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I'd like to add that, many would like to go for the Registry method because they are afraid they might loose all their settings. Just re-download(if you don't already have the download file ) and reinstall. When reinstalling, tick
Just re run the installer and select the options in the setup and let it install. You'll not loose any data. Everything will be still intact as it was before. It just adds the missing settings and updates the path.
For environment variables to be expanded from Registry values, the values must be of type REG_EXPAND_SZ (including the Default value of the keys if they also contain environment variables), and values of this type are not stored as classic text in a .reg file, but as a hex data format. I created the Default values for the new keys with the REG_EXPAND_SZ type using another key I exported to a .reg to avoid using commands (even if I think REG_SZ would have been enough for them in this particular case). See here and here.
In this release, we are adding the Open with Code Insiders contextmenu entry to Windows 11 contextmenufor insiders by default. For users, who had previously opted into thecontext menu when installing the insiders, the entry which would showup in the old style menu Shift + F10 will now be replaced with thenewer entry when updating to the latest insiders. For others, youwould need to reinstall insiders and opt-in to enable this menu entryin the setup wizard. Due to the issues we have encountered duringdevelopment of this menu entry, we plan to iterate on this featurewith insiders for a couple of milestones to gain confidence before wecan push this out to stable release for all Windows 11 users.
The easiest way to solve this issue is by using the installer but if you are using a portable version or whatever reason then basically, it is relevant only for Windows 10 and earlier, but it also works on Windows 11 if you use the old-style menu.
You can put the code in a .reg file or run it manually. The first entry of the file is optional, but I added it as it shows in the code. Needless to say, you need to set the path to your VSCode location.
This problem usually occurs when the vs code user has standard user role. On VS Code installation admin prompt pops up which means that vs code is installed as admin user. If you ticked the boxes, the shortcuts are added but applied only on admin account which was typed into admin prompt on installation.
Quick workaround is to temporary add the current user (who will use the vs code) to administrators group, uninstall and then install VS Code again with the current user admin rights, and after installation remove the user from the admin group.
I built a studio for interviews, so my camera is always in the same place. I spent a good deal of time researching the options before ultimately settling on the Sony A6400, but that doesn't mean this is the right choice for everyone. I closely considered the Sony a7 III and the Canon EOS M50 Mark II, but if you want to film on the go, you may decide on the GoPro Hero, and if you're on a budget, the Logitech c922 webcam may get the job done.
I also use a second camera: a Mevo Start. While the picture quality isn't as good as the Canon, it's very portable and easy to use on location. It also comes with an app that makes it easy to frame multiple shots, allowing me to replicate some but not all of the functionality of a PTZ camera.
I covered the panels in purple burlap and hung them on the walls. To fill the gap between the panels, I asked Detroit event producers for leftover posters from their past events, which created a colorful display behind me.
I was already using the R0decater Pro for my podcast and it's fantastic. It easily recreates the most important functionality of a radio studio board. When my podcast was audio only, it was the central component in my recording setup; I was using the R0decaster as a mixer and outputting a stereo file to minimize post-production editing.
However, now that I am producing videos, my computer is the central component, and I find myself using the R0decaster as an audio interface to bring sound into the computer. I could probably get away with a less expensive Focusrite Scarlett 2i2, as I now launch video bumpers from my computer instead of audio bumpers from the R0decaster.
My microphones are R0de Procasters. I also considered the Shure SM7B and the Electro-Voice RE320. I experimented with using lavalier mics, which would have been less visually intrusive, but I was never happy with the sound. (For remote recordings, I usually use an ATR2100, an ATR2005, or a Samson Q2U.)
When it came time to select software, I already knew that I wanted a program that lived on my computer, not a web-based app like StreamYard or BeLive. These are fine, easy-to-use tools for people who are looking to stream, but I wanted something that would give me more control and a more polished look.
That left me with three options: vMix, OBS, or eCamm Live. I have been a faithful Mac user for decades and vMix is only available on Windows, so that option was eliminated. Ultimately, I settled on eCamm Live, in part because I found their active Facebook community to be very helpful.
I decided to purchase a dedicated computer for my studio. I have long been a fan of the Mac Mini, so when Apple brought it back after a long hiatus, it was a natural choice. However, if I had know that Apple was going to introduce the more powerful Mac Studio this year, I might have waited for it.
The final piece of hardware, which I cannot recommend strongly enough, is the Elgato Stream Deck, which allows me to assign functions to keys that I can press, much like I would fire things from the board in a radio studio. I opted for the 15-key Stream Deck, though if I were to go back in time, I would purchase the 32-button version. It's an essential tool for me.
I had to teach myself the ins and outs of three-point lighting. It helps that the COO of our sister company jācapps, Bob Kernen, won a daytime Emmy for producing Lamp Chop's Play-Along, and his office is less than 50 feet from my own. After picking his brain, I purchased a 3-pack of Neewer LED lights for the studio.
While the posters on the wall behind the interview desk made for an interesting backdrop, it could also be very busy. I solved this problem by purchasing some inexpensive colored flood lights and casting a purple glow on the walls, which provides a nice ambience.
Overall, I'm happy with the quality I have been able to get with this setup. All told, this television studio probably cost around $8,000. It's not cheap for a sole podcaster, but a radio station should be able to build a video studio worthy of artist interviews, morning shows, and client projects.
Seth Resler is a 30-year broadcasting and podcasting veteran who worked on the mic and behind the programming desk at radio stations in New York City (WXRK), Boston (WBCN), Seattle (KNDD), St. Louis (KPNT), Providence (WBRU), and Silicon Valley (KEZR) before crossing into online marketing. As the digital strategist at Jacobs Media, Seth works with radio stations across the U.S., helping them design and implement action plans that combine websites, social media, email marketing, search engine optimization, content marketing, lead generation, and other online tools. Seth is currently the Vice-Chair of the Michigan Association of Broadcasters Foundation. He is also the founder of Community Marketing Revolution.
As a former radio AND TV guy, I have to say this the most well-written and easy to understand piece I have ever read on setting up a little video studio. You could not have created a better template for anyone who wants to move from being a media company to a multimedia company.
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