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Raul Herrera
Other possible relatives or acquaintances of Dota 2 heroes that appear in Book 2 include Nico Hieronimo, the Pangolier, and Asar, who seems to be an Ursa warrior, as well as a statue of the Arc Warden.
Things turn awry when Zet is overpowered by the fragments who join forces. Invoker puts matters into his own hands by siphoning the energy of the Arc Warden, but the cosmic entity fights back and continues to keep the fragments in check.
We Can Be Heroes is proving a hit for Netflix, 15 years after the release of the movie it span-off from, The Adventures of Sharkboy and Lavagirl in 3-D. That movie starred Taylor Lautner and Taylor Dooley as the eponymous superheroes, but only Dooley returns for the new streaming movie. However, director Robert Rodriguez has revealed exactly why the Twilight actor does not come back for the superhero sequel.
In We Can Be Heroes, Lautner's character of Sharkboy is played by JJ Dashnaw, a stuntman who has worked with Rodriguez in multiple films like Sin City, Spy Kids and Planet Terror. Notably, however, we do not see his face in the movie as he is wearing a mask, and the character does not have any lines.
"It was fine if he couldn't be in it, because it would draw more attention to it. He became such a big star after Twilight that he would have an expectation. Could you imagine if he was in it, and then they see it and they're like, 'Wait! His face is covered the whole time! Hey, he didn't have any dialogue!' It'd certainly look like a demerit against him, and I wouldn't want that. It wasn't about him, it was just to use the characters more than the actors."
Partly, this was because the director does not see the film as a SharkBoy and LavaGirl sequel, but more like a kids ensemble superhero movie that happens to have the adult versions of those two heroes as characters. This is something that Rodriguez has done before in reverse, with Danny Trejo appearing as Machete in the four Spy Kids films before spinning off to his own franchise.
However, it may be that Lautner has moved on from the world of SharkBoy and LavaGirl. In June 2020, Entertainment Weekly published an oral history of the movie, which Lautner declined to be interviewed for.
Following the success of his 2019 movie Blue Story (the highest grossing British urban film of all-time), rapper-turned-filmmaker Rapman is back with a new project which is undoubtedly his most ambitious yet.
He has created, written, and directed new superhero series Supacall, which is heading to streaming service Netflix later this month. The story follows a group of seemingly ordinary and unconnected Black people from South London as they unexpectedly develop superpowers overnight.
But why did Rapman choose to go from making musical crime drama Blue Story to this bold superpowered tale? As he tells SFX magazine in the new issue, which features The Boys season 4 on the cover, it came from his frustrations with the superhero genre which he says doesn't center on real-life people.
The filmmaker then explains how that makes his new series standout from the crowd: "I know the superhero genre, 100% that's been done to death, but Supacell is different - it's a superpower drama about normal people, real people, not people that are martyrs, not people that are going to save the world, just people that try to save themselves and their families. Just what normal people would do."
With his new show Rapman wanted to do something different then, with Supacell's characters taking inspiration from his own life and world. He feels this further pushes the ideas explored by hit series Misfits and Heroes, which are considered to be more grounded superhero tales thanks to them featuring ordinary people, in the same way Supacall does.
As he concludes: "Before the Marvel movies became a thing, Heroes came out and it blew everybody away. I felt like, 'Oh, we're getting close now to normal people with powers.' Because when I was a kid, I wished I had powers. Then Misfits came and that's, 'Oh, they have powers, but it's a bit more comedy.' We were getting closer with Misfits and Heroes, but it's not quite how it would be in my world if I got powers. I lived in South London and I was like, 'I need to tell this story. I want to tell that story.'"
Supacell releases on Netflix this June. The above is just a snippet from our interview, available in the latest issue of SFX magazine, which features The Boys season 4 on the cover and is available from Wednesday, June 12. Check out what you should be looking out for on newsstands below...
If there's any streaming service that's made a name for itself, specifically the action genre, it's Netflix. Over the years, the service has developed an absolutely impressive library of beat-em-up and shoot-em-up movies and shows from all regions and all industries. If one prefers their films to have more punching, kicking, and headshots than average, one might be somewhat baffled that the service has acquired the poor reputation it has, with its murderer's row of all-timers.
