Download Video Something Just Like This One Voice Children 39;s Choir !!BETTER!!
Princesa Landes
Coldplay and The Chainsmokers are probably one of the more unlikely collaborations we'll see this year in music, but "Something Just Like This" may be one of the best collabs we'll see. Musically, it's entrancing. It's everything we love about The Chainsmokers' thoughtful and body-moving approach to EDM music with everything we love about the dry, smooth power of Chris Martin's voice. It's really the best of both worlds, and while the group is an unlooked for collaboration, personally, I'll be looking for more songs from these two groups.
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It's at this point in the song that both the lyrics and music gain power. The words "I want something just like this" gain power because of the way Christ Martin repeats them, and the music gains power as The Chainsmokers "drop the beat" and bring heavy synth in. This is obviously the point in listening to the song when dancing is supposed to be at its craziest and when emotions are supposed to be at their highest.
I like this song because it's simple and sweet. The cover art is a picture of a young boy pretending to be a superhero, and I think this fits well because many people still want to identify with the precociousness and imagination and ambition of the children they once were. The narrator in this relationship feels like a child wanting to be a superhero, but his adulthood reminds him that superheroes aren't real and that he isn't one. The love interest's response, however, shows him how he can be a superhero for her even if he isn't for everyone else.
So, last week you were talking about that he's just starting to do things like pick them up and release it to drop it in. So, this week, we pulled together some things that you had at your house where we could practice some of those skills and see what he's doing. So these are really cute. You made these.
MOSLEY: Kenan has entertained us for most of his life, first acting in commercials starting at just 5 years old, and later on, Nickelodeon with shows like "All That" and "Kenan And Kel." Of course, that's the story most of us know. In his new book, Kenan takes us behind the curtain, revealing for the first time stories that he's never shared before, like a dark financial period in the early 2000s that almost ruined him, the time he thought about giving up acting altogether and what really happened between him and his longtime co-star Kel Mitchell. Kenan Thompson's new book is called when "I Was Your Age: Life Lessons, Funny Stories And Questionable Parenting Advice From A Professional Clown." He currently stars in the animated musical comedy film "Trolls Band Together" as the voice of Tiny Diamond and as the co-star of "Good Burger 2" with Kel Mitchell. "Saturday Night Live" is also back for its 49th season. Kenan Thompson, welcome back to FRESH AIR.
THOMPSON: It did. And then it just grew into, you know, rumor mill kind of nonsense that just kept us kind of pursuing our own kind of, like, lives, basically, like learning what it is to be a grown man trying to get a job and keep a job and this, that and the other. So there wasn't really a lot of time for what wasn't directly in front of us. And since we weren't directly in front of each other, you forget that you haven't spoke to your friend in a while. You know what I mean? And then, you know, you let a rumor from a person go in and out of someone's ear or whatever, and then, you know, you just decide not to speak a little longer and then a little longer and then whatever. It just all becomes kind of, like, we don't really know why we're not talking kind of thing. You know what I mean? And that's what happened. And then thankfully, you know, we were, like, you know, forced reunited by doing the "Good Burger" thing on "The Tonight Show" back in the day, but...
THOMPSON: Yeah. Basically, long story short, you know, the promise of looking out turned into taking advantage of. And, like, we were, you know, unfortunately, like, ignorant enough to give a person power of attorney when they should never have had it. Like, I have never given anybody that since. But, you know, when you're struggling and somebody, you know, comes along and helps you in one situation, you think they can help you in another situation. And that's what happened. Like, the dude helped my mom with her tax problem, and she thought he was a good enough dude to help me, like, manage what was coming in. She didn't want me, like, you know, spending everything and just going crazy or whatever. So I understood that and, you know, went along with it. And I don't fault her for that to this day, but I know she carries that burden. And it breaks my heart, you know, because it's not her burden. It's not her karma. It's totally his. But basically he just, you know, disappeared with everything.
