White Tee Song Download [REPACK]
Inca Lillard
"White Christmas" is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film Holiday Inn. The composition won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby's record topped the Billboard chart for 11 weeks in 1942 and returned to the number one position again in December 1943 and 1944. His version would return to the top 40 a dozen times in subsequent years.
Since its release, "White Christmas" has been covered by many artists. The version sung by Bing Crosby is the world's best-selling single (in terms of sales of physical media), with estimated sales in excess of 50 million physical copies worldwide.[3] When the figures for other versions of the song are added to Crosby's, sales of the song exceed 100 million.[4][5][6]
Accounts vary as to when and where Berlin wrote the song.[7] One story is that he wrote it in 1940, in warm La Quinta, California, while staying at the La Quinta Hotel, a frequent Hollywood retreat also favored by writer-director-producer Frank Capra, although the Arizona Biltmore also claims the song was written there.[8] He often stayed up all night writing. One day he told his secretary, "I want you to take down a song I wrote over the weekend. Not only is it the best song I ever wrote, it's the best song anybody ever wrote."[9]
The first public performance of the song was by Bing Crosby, on his NBC radio show The Kraft Music Hall on Christmas Day, 1941, a few weeks after the attack on Pearl Harbor.[10] Crosby subsequently recorded the song with the John Scott Trotter Orchestra and the Ken Darby Singers at Radio Recorders for Decca Records in 18 minutes on May 29, 1942,[2] and it was released on July 30 as part of an album of six 78-rpm discs from the musical film Holiday Inn.[7][11] At first, Crosby did not see anything special about the song. He just said "I don't think we have any problems with that one, Irving."[12]
In 1942 alone, Crosby's recording spent eleven weeks on top of the Billboard charts. The original version also hit number one on the Harlem Hit Parade for three weeks, Crosby's first-ever appearance on the black-oriented chart.[17] The song also topped the following weekly charts in the same year: Songs with Most Radio Plugs, National record sales, and National sheet music sales.[18] Re-released by Decca, the single returned to the No. 1 spot during the holiday seasons of 1945 and 1946 (on the chart dated January 4, 1947). The recording became a chart perennial, reappearing annually on the pop chart twenty times before Billboard magazine created a distinct Christmas chart for seasonal releases.
In Holiday Inn, the composition won the Academy Award for Best Original Song in 1942.[19] In the film, Crosby sings "White Christmas" as a duet with actress Marjorie Reynolds, though her voice was dubbed by Martha Mears. This now-familiar scene was not the moviemakers' initial plan. In the script as originally conceived, Reynolds, not Crosby, would sing the song.[11] The song would feature in another Crosby film, the 1954 musical White Christmas, which became the highest-grossing film of 1954. (Crosby made yet another studio recording of the song, accompanied by Joseph J. Lilley's orchestra and chorus, for the film's soundtrack album.)
Crosby's "White Christmas" single has been credited with selling 50 million copies, the most by any release and therefore it is the biggest-selling single worldwide of all time. By 1968, it had already sold thirty million.[22] The Guinness Book of World Records 2009 Edition lists the song as a 100-million seller, encompassing all versions of the song, including albums.[6][7] Crosby's holiday collection Merry Christmas was first released as an LP in 1949, and has never been out of print since.
In 1999, National Public Radio included it in the "NPR 100", which sought to compile the one hundred most important American musical works of the 20th century. Crosby's version of the song also holds the distinction of being ranked No. 2 on the "Songs of the Century" list, behind only Judy Garland's "Over the Rainbow," as voted by members of the RIAA.[28] In 2002, the original 1942 version was one of 50 historically significant recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2004, it ranked No. 5 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
"White Christmas" is the most-recorded Christmas song; there have been more than 500 recorded versions of the song, in several different languages.[99] The following have received some charting success.
