Koji Suzuki Ring Series

[Dominik Ransom]

Welcometo Abibliophobia, the monthly column where Katelyn Nelson digs into the connections and influences buried deep within the world of the written word and its far-reaching tendrils across media. Focused broadly on horror and the ways it sneaks among the pages, each month will explore a new book or series and its impact on our culture, through the lens of history, the relationship between film and literature, and what varying adaptations have to say about how we understand and recreate stories. So curl up by the fire and crack those dusty covers open. We have a lot of exploring to do.

Loop is, unsurprisingly, the only novel in the trilogy to have never been adapted. It is also the densest to read, in some ways. There is an incredible amount of talk about mortality vs immortality and the construction and death of virtual worlds. An entire undercurrent debate on the existence of God versus the probability of chance. Ideas about the potential future steps of human evolution that might bring us one step closer to immortality, and yet more debate on just what the qualifications are for something to be considered truly real.

By the end of Loop, however, it is somehow so much worse. Because as it turns out, her suffering was at the hands of man and man-who-played-god. Her rage is so great that it found its own way out to infect both worlds. She will not be silenced and she will not be controlled. She will be heard if she has to take the whole of creation down with her until hers is the only voice and visage left.

A row of condominium buildings, each fourteen stories high, ran along the northern edge of the housing development next to the Sankeien garden. Although built only recently, nearly all the units were occupied. Nearly a hundred dwellings were crammed into each building, but most of the inhabitants had never even seen the faces of their neighbors. The only proof that people lived here came at night, when windows lit up.

Off to the south the oily surface of the ocean reflected the glittering lights of a factory. A maze of pipes and conduits crawled along the factory walls like blood vessels on muscle tissue. Countless lights played over the front wall of the factory like insects that glow in the dark; even this grotesque scene had a certain type of beauty. The factory cast a wordless shadow on the black sea beyond.

A few hundred meters closer, in the housing development, a single new two-story home stood among empty lots spaced at precise intervals. Its front door opened directly onto the street, which ran north and south, and beside it was a one-car garage. The home was ordinary, like those found in any new housing development anywhere, but there were no other houses behind or beside it. Perhaps owing to their inconvenience to mass transit, few of the lots had been sold, and For Sale signs could be seen here and there all along the street. Compared to the condos, which were completed at about the same time and which were immediately snapped up by buyers, the housing development looked quite lonely.

A beam of fluorescent light fell from an open window on the second floor of the house onto the dark surface of the street below. The light, the only one in the house, came from the room of Tomoko Oishi. Dressed in shorts and a white T-shirt, she was slouched in a chair reading a book for school; her body was twisted into an impossible position, legs stretched out toward an electric fan on the floor. Fanning herself with the hem of her T-shirt to allow the breeze to hit her bare flesh, she muttered about the heat to no one in particular. A senior at a private girls' high school, she had let her homework pile up over summer vacation; she had played too much, and she blamed it on the heat. The summer, however, hadn't really been all that hot. There hadn't been many clear days, and she hadn't been able to spend nearly as much time at the beach as she did most summers. And what's more, as soon as vacation was over, there were five straight days of perfect summer weather. It irritated Tomoko: she resented the clear sky.

With the hand she had been running through her hair Tomoko reached over to turn up the volume of the radio. She saw a moth alight on the window screen beside her, then fly away somewhere, blown by the wind from the fan. The screen trembled slightly for a moment after the bug had vanished into the darkness.

She looked at the clock. Almost eleven. She thought of watching the day's baseball wrap-up on TV. Maybe she'd catch a glimpse of her parents in the infield seats. But Tomoko, who wanted in the worst way to get into college, was worried about the test. All she had to do was get into college. It didn't matter where, as long as it was a college. Even then, what an unfulfilling summer vacation it had been! The foul weather had kept her from having any real fun, while the oppressive humidity had kept her from getting any work done.

And what's with Mom and Dad anyway? Leaving their daughter all alone studying like this, covered in sweat, while they go gallivanting out to a ball game. Why don't they think about my feelings for a change?

Someone at work had unexpectedly given her father a pair of tickets to the Giants game, and so her parents had gone to Tokyo Dome. By now it was almost time for them to be getting home, unless they'd gone out somewhere after the game. For the moment Tomoko was home alone in their brand-new house.

