Gestalt Verbatim Pdf

[Anjali Reyome]

Gestalt psychology, gestaltism, or configurationism is a school of psychology and a theory of perception that emphasises the processing of entire patterns and configurations, and not merely individual components. It emerged in the early twentieth century in Austria and Germany as a rejection of basic principles of Wilhelm Wundt's and Edward Titchener's elementalist and structuralist psychology.[1][2][3]

Together, these three theories give rise to the view that the mind constructs all perceptions and abstract thoughts strictly from lower-level sensations, which are related solely by being associated closely in space and time.[9] The Gestaltists took issue with the widespread atomistic view that the aim of psychology should be to break consciousness down into putative basic elements.[6]

Wertheimer had been a student of Austrian philosopher, Christian von Ehrenfels, a member of the School of Brentano. Von Ehrenfels introduced the concept of Gestalt to philosophy and psychology in 1890, before the advent of Gestalt psychology as such.[14][9] Von Ehrenfels observed that a perceptual experience, such as perceiving a melody or a shape, is more than the sum of its sensory components.[9] He claimed that, in addition to the sensory elements of the perception, there is something additional that is an element in its own right, despite in some sense being derived from the organization of the component sensory elements. He called it Gestalt-qualitt or "form-quality." It is this Gestalt-qualitt that, according to von Ehrenfels, allows a tune to be transposed to a new key, using completely different notes, while still retaining its identity. The idea of a Gestalt-qualitt has roots in theories by David Hume, Johann Wolfgang von Goethe, Immanuel Kant, David Hartley, and Ernst Mach. Both von Ehrenfels and Edmund Husserl seem to have been inspired by Mach's work Beitrge zur Analyse der Empfindungen (Contributions to the Analysis of Sensations, 1886), in formulating their very similar concepts of gestalt and figural moment, respectively.[14]

By 1914, the first published references to Gestalt theory could be found in a footnote of Gabriele von Wartensleben's application of Gestalt theory to personality. She was a student at Frankfurt Academy for Social Sciences, who interacted deeply with Wertheimer and Khler.[15]

Through a series of experiments, Wertheimer discovered that a person observing a pair of alternating bars of light can, under the right conditions, experience the illusion of movement between one location and the other. He noted that this was a perception of motion absent any moving object. That is, it was pure phenomenal motion. He dubbed it phi ("phenomenal") motion.[14][16] Wertheimer's publication of these results in 1912[17] marks the beginning of Gestalt psychology.[16] In comparison to von Ehrenfels and others who had used the term "gestalt" earlier in various ways, Wertheimer's unique contribution was to insist that the "gestalt" is perceptually primary. The gestalt defines the parts from which it is composed, rather than being a secondary quality that emerges from those parts.[16] Wertheimer took the more radical position that one hears the melody first and only then may perceptually divide it up into notes. Similarly, in vision, one sees the form of the circle first, with its apprehension not mediated by a process of part-summation. Only after this primary apprehension might one notice that it is made up of lines or dots or stars.

The two men who served as Wertheimer's subjects in the phi experiments were Khler and Koffka. Khler was an expert in physical acoustics, having studied under physicist Max Planck, but had taken his degree in psychology under Carl Stumpf. Koffka was also a student of Stumpf's, having studied movement phenomena and psychological aspects of rhythm. In 1917, Khler published the results of four years of research on learning in chimpanzees. Khler showed, contrary to the claims of most other learning theorists, that animals can learn by "sudden insight" into the "structure" of a problem, over and above the associative and incremental manner of learning that Ivan Pavlov and Edward Lee Thorndike had demonstrated with dogs and cats, respectively.