In 1944, Frank Sinatra with a backing orchestration under the direction of Axel Stordahl for Columbia, reached No. 7 on Billboard's pop singles chart (two more times: December 1945, No. 5; December 1946, No. 6)[103] Jo Stafford reaching No. 9 on Billboard's pop singles chart in 1946, with backing vocals by the Lyn Murray Singers and backing orchestration by Paul Weston for Capitol.[101] Eddy Howard and his Orchestra released a version on the Majestic label that reached No. 21 on Billboard's pop singles chart the same year[104] while Perry Como, with backing orchestration by Lloyd Shaffer, recorded the song for RCA Victor in 1947 and reached No. 23 on Billboard's pop singles chart; Como recorded a stereo version of the song in 1959.[105]
In 1952, Mantovani and his orchestra reached No. 23 on Billboard's pop singles chart[102] while The Drifters showcased the talents of lead singer Clyde McPhatter and the bass vocals of Bill Pinkney in 1954, peaking at No. 2 on Billboard's Rhythm & Blues Records chart. It returned to the same chart in the next two years.[108] In February 1954, the Drifters recorded "White Christmas", which was released that November.[109] While the song became a No. 5 R&B hit in 1954, its popularity remained in the black community. The Drifters' rendition of this song can be heard in the films Home Alone and The Santa Clause.[110][111]
Andy Williams recorded the song for Columbia in 1963 on The Andy Williams Christmas Album, where it reached No. 1 on Billboard's weekly Christmas Singles chart.[113] It was released in 1968 on Atco Records as a posthumous single from Otis Redding, and reached No. 12 on the Christmas Singles chart.[106] In 1980, Darts's version peaked at No. 48 on the UK singles chart.[citation needed]
In the White Lady Inn in Easthaven there is a wannabe bard/medium called Rinaldo who the book says sings a song while plucking his fiddle to tell the story of the White Lady herself. As the book doesn't provide lyrics and I had a free hour I thought I'd write one for the game I'm running and then thought I'd post it here incase anyone else found it useful
The White-eyed Vireo's song is rapid, harsh, and nasal with sharp chips at beginning and end. They sing several different series of notes, repeating each series multiple times before switching to a new series. They even mimic the sounds of other birds, often sounding like a Gray Catbird. Some suggest that they sing Spit. And see if I care. Spit. while others suggest they sing Pik-chicka-weew. They sing at all hours of the day, but tend to sing more frequently at dawn and dusk. Males and females sing on the wintering grounds, but only males have been observed singing on the breeding grounds.
In song mode, I've been successfully adding and navigating the song building process for a while now, and I'm familiar with the difference between changing the color of a part + making a part whited-out/custom one-shot for fills and whatnot.
But I think I hit some kind of weird accidental shift combo sequence last night when I was trying to figure out how to do a thing, and now no matter what song I load, when I go into the song mode to sequence a full song, the only thing it's letting me add for new parts now is empty white custom sections when I press a button to add a new section. -- even if the clip I'm trying to add has parts in it, it's just dropping down a white block section with nothing in it. I can open these blocks and add stuff manually, but it's not letting me drop in any of the pre-set clips anymore.
It wasn't doing this before, but it's definitely affecting every song I load now. Hoping it's a simple fix and that someone who has more knowledge of the deluge might be able to guide me to get it back to where it was again. I feel like I accidentally adjusted some internal setting, but have no clue what I did.
So I had gone in and deleted some clips I wasn't using (in two different songs). This left some lanes in the song empty. When I tried to add new clips to those parts they were still associated with the deleted parts. I went in and shift deleted the dead channels and made new ones and it works.
1) Long press one the the color clips in the arrangement. Can be on any track. Then the next clip you place will be that color if it exists for that track. For example, long press a blue clip. Then place a clip on a blank space and it will be blue (if that track has a blue clip in song mode)
2) Hold the white clip and turn the select knob. This will cycle through all available clip colors for that track. Clip colors available for a track in the arranger directly related to clips that are in song mode.
We often associate the color white with the idea of purity or innocence. It can also evoke goodness, cleanliness, or a sensation of fulfillment. It's a recurring color in art, architecture, and fashion, and it's no surprise to see that so many artists used this color to write memorable songs.
In the story, Alice discovers a whimsical and a times scary world after following a white rabbit. The song uses drug-related imagery to create a parallel between curiosity, exploration, and substance use.
The lyrics tell the story of a man who finds himself alone after a loved one leaves. The white room symbolizes emptiness, and the song uses other colors to create vivid imagery that contrasts with the hopeless feeling of the white room.
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