It was strangely humid, considering that it hadn't rained in several days. In addition to the perspiration that oozed from her body, a dampness seemed to hang in the air. Tomoko unconsciously slapped at her thigh. But when she moved her hand away she could find no trace of the mosquito. An itch began to develop just above her knee, but maybe it was just her imagination. She heard a buzzing sound. Tomoko waved her hands over her head. A fly. It flew suddenly upwards to escape the draft from the fan and disappeared from view. How had a fly gotten into the room? The door was closed. Tomoko checked the window screens, but nowhere could she find a hole big enough to admit a fly. She suddenly realized she was thirsty. She also needed to pee.

She felt stifled -- not exactly like she was suffocating, but like there was a weight pressing down on her chest. For some time Tomoko had been complaining to herself about how unfair life was, but now she was like a different person as she lapsed into silence. As she started down the stairs her heart began to pound for no reason. Headlights from a passing car grazed across the wall at the foot of the stairs and slipped away. As the sound of the car's engine faded into the distance, the darkness in the house seemed to grow more intense. Tomoko intentionally made a lot of noise going down the stairs and turned on the light in the downstairs hall.

She remained seated on the toilet, lost in thought, for a long time even after she had finished peeing. The violent beating of her heart still had not subsided. She'd never experienced anything like this before. What was going on? She took several deep breaths to steady herself, then stood up and pulled up her shorts and panties together.

She washed her hands at the kitchen sink. Without drying them she took some ice cubes from the freezer, dropped them in a glass, and filled it with coke. She drained the glass in a single gulp and set it on the counter. The ice cubes swirled in the glass for a moment, then settled. Tomoko shivered. She felt cold. Her throat was still dry. She took the big bottle of coke from the refrigerator and refilled her glass. Her hands were shaking now. She had a feeling there was something behind her. Some thing -- definitely not a person. The sour stench of rotting flesh melted into the air around her, enveloping her. It couldn't be anything corporeal.

The fifteen-watt fluorescent bulb over the kitchen sink flickered on and off like ragged breathing. It had to be new, but its light seemed pretty unreliable right now. Suddenly Tomoko wished she had hit the switch that turned on all the lights in the kitchen. But she couldn't walk over to where the switch was. She couldn't even turn around. She knew what was behind her: a Japanese-style room of eight tatami mats, with the Buddhist altar dedicated to her grandfather's memory in the alcove. Through the slightly open curtains she'd be able to see the grass in the empty lots and a thin stripe of light from the condos beyond. There shouldn't be anything else.

By the time she had drunk half the second glass of cola, Tomoko couldn't move at all. The feeling was too intense, she couldn't be just imagining the presence. She was sure that something was reaching out even now to touch her on the neck.

At seventeen Tomoko didn't know what true terror was. But she did know that there were fears that grew in the imagination of their own accord. That must be it. Yeah, that's all it is. When I turn around there won't be anything there. Nothing at all.

Tomoko was seized by a desire to turn around. She wanted to confirm that there was nothing there and get herself out of the situation. But was that really all there was to it? An evil chill seemed to rise up around her shoulders, spread to her back, and began to slither down her spine, lower and lower. Her T-shirt was soaked with cold sweat. Her physical responses were too strong for it to be just her imagination.

The light turned yellow right in front of him. He could have darted through, but instead Kimura pulled his cab over to the curb. He was hoping to pick up a fare headed for Roppongi Crossing; a lot of customers he picked up here were bound for Akasaka or Roppongi, and it wasn't uncommon for people to jump in while he was stopped at a light like this.

A motorcycle nosed up between Kimura's taxi and the curb and came to a stop just at the edge of the crosswalk. The rider was a young man dressed in jeans. Kimura got annoyed by motorcycles, the way they wove and darted their way through traffic like this. He especially hated it when he was waiting at a light and a bike came up and stopped right by his door, blocking it. And today, he had been hassled by customers all day long and was in a foul mood. Kimura cast a sour look at the biker. His face was hidden by his helmet visor. One leg rested on the curb of the sidewalk, his knees were spread wide, and he rocked his body back and forth in a thoroughly slovenly manner.

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