An allegory of anxiety, fear, and the forgotten ecology of the soul.
In a time not long from now, in a world that had