Guru Nanak Dev Ji De Shabad Download ((NEW))
Veda Carovski
Within it's 1430 pages, most of the Shabads (hymns) of the Sri Guru Granth Sahib are arranged in these thirty-one Ragas, the traditional Indian musical measures and scales. Within the Ragas, they are arranged by order of the Sikh Gurus, with the shabads of the Hindu and Muslim saints. The shabads are written in various meters and rhythms, and are organized accordingly. For instance, Ashtapadi - eight steps, or Panch-padi - five steps. The Sri Guru Granth Sahib is written in Gurmukhi script, but the shabads were written in many different languages including Punjabi, Sanskrit and Persian.
The compositions of the Bhagats appears in 22 of the 31 raags. There are a total of 349 Shabads by the Bhagats. Within these 349 Shabads are also 3 Shabads by Guru Arjan Dev. The breakdown of these 352 shabads is given below:
b. Pauris - Literally there is no difference between a shabad and a pauri. The practical difference is that a pauri carries its idea further. In Punjabi language a pauri means a ladder. The word pauri is used in the Granth Sahib to define different parts of a 'VAR' - a heroic ballad e.g. Var Rankali of the third Guru or a long verse e.g. Jap Ji of Guru Nanak. The pauri is a long verse and may or may not have uniformity i.e. they may differ in metre and in number.
When Guru Nanak was approximately 30 years old, he had what he described as a direct encounter with God. Following this experience, Nanak began preaching about the oneness of God through hymns called shabads. Nanak eventually established a village where he continued to preach and shape what later became the Sikh tradition.
With this charge, Guru Nanak left his job and spent many years traveling throughout India and, according to early Sikh sources, even to the Middle East. He preached his message in the form of beautiful hymns called shabads. According to tradition, he was accompanied by Mardana, a musician and a Muslim by birth. Guru Nanak sang of the oneness of God, the equality of all people, the futility of empty ritualism.
The text consists of 1,430 angs (pages) and 5,894 shabads (line compositions), which are poetically rendered and set to a rhythmic ancient north Indian classical form of music.[7] The bulk of the scripture is divided into 31 main rāgas, with each Granth rāga subdivided according to length and author. The hymns in the scripture are arranged primarily by the rāgas in which they are read.[8] The Guru Granth Sahib is written in the Gurmukhi script in various languages including Punjabi, Lahnda, regional Prakrits, Apabhramsa, Sanskrit, Hindi languages (Braj Bhasha, Bangru, Awadhi, Old Hindi), Bhojpuri, Sindhi, Marathi, Marwari, Bengali, Persian and Arabic. Copies in these languages often have the generic title of Sant Bhasha.[9]
The Guru Granth Sahib was composed predominantly by six Sikh gurus: Guru Nanak, Guru Angad, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur. It also contains the traditions and teachings of fourteen Hindu Bhakti movement sants (saints), such as Ramananda, Kabir and Namdev among others, and one Muslim Sufi saint: Sheikh Farid.[10][11]
Guru Arjan began compiling an officially approved version of the sacred scripture for the Sikh community. He sent his associates across the Indian subcontinent to collect the circulating hymns of Sikh gurus and convinced Mohan, the son of Guru Amar Das, to give him the collection of the religious writings of the first three gurus in a humble manner by singing the hymns registered in Guru Granth Sahib, 248..mw-parser-output .templatequoteoverflow:hidden;margin:1em 0;padding:0 40px.mw-parser-output .templatequote .templatequoteciteline-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0
The Guru Granth Sahib contains predominantly hymns of the following Sikh Gurus: Guru Nanak, Guru Angad, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Teg Bahadur.[35] Whilst these six gurus are widely accepted as having their writings included in the Guru Granth Sahib, there are some who argue compositions of Guru Har Rai and Guru Gobind Singh are also included.[36][37][38][39] A Salok Mahalla Satvan (7) and Dohra Mahalla Dasvan (10) have been attributed by some to the seventh and tenth gurus, respectively.[36][37][38][39] It also contains hymns and verses of thirteen Hindu Bhakti movement sant poets (saints) and two Muslim saint poets. There are also idolatry verses for the Gurus such as Guru Nanak fused into some pages, those composed by bards (Bhatts).[clarification needed] The hymns and verses are different lengths, some very long, others being just a few line verses.[10][35] Twenty-two of the thirty-one ragas contain the contributions of bhagats.[5] The following is a list of contributors whose hymns are present in the Guru Granth Sahib[40] as well as the number of hymns they contributed:[5]
The entire Guru Granth Sahib is written in the Gurmukhi script, which was standardized by Guru Angad in the 16th century. According to Sikh tradition and the Mahman Prakash, an early Sikh manuscript, Guru Angad Dev had taught and spread Gurmukhi at the suggestion of Guru Nanak Dev who invented the Gurmukhi script.[43][44] The word Gurmukhī translates to "from the mouth of the guru". It descended from the Laṇḍā scripts and was used from the outset for compiling Sikh scriptures. The Sikhs assign a high degree of sanctity to the Gurmukhī script.[45] It is the official script for writing Punjabi in the Indian State of Punjab.
In 1708, Guru Gobind Singh conferred the title of "Guru of the Sikhs" upon the Adi Granth. The event was recorded in a Bhatt Vahi (a bard's scroll) by an eyewitness, Narbud Singh, who was a bard at the Rajput rulers' court associated with gurus.[50] Sikhs since then have accepted the Guru Granth Sahib, the sacred scripture, as their eternal-living guru, as the embodiment of the ten Sikh Gurus, the highest religious and spiritual guide for Sikhs. It plays a central role in guiding the Sikh's way of life.[6][51]
No one can change or alter any of the writings of the Sikh gurus written in the Guru Granth Sahib. This includes sentences, words, structure, grammar, and meanings. This tradition was set by Guru Har Rai. He sent his eldest son Ram Rai as an emissary to the Mughal emperor Aurangzeb in Delhi. Aurangzeb, a devout Muslim ruler, objected to a verse in the Sikh scripture (Asa ki Var) that stated, "the clay from a Musalman's grave is kneaded into potter's lump", considering it an insult to Islam. Ram Rai tried to please the emperor by explaining that the text was miscopied and modified it, substituting "Musalman" with "Beiman" (faithless, evil) which Aurangzeb approved.[52][53] The willingness to change a word led Guru Har Rai to bar his son from his presence, and name his younger son as his successor.[53]
The Guru Granth Sahib is always the focal point in any gurdwara, seated on a raised platform known as a Takht (throne), while the congregation of devotees sits on the floor and prostrate before the guru as a sign of respect. The Guru Granth Sahib is given the greatest respect and honour. Sikhs cover their heads and remove their shoes while in the presence of this sacred scripture, their eternal living guru. The Guru Granth Sahib is normally carried on the head and as a sign of respect, never touched with unwashed hands or put on the floor.[54] It is attended with all signs of royalty, with a canopy placed over it. A chaur (fan whisk) is waved above the Guru Granth Sahib.[55]
Several rituals are performed every day in major Sikh gurdwaras (temples) such as the Golden Temple. These rituals treat the scripture as a living person, a guru, out of respect. The rituals include:[56][57]
These shabads are hymns or spiritual poems written by saints and mystics from different spiritual traditions of the Indian subcontinent. The shabads convey a deep message of truth and are sung with heartfelt devotion. They express the intense longing of the soul for union with the Lord. These songs of devotion are prayers that inspire the true seeker to turn inwards to contact the ultimate Truth - the inner divine music that reverberates within every being.
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