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“Thank you, but;—er—I’m on the wagon, you know,” declined the youth.
But later in the day when word came from a nearby town that Reginald had been seen in a strange touring car with two unknown men and a girl, the gossips commenced to wag their heads. It was mentioned, casually of course, that this town was a few stations along the very road upon which Abigail had departed the previous afternoon for that destination which she had not reached. It was likewise remarked that Reginald, the two strange men and the GIRL had been first noticed after the time of arrival of the Oakdale train!
The Oskaloosa Kid cast a wide eyed glance of terror at Bridge. His lips moved in an attempt to speak; but fear rendered him inarticulate. Slowly, ponderously the THING ascended the dark stairs from the gloom ridden cellar of the deserted ruin. Even Bridge paled a trifle. The man upon the floor appeared to have met an unnatural death—the frightful expression frozen upon the dead face might even indicate something verging upon the supernatural. The sound of the THING climbing out of the cellar was indeed uncanny—so uncanny that Bridge discovered himself looking about for some means of escape. His eyes fell upon the stairway leading to the second floor.
If Jeb had but known it his young hopeless was already in the loft of the hay barn deep in a small, red-covered book entitled: “HOW TO BE A DETECTIVE.”
If Jeb had but known it his young hopeless was already in the loft of the hay barn deep in a small, red-covered book entitled: <i>How to Be a Detective</i>.
If Jeb had but known it his young hopeless was already in the loft of the hay barn deep in a small, red-covered book entitled: <i>How to Be a Detective</i>.
<p>“Shucks!” he cried. “I ain’t got nothin’ in my head,” nor did either sense the unconscious humor of the statement. “What I got is a gang o’ thieves an’ murderers, an’ I’m callin’ up thet big city deetectiff to come arter ’em.”</p>
The Oskaloosa Kid, self-confessed ‘tramp’ and burglar, flushed at the lurid obscenity of Dirty Eddie’s remarks.

<p epub:type="z3998:poem"><span>“'I had the makings and I smoked</span><br/><span class="i1">“'And wondered over different things,</span><br/><span>“'Thinkin' as how this old world joked</span><br/><span class="i1">“'In callin' only some men kings</span><br/><span>“'While I sat there a-blowin' rings.'”</span></p>
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etc.
— Dave
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On Jan 28, 2026, at 10:43 PM, Dave Roberts <drob...@gmail.com> wrote:
Also, I have an instance of “worth while” that should probably be modernized to “worthwhile.”


Here’s the original scan. I think there needs to be a scene break just before the paragraph that starts with “Burton’s car drew up before the doorway of the Prim home in Oakdale.” This paragraph takes place in another city. This final chapter is full of scene changes as the story reaches its resolution, most of which are marked with scene breaks in the original text, but in this case not.
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* I’ve found a painting on a museum site and it says they think it’s in the public domain, but there’s no other license information. Is that OK?No. You must find a reproduction of your selected painting in a book published before January 1, 1931.
On 2/19/26 2:43 PM, Dave Roberts wrote:
OK, if that works, then that’s great. That said, I think the text in SEMoS is at best confusing. SE might want to clarify that CC0 claims from museums on the list do NOT require finding the picture in a pre-1931 book, unless I missed it and that’s already there.
Also, are pictures in the SE image library that are marked “Used” off-limits for new works, or is SE open to reusing images?
I need some help on this one finding an appropriate cover picture. This was written in the early 20th century and so the older 18th century pictures don’t really fit.
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