In 1921, Koffka published a Gestalt-oriented text on developmental psychology, Growth of the Mind. With the help of American psychologist Robert Ogden, Koffka introduced the Gestalt point of view to an American audience in 1922 by way of a paper in Psychological Bulletin. It contains criticisms of then-current explanations of a number of problems of perception, and the alternatives offered by the Gestalt school. Koffka moved to the United States in 1924, eventually settling at Smith College in 1927. In 1935, Koffka published his Principles of Gestalt Psychology. This textbook laid out the Gestalt vision of the scientific enterprise as a whole. Science, he said, is not the simple accumulation of facts. What makes research scientific is the incorporation of facts into a theoretical structure. The goal of the Gestaltists was to integrate the facts of inanimate nature, life, and mind into a single scientific structure. This meant that science would have to accommodate not only what Koffka called the quantitative facts of physical science but the facts of two other "scientific categories": questions of order and questions of Sinn, a German word which has been variously translated as significance, value, and meaning. Without incorporating the meaning of experience and behavior, Koffka believed that science would doom itself to trivialities in its investigation of human beings.

Having survived the Nazis up to the mid-1930s,[18] all the core members of the Gestalt movement were forced out of Germany to the United States by 1935.[19] Khler published another book, Dynamics in Psychology, in 1940 but thereafter the Gestalt movement suffered a series of setbacks. Koffka died in 1941 and Wertheimer in 1943. Wertheimer's long-awaited book on mathematical problem-solving, Productive Thinking, was published posthumously in 1945, but Khler was left to guide the movement without his two long-time colleagues.[note 1]

Gestalt psychology differs from Gestalt therapy, which is only peripherally linked to Gestalt psychology. The founders of Gestalt therapy, Fritz and Laura Perls, had worked with Kurt Goldstein, a neurologist who had applied principles of Gestalt psychology to the functioning of the organism. Laura Perls had been a Gestalt psychologist before she became a psychoanalyst and before she began developing Gestalt therapy together with Fritz Perls.[20] The extent to which Gestalt psychology influenced Gestalt therapy is disputed. On one hand, Laura Perls preferred not to use the term "Gestalt" to name the emerging new therapy, because she thought that the Gestalt psychologists would object to it;[21] on the other hand, Fritz and Laura Perls clearly adopted some of Goldstein's work.[22]

The Gestalt psychologists practiced a set of theoretical and methodological principles that attempted to redefine the approach to psychological research. This is in contrast to investigations developed at the beginning of the 20th century, based on traditional scientific methodology, which divided the object of study into a set of elements that could be analyzed separately with the objective of reducing the complexity of this object.

The principle of totality asserts that conscious experience must be considered globally by taking into account all the physical and mental aspects of the individual simultaneously, because the nature of the mind demands that each component be considered as part of a system of dynamic relationships. Thus, holism as fundamental aspect of Gestalt psychology.[9][24] Moreover, the perception of the nature of a part depends upon the whole in which it is embedded.[9][25] The maxim that the whole is more than the sum of its parts is not a precise description of the Gestaltist view.[9] Rather, as Koffka writes, "The whole is something else than the sum of its parts, because summing is a meaningless procedure, whereas the whole-part relationship is meaningful."[26]

Based on the principles, phenomenon experimental analysis was derived, which asserts that any psychological research should take phenomena as a starting point and not be solely focused on sensory qualities. A related principle is that of the biotic experiment, which establishes the need to conduct real experiments that sharply contrasted with and opposed classic laboratory experiments. This signified experimenting in natural situations, developed in real conditions, in which it would be possible to reproduce, with higher fidelity, what would be habitual for a subject.[27]

The key principles of gestalt systems are emergence, reification, multistability and invariance.[29] These principles are not necessarily separable modules to model individually, but they could be different aspects of a single unified dynamic mechanism.[30]

Reification is the constructive or generative aspect of perception, by which the experienced object of perception contains more explicit spatial information than the sensory stimulus on which it is based. For instance, a triangle is perceived in picture A, though no triangle is there. In pictures B and D the eye recognizes disparate shapes as "belonging" to a single shape, in C a complete three-dimensional shape is seen, where in actuality no such thing is drawn.

Multistability (or multistable perception) is the tendency of ambiguous perceptual experiences to pop back and forth between two or more alternative interpretations. This is seen, for example, in the Necker cube and Rubin's Figure/Vase illusion. Other examples include the three-legged blivet, artist M. C. Escher's artwork, and the appearance of flashing marquee lights moving first one direction and then suddenly the other.

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