Dishkiyaoon Movie Cast

[Dominik Ransom]

Bollywoodcastings for film productions have been held regularly since 2008. So we were able to cast a lot of great new artists and add them to our card index.

Some of these castings were accompanied by the TV broadcaster NDR or the magazine "Bild der Frau" and there are more Dates for the BollyDance Company too in planning. You can here APPLY.

Working for Bollywood Films!

We are looking for female dancers for Bollywood film and dance performances with the main location in Mumbai / India!

You have experience as a dancer, you are about 165-170 cm tall, maybe even blonde and would like to work in India for 6 months and have the necessary vaccinations and a valid passport?

If you are curious and want to find out more - contact us by email cas...@pari-productions.comto get more information. Before that we would like some brief information about you as well as some current pictures, one with and without make-up, one on which you can be seen completely and a dance picture.

At the end of 2013 Pari Productions did a casting for the Bollywood film industry in India. We were looking for blonde dancers. The whole thing was accompanied by the Hamburg evening paper.

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Pari Production organized the casting for the movie "Kaiserschmarrn". 40 dancers were selected from 100. The trailer was shot in October 2012. The jury members at the casting were: Tatjana Wegner, Tobias Galke, Sebastian Deyle, Andreas Knuffmann. Producers are: Sebastian Deyle (leading role) and Andreas Knufmann (Boomerang Films Productions).

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Another visit to Mumbai and the experience with Bollywood film productions have shown that there is a great need for European actors on site. So Pari Productions has decided to operate directly in India. Between January 17 and March 17, 2011 Pari Productions organized castings and special workshops in Goa, tailored directly to the respective film and event productions. For all those interested it was an ideal opportunity to take the first steps to Bollywood and combine a beach holiday with it. The auditions were a complete success and have confirmed Pari Productions in this approach. Since many film productions from Mumbai are present in Goa, artists could be arranged. The initiative was welcomed by the Bollywood industry. Tatjana Wegner, Sissi Perlinger, Marianne Borgo and Manoj Srivastava were on the jury and were able to view many interesting applicants or add them to the placement database. Further castings of this kind are planned in the future.

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Bollywood in Hamburg - in the early summer of 2010, the children's short film "Crazy in Love" was shot under the direction of Ali Hakim and Peter Oldak. As with the Indian role models, this is also about love. The convent student Sanju falls in love with the substitute teacher Blumenberg. Just like in Bollywood, he sings about his love and various dance scenes follow. Unfortunately, waking up from this daydream is not that gentle. Pari Production was present at the casting and Tatjana Wegner choreographed the dance scenes.

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In the second part, "WITCH LILLI - The Journey to Mandolan", Lilli, the little super witch travels to Mandolan, a fairytale-like India, to free the rightful king. When they arrive at the Mandolan's throne room, there is a big celebration at which a Bollywood dance group with 10-12 dancers is to perform. Pari Productions hosted a casting for Disney Production. At the beginning of September 2009 the Bollywood dance scene was successfully filmed in Babelsberg Studio with the dancers we arranged. The dance group consisted of dancers from Hamburg, Berlin and Bombay. The movie was presented in the cinema in February 2011.

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Whole choreographies for Bollywood songs can be practiced at home in easily comprehensible individual sections. The holistic training brings you back into shape and takes you into Indian dream worlds.

Indian Designer duo Kapil and Mmonika Arora celebrated their success at a fashion week with the team of upcoming film Dishkiyaoon. Indian actor Shilpa Shetty, who has turned producer for the first time with this film, arrived in the Delhi-based designers' studio along with the cast Harman Baweja, newcomer Ayesha Khanna and director Sanamjit Singh Talwar. Also Read - World Yoga Day: Shilpa Shetty, Malaika Arora and other B-town actresses who practice Yog

When asked about the film and why she chose to produce it, the actor said it is an original story which contains action, mystery and is also very entertaining. Also Read - Want to enjoy delicious meals just like celebs? Visit these expensive restaurants owned by Shilpa Shetty, Suniel Shetty and more stars

Shilpa also explained why she chose the title Dishkiayaoon, saying, "We wanted a title which was synonymous with a gun since it's a gangster movie. We wanted to do something different, so we came up with this title which I think is brilliant because it sounds very filmy and unique."

