piece of Advice

“Tastes change, what’s selling changes, not every season is going to be your season. Sometimes it works to chase trends or try something new. It’s also okay - and often more sustainable - to lean into your strengths and trust that your moment will come back around.” 

 

What Made a Difference

“I was always a very intuitive writer. Tawnya was the one who taught me structure. The worksheets from the very first Script Anatomy class I took made a huge difference in all my writing going forward.” 

 

Daily Habits

“If I’m struggling with consistency, I block out my writing time in my calendar. The more I’m struggling, the shorter/more attainable I make the time blocks.” 

 

Pushing through Resistance

“Just keep writing. If one project is stuck, I pick up something else for a bit. Or just open a blank document and free write — explore whatever feels like it isn’t working from a new angle without pressure. Eventually, I surprise myself. That surprise is what kicks resistance and self-doubt for me.” 

 

What Inspires Her

“I rewatched Gossip Girl all the way through shortly after my first Script Anatomy class, and it really clinched TV drama structure for me. The show is serialized, but each episode’s theme, arc, scope, and central event are clear. This show plays by the rules so faithfully, it made it easy for me to internalize them. Personally, I needed to learn the rules well before I could really start to play.” 

 

Connect with Lily

“You can contact me through my website, www.lilyblau.com. I do have social media (instagram: @‌lily.blau.lear) but it’s not up to date — I’m married with a toddler, but still haven’t put up wedding photos. Still, if you send me a message, I’ll read it!”

Rewrite Your TV Script with Professional Guidance & Live Table Reads

Aug 23 to Nov 8 — Sundays, 10:00am-1:00pm (PT)

Hannah-Rosner

TV Rewrite Lab

Instructor: Hannah Rosner

Place: Online

Cost: $760

Limit: 9 writers

Hannah is co-producer for the espionage thriller The Copenhagen Test (Peacock). Other credits include Legacies (CW). She is a 2018 Warner Bros fellow, has appeared on the Young and Hungry List, and is a former VP of Zak Penn’s company.

Great TV scripts aren’t just written, they’re rewritten.

 

The TV Rewrite Lab is an intensive 8-week course created for writers who are ready to transform an existing TV pilot or spec into its strongest possible version. Whether you're writing a drama, comedy pilot, or spec script, you'll use Script Anatomy’s proven rewriting frameworks to strengthen your story, deepen emotional impact, and prepare your script for industry attention.

 

Before the course begins, your instructor will provide detailed personal notes on your screenplay, giving you a clear roadmap for your rewrite. Throughout five guided class sessions, you'll revise your script section by section, submitting 10 newly rewritten pages each week for detailed feedback from both your instructor and fellow writers.

 

The experience concludes with three weeks of live table reads featuring professional actors, allowing you to hear your script performed aloud a powerful opportunity to identify strengths, refine dialogue, and elevate every scene.

 

💡 What You’ll Gain:

✅ Rebuilding Story Structure & Core Beats
✅ Strengthening Character Flaws & Active Goals
✅ Developing Dynamic Relationships & Character Arcs
✅ Raising Conflict, Stakes & Emotional Depth
✅ Improving Sequence Building & Scene Construction
✅ Refining Dialogue & Scene Transitions
✅ Strengthening Theme & Act Breaks
✅ Polishing Your Script for Industry Readiness

 

By the end of the course, you'll have a significantly stronger script, a deeper understanding of the rewriting process, and invaluable experience hearing your work performed by professional actors.

 

If you're ready to transform your TV script through professional feedback, structured rewrites, and live actor table reads, the TV Rewrite Lab offers the tools, guidance, and collaborative environment to help your screenplay reach its full potential.

 

Reserve Your Spot!

    Copy of Script Anatomy TESTIMONIALS (1)-Jul-21-2026-02-59-02-9253-PM

    UPCOMING CLASS

    You’ve written your feature draft, outline, or treatment and now you need to pitch. This course pulls back the curtain on the pitching process.

    Craig-Fernandez

    Feature Pitch Lab

    Instructor: Craig Fernandez

    Dates: Aug 30 to Oct 11 — Sundays, 10:00am-1:00pm (PT)

    Place: Online

    Cost: $650

    Limit: 8 writers

      Not the right class for you? Check out our other offerings here.

     

    We’re proud to partner with Affirm to give you more flexibility at checkout.

    Rates from 0–36% APR. Payment options through Affirm are subject to an eligibility check and are provided by these lending partners: affirm.com/lenders. Options depend on your purchase amount, and a down payment may be required. CA residents: Loans by Affirm Loan Services, LLC are made or arranged pursuant to a California Financing Law license. For licenses and disclosures, see affirm.com/licenses. For example, a $800 purchase could be split into 12 monthly payments of $72.21 at 15% APR.

     

    Also, if you've had any recent wins, reach out to me, Estella Gabriel, at est...@scriptanatomy.com.  We’d love to feature you.

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    Script Anatomy, 20750 Ventura Blvd, Woodland Hills, CA 91364, United States

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