Gone Girl is a 2014 American psychological thriller directed by David Fincher and written by Gillian Flynn, based on her 2012 novel of the same name. It stars Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, and Carrie Coon in her film debut. In the film, Nick Dunne (Affleck) becomes the prime suspect in the sudden disappearance of his wife, Amy (Pike) in Missouri.
Gone Girl premiered as the opening film at the 52nd New York Film Festival on September 26, 2014, and was theatrically released in the United States on October 3, 2014 by 20th Century Fox. The film received highly positive reviews from critics upon release, with Pike's performance garnering widespread critical acclaim. It also emerged as a commercial success at the box-office, grossing $370 million worldwide against a $61 million budget, to become Fincher's highest-grossing film. It is considered a cult postmodern mystery.[4][5]
On their fifth wedding anniversary, writing teacher Nick Dunne returns home to find his wife Amy missing. Amy's fame as the inspiration for her parents' successful Amazing Amy children's books ensures widespread press coverage. The media finds Nick's apathy towards the disappearance suspicious.
Flashbacks in the form of diary entries show a complex reality and a deteriorating marriage. Amazing Amy was an idealized completion of the real Amy's failures. Both Nick and Amy lost their jobs in the recession and moved from New York to Nick's hometown of North Carthage, Missouri, to support his dying mother. Nick grew distant from Amy and began an affair with Andie, one of his students, while Amy became resentful towards Nick for uprooting her.
Detective Rhonda Boney and the forensic team find poorly concealed evidence of struggle and profuse blood loss in the house. Boney learns of financial issues, spousal disputes, and Amy's recent attempt to buy a gun. Medical reports indicate Amy was pregnant, which Nick denies knowledge of.
On every wedding anniversary, Amy had set up elaborate treasure hunts for Nick. This year's clues appear in places where Nick had sex with Andie, thus revealing Amy's knowledge of his affair. Nick discovers thousands of dollars of items purchased with his credit card hidden in his twin sister Margo's woodshed. Amy's clues lead authorities to a half-burnt diary documenting her growing dread of Nick and ending with a genuine fear that he will kill her.
The audience then learns that Amy is alive and hiding in a campground in the Ozarks. After discovering Nick's affair, Amy conceived an elaborate plan to frame him for her murder. She had him ramp up her life insurance and secretly used his credit card to buy the woodshed items. She befriended a pregnant neighbor, told her stories about Nick's temper, and stole her urine to fake a pregnancy, thus eliciting media sympathy after her disappearance. She wrote a diary with increasingly fabricated entries and placed incriminating evidence in the treasure-hunt spots for the police to find. On the morning of her disappearance, Amy drained and splattered her own blood across the kitchen and then cleaned it haphazardly. Her original plan was to drown herself after Nick's arrest and have her body found to ensure his death sentence.
Nick deduces Amy's scheme, convinces Margo of his innocence, and hires lawyer Tanner Bolt, known for representing uxoricide suspects. Nick meets two of Amy's ex-boyfriends: Tommy O'Hara claims he was framed for rape by her after he ended their relationship; wealthy Desi Collings, against whom Amy had filed a restraining order for stalking, turns Nick away.
When Amy's campground neighbors rob her, she calls Desi for help, convincing him that she fled Nick's abuse. Desi agrees to hide her in his lakehouse. Bolt convinces Nick to reveal his affair on a popular talk show, thus seizing the narrative initiative from the media. Andie reveals the affair at a press conference shortly before the show, but Nick insists on conducting the interview. He affirms his innocence and feigns regret for his shortcomings as a spouse, knowing that Amy will be watching.
The interview is a success, garnering widespread sympathy for Nick. However, Boney has already gathered enough murder evidence and arrests Nick and Margo. Bolt bails them out, and they brace for the impending trial. After watching Nick's interview, Amy rekindles her attraction to him and spends weeks crafting her escape story. Using lakehouse surveillance cameras and self-inflicted wrist and vaginal injuries, she makes it appear that Desi kidnapped and raped her. She then seduces Desi, slits his throat during sex, and returns home covered in his blood, thus clearing Nick of suspicion.
Medical examiners lend credence to Amy's story. During questioning, Boney probes her inconsistencies, but Amy spins the focus onto Boney by calling her incompetent. The FBI believes Amy and closes the case, but Boney gleans Amy's guilt. Upon returning home, Amy tells Nick the truth, admitting to Desi's murder. She states that the Nick pleading for her return on TV is the one she wants, and the one who inspired her forgiveness. Nick shares this with Boney, Bolt, and Margo. Despite unanimously agreeing that Amy is guilty, everyone acknowledges a lack of evidence. Bolt wishes Nick well and returns to New York.