Director Bryan Singer returns with spectacular results to the superhero series that made him a blockbuster filmmaker. X-Men: Days of Future Past (or DOFP as I'll refer to it) makes it difficult to pick the single best and most entertaining X-Men movie, standing alongside X2: X-Men United and last year's The Wolverine: Unleashed Extended Edition (the definitive version of that film, as I explain in my re-review) in the contest for the franchise's crown -- a contest I'm pretty sure the newest film wins, though. And that's just after one viewing, so I expect my appreciation for the film will only grow the more I view it (especially if there's eventually a longer version released on Blu-ray).

This newest entry will definitely reign supreme in terms of sheer box office, and is already champ when it comes to critical reviews. But before I get to my own full review, let's look at some important financial data to see why this movie is going to be a hit, and why Fox is going to remain happy with the X-Men series.

The X-Men franchise has to date grossed more than $2.6 billion around the globe, from seven films. I'm including DOFP's current box office total ($300+ million) in that figure, and obviously that number will climb far higher by the end of DOFP's theatrical run. The series has, though, had some ups and downs in its history.

The first three films saw a steady increase in box office performance, starting with the first film's $296 million and then taking an impressive leap to $407 million for the second movie. It reached a series-high $459 million with the third installment, X-Men: The Last Stand, although that film met with decidedly mixed reviews and a lot of fan disappointment.

But then came the first solo spinoff attempt, X-Men Origins: Wolverine, which netted $373 million, a significant drop from The Last Stand, and garnered the worst reviews of any X-Men film. The series got a sort-of reboot via the prequel route in X-Men: First Class, which took $353.6 million at the box office, a gross that's respectable but not really stellar considering the continued downward trend of the franchise's box office at a time when the genre overall was surging toward cinematic domination. At least First Class returned the series to critical acclaim, after the back-to-back declining reception of The Last Stand and Origins.

This all depends on how well it holds on the second and third weekends, of course. But it had a very strong opening weekend with huge foreign box office, coupled with overwhelmingly positive reviews that are the best of the entire series (it's at 98% among Top Critics, and 92% overall) and an "A" Cinemascore from audiences. It also has the benefit of being the first team-up film of the franchise to be released in the aftermath of The Avengers and amid Marvel's brand ascendance to the status of "superhero movie trend-setters," while also demonstrating in the marketing that it has much more "superhero spectacle" to offer this time around.

DOFP's "break even" point is somewhere between $500-600 million in box office revenue, depending on how large the tax incentives were and how much "pre-sales" were involved. I'm going to go with $550 million as the middle range option, and so the movie will break even sometime around perhaps the third or fourth weekend, depending on its week-to-week holds and how big it opens in places like Japan and Spain in the coming weeks (it still has seven total markets left in which to open). The overseas numbers will do the heavy lifting, and the film could also surprise us all by proving even stronger domestically than we anticipate.

But let's just assume that, like the X-Men movies before it, this one can't quite break out much bigger than the more reserved-but-positive expectations -- what then? Well, in that case, the film at least turns a modest profit in theaters before heading to home entertainment where the big profit margins lie, while continuing to rack up other merchandising profits elsewhere.

If we look at the likely final box office numbers and assume reasonable merchandising numbers, then the combined box office and merchandising for the franchise will reach a total of roughly $4.5 billion for all seven films in theaters and merchandising ($2.6 billion current box office, at least $250 million in additional box office for DOFP by the end of its run, $1.5 billion total merchandising so far, and $150 million merchandising worldwide for DOFP when it's all said and done).

Now subtract the budget and marketing costs (taking into account average tax incentives) and we're left with about $2.8+ billion (from that original $4.5 billion figure we started with). Divide that by seven movies, and you get about $400 million as the average amount left for the studio per film. Assume the tax incentives were smaller than I calculated, and you'll still get at least $300 million per film. And keep in mind, Fox has released an X-Men movie about every two years on average so far since 2000. So the series provides an average annual income of about $150 million per year, for 14 straight years.

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