THOMPSON: In the beginning, you know, we went to church a lot, especially, like, if we were in Virginia, you know, at my grandparents' house, she would send us to church almost every night just to, like, get us out of the house, number one, but also, like, keep us out of trouble. But growing up in Atlanta, yeah, we were in the choir. We were in the teenage choir, just in youth groups, Bible study. And so it was at least three days a week of church, for sure. Ushering, you know?
MOSLEY: Yeah. You know, you - as you write in the book, you aren't religious now as an adult, but as a former church kid, too, I just wonder how you navigate community with your girls now, because church does offer kind of, like, this third place from, like, home and school or work and school, especially for kids. And you talk about in the book looking forward to when you were a kid, roaming the halls and hanging out with your church girlfriend and all of that.
THOMPSON: Well, that was two different times. I had, you know, being followed by the cops in Atlanta wasn't anything new, necessarily, but it hadn't happened to me yet. So I ran home and told her about that, and she was like, well, what were you doing? I was like, we were just riding around looking at houses. She was like, well, you have to be aware, you know, like, those things might happen, and make sure that you're, you know, not riding dirty and this, that and the other.
But the time I actually came home with an awakening, I had just learned a whole bunch from, you know, outside of high school kind of theater department kind of people that were, you know, giving us knowledge that wasn't in the current curriculum kind of thing. And I was, like, putting, you know, kind of two and two together about all these things. And I just came home and just unloaded on, you know, all these things that I was like, well, this is happening, and this is happening, and this is happening. Did you know this? And did you know that? And can you believe this? And she just had to sit there and be like, yeah, I'm aware. And, like, that's - that is what it is. And I remember the sadness on her face of watching my innocence go away like that.
THOMPSON: And at that point, like, I had done, like, a lot of random, you know, kind of impressions that weren't really impressions. They were just people that existed, like Carol Moseley Braun. Like, I don't have a Carol Moseley Braun impression. You know what I mean? And I don't have a S. Epatha Merkerson impression. You know what I mean? It's just like, these are just people that have names and are out there in the world. And S. Epatha was doing a lot of, like, "Law And Orders" or something like that, so her name would come up in the zeitgeist in that era. But, like, you know, I didn't spend my life growing up, you know, doing impressions of, like, Whoopi even, you know? So it just became, like, a lot. And I was like, I feel like, No. 1 we're missing the opportunity of finding someone incredible. But also, No. 2, like, this is kind of tapped out, you know? Like, we told this joke before, basically.
THOMPSON: I mean, I think the promos rotate, but, you know, it's nice when they call you to do it often because it feels like, you know, you just help deliver things - you know what I mean? - in a way that makes it a lot less of a headache or something like that. If I can make anybody's job easier, then, you know, call me up. I'm here for it. And then monologue things is just, you know, if one of the writers, you know, has a joke for it or an idea for it, or it fits, or if I have an idea, like with Chadwick, you know, I just had that idea to...
THOMPSON: Yes. Well, I interrupt Chadwick's monologue fully dressed like the character Panthro from the "ThunderCats," which was a cartoon in the '80s. And everybody assumed that Panthro was Black because of how his voice sounded. And that was just, you know, what we ran with as kids. That was the rumor - you know what I mean? - because he just - he sounded like a Blaxploitation kind of character, like, you know, any Black man that don't take no mess kind of thing. Like, I don't even know if he was Black or not. Like, it hasn't been proven, but in my mind, he was. So I interrupt Chadwick talking, and I'm claiming to be the original Black Panther, who's not getting enough love, dressed as a light blue, bald-headed panther.
THOMPSON: Mostly just enjoying what I heard happen in the room. I was like, oh, I heard that that, you know, when I was listening as I was performing, that that went well. So I would kind of see, like, what everybody else saw just out of curiosity. Like, I did this, like, you know, like, a tape to my kids sketch thing where I was like - this is a video explaining something, you know, when the character kind of like passes away or something like that or whatever. And I think it was when Zoe Kravitz hosted. And they were fast-forwarding through the video. So then I was like doing the fast-forward movement like the tape was fast-forwarding. And, like, you know, it really - it got like an applause break, like, twice or whatever, you know, because it was like really funny or whatever. So I remember watching that back, and I was like, oh, yeah, that's pretty funny.
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