A televised interview takes place in their home seven weeks later. Anticipating Nick's intention to leave her and publicly expose her story, Amy reveals her pregnancy minutes before the interview, having inseminated herself with Nick's sperm from a fertility clinic. Nick reacts violently at first but feels responsible for the child and ultimately decides to stay with Amy, despite Margo's despair. The "happy" couple announces on television that they are expecting a child.
Following the release of the novel in June 2012, the 20th Century Fox studio optioned the book in a deal with Flynn, in which the author negotiated that she would be responsible for the first draft of the screenplay. By around October 2012, Flynn was engaged in the production of the first draft while she was also involved in the promotional tour for her novel. Then a first-time screenwriter, Flynn later admitted: "I certainly felt at sea a lot of times, kind of finding my way through."[10]
Flynn submitted her first draft screenplay to the Fox studio in December 2012, before Fincher was selected as the director for the project.[11] Fincher had already expressed interest in the project, and after he finished reading Flynn's first draft, a meeting was scheduled between the director and author within days. Typically, authors are removed from film adaptations following the first draft and an experienced screenwriter takes over; but, on this occasion, Fincher agreed to work with Flynn for the entire project. Flynn later explained: "... he [Fincher] responded to the first draft and we have kind of similar sensibilities. We liked the same things about the book, and we wanted the same thing out of the movie."[12]
As further preparation, Flynn studied screenplay books and also met with Steve Kloves, who wrote the scripts for the Harry Potter series.[12] Fincher also provided guidance and advised the author: "We don't have the ability to gift the audience with the characters' thoughts, so tell me how they're behaving."[13] During the production of the final screenplay, Fincher and Flynn engaged in an intensive back-and-forth working relationship: Flynn sent Fincher "big swaths" of writing, which he then reviewed, and Fincher would then discuss the swaths with Flynn by telephone. Eventually, some scenes were rewritten "a dozen times", while other scenes were unaltered.[10]
Following the release of the film, Flynn spoke of an overwhelming adaptation process, in which she tackled a 500-page book with an intricate plot; she explained that her experience working for a magazine meant that she "wasn't ever precious about cutting." As a consequence of the distillation process, most of the parental storylines were lost, so the mother of the character of Desi Collings does not appear in the film, and it was not possible to include flashbacks of Nick Dunne's dead mother.[14]
In terms of the film's ending, Flynn revealed that she experimented with a "lot of iterations". One of the aspects that she was certain of was the presence of the media, which she described as the "third player", alongside Nick and Amy. In Flynn's words: "Once we got to the ending, I wanted it to wrap up quickly. I didn't want 8 million more loop-de-loops ... I had no problem tossing stuff out and trying to figure out the best way to get there."[12]
Flynn enjoyed the experience of making the film, and she expressed appreciation for Fincher's involvement, as he "really liked the book and didn't want to turn it into something other than what it already was", and he also reassured her, even when she second-guessed herself.[11] Fincher described Flynn's screenwriting work as "very smart", "crafty", and "extremely articulate".[10][13]
On September 11, 2013, the Gone Girl film crew began filming establishing shots.[15] Principal photography began on September 15 in Cape Girardeau, Missouri, and was scheduled to last about five weeks.[16][17] Some interior scenes were filmed in Los Angeles,[17] with a door that could not be replicated being shipped there from Cape Girardeau.[18]
Fincher later called Affleck "extremely bright" in regard to the manner in which he drew on his own experience with the media for the character of Nick Dunne. Fincher explained that Affleck "has a great sense of humor and great wit about what this situation is and how frustrating it is". Fincher described the behavior of the media in the film as "tragedy vampirism", but clarified that "The New York Times and NPR are not in the flowerbeds of the Dunne house".[13]
The lead costume designer in Gone Girl is Trish Summerville.[20] Summerville has worked with director David Fincher as the costume designer for The Girl with the Dragon Tattoo.[21] Summerville told InStyle magazine, that she wanted Nick and Amy's clothing to look contemporary due to the film's present-day setting, yet understated and simple as to illustrate the idea that Nick and Amy are a regular and unassuming couple. Summerville goes on to explain that she wanted the clothes to look like everyday life as if they ordered them online or bought them at the mall, she tells[21] that figuring out what Nick and Amy's 'everyday life' is like was one of her biggest challenges.[21] As a result of Amy's self-proclaimed 'cool girl' status, her costumes directly reflect the traditionally chic yet girl-next-door attitude. Amy's pieces can be seen as more timeless than high fashion and trendy as Summerville explains that Amy is just "kind of not that girl."[21] This is also exemplified through Amy's jewelry; she wears a Rose Gold Cartier Love bracelet as well as a necklace containing a floating 'A' to show how Amy holds onto keepsakes from the past.
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