As a note to myself, or anybody paying close attention this is my second review of a Jason Trost film. I recently reviewed his How to Save Us (2014) and intend next to watch and review the sequel to this one, All Superheroes Must Die 2: The Last Superhero, and I admit to being pretty curious about his other films too. When I reviewed How to I read the summaries of his other films and was surprised how all of them appeared to be formulaic as far as making a low budget genre first film goes. This is not an insult. Some of the greatest films in history are included in that category.
All Superheroes opens In Medias Res, already in the middle, as an apparent superhero, a masked man named Charge (Jason Trost), awakes on a city street with an implant in his wrist. He wanders the streets and finds two dead men, one a superhero and one a man in a white almost hazmat style jumpsuit. Another masked man, Cutthroat (Lucas Till), awakes also with an implant. Elsewhere, The Wall (Lee Valmassy) awakes in an abandoned house, and Shadow (Sophie Merkley) awakes in what looks like a bakery.
All Superheroes uses some pretty intense explosions for any film, even a low-budget film, realistic and believable. That and the aforementioned pulling of no punches really help to balance out the sometimes low-budget feel of the film and adds a nice feel of realism throughout the film. The material I have left out of this review includes some of the best parts, including some great character arcs and plot twists.
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