With all-time great action films and shows, naturally come all-time great action heroes. While audiences are currently in an era where intellectual properties, in and of themselves, are often more important than their central characters, Netflix has built themselves quite a bench and filled it admirably. One can only hope that these characters find the iconic status that action heroes of old were able to.
In The Night Comes for Us, Ito (Joe Taslim) is a Triad enforcer who refuses to kill a young girl on a particular job. Targeted for his betrayal of his bosses, he has to rely on all of his underworld connections and combat skills to keep himself and the girl alive.
The Raid casts a long, outsized shadow over action cinema, and that's as easy as ever to see with The Night Comes for Us. While somewhat less focused on razor-sharp choreography and more focused on splatter, The Night Comes for Us owes a lot to its father films, sharing a large percentage of its cast and crew with the two Raid movies. With this in mind, it's no surprise that Taslim (The Raid's Sergeant Jaka) brings his A-game, and any fan of those films will love watching him work in this.
In Altered Carbon, Takeshi Kovacs (various) is a political operative slash mercenary living in a cyberpunk dystopia who finds himself embroiled in various mysteries, typically ones he has to solve by punching or shooting.
Kovacs is an interesting case, as due to the series' "resleeving" gimmick, he ends up being played by four separate actors over the course of the series' two-season (and one special) run. Of the four, Joel Kinnaman is easily the standout, imbuing Kovacs with an imposing presence rarely matched and handling the action sequences with exceptional flair. None of them are bad, however, and Kovacs is overall a solid action hero worthy of recognition.
In The Witcher, the adaptation of the popular Polish fantasy books (and CD Projekt RED video games), Geralt of Rivia is a silver-haired monster hunter who travels from town to town, taking jobs that involve killing magical creatures.
The Witcher is a widely maligned show by fans of the intellectual property, but everyone will agree that Henry Cavill is a nigh-perfect Geralt. From his imposing figure to his surprisingly charismatic performance as the character, Cavill's Geralt ended up becoming the one element of the show nobody could complain about. One can only hope that the upcoming third season, recasting him as Liam Hemsworth, turns out anywhere near as good.
In the film Kate, its title character is a gaijin assassin working in Japan who finds herself terminally poisoned with polonium by her yakuza bosses. Racing against time, she must attempt to figure out why she's been marked for death before the poisoning takes her.
It's certainly an unconventional call to center an action film around a terminally ill protagonist; it flips the nature of the standard action movie, making it almost a foregone conclusion that the hero will fail. Kate is particularly interesting from this standpoint, as with this comes its protagonist being utterly ruthless. Watching Mary Elizabeth Winstead demolish people in this movie is incredibly satisfying, even for people who didn't develop a long-standing crush on her from Scott Pilgrim.
In Castlevania, the adaptation of the long-running Konami video game series, Trevor Belmont (Richard Armitage) is a down-on-his-luck monster hunter who finds himself in far over his head when Dracula begins an invasion of the surrounding world.
Animated action is always a tricky thing to get right. Handled poorly, it can either be utterly anemic, giving the audience very little to latch onto, or too hyperactive, giving the audience almost too much to process. Castlevania strikes a perfect middle ground, and this enables it to characterize Trevor perfectly. While he may not have the most astounding physical feats, Trevor is notable as being one of the most outright likable action heroes on Netflix's bench.
In The Old Guard, Andy (standing for Andromache of Scythia) is an ancient immortal warrior turned modern mercenary who finds her skills are tested when the CIA discovers her and her comrades' abilities and goes hunting.
It's somewhat difficult to make an action movie about immortals without putting hard restrictions on it, a la Highlander. The Old Guard, however, makes up for its lack of dramatic tension with tons of flair. Charlize Theron, as always, puts in an incredible performance, giving her all to the film's over-the-top action scenes and establishing herself once more as the queen of the genre.
In Wheelman, Frank Grillo plays a getaway driver who finds himself in possession of a cache of stolen money. Tailed by the money's true owners and worried about his daughter's safety, he must attempt to figure out a way out of the situation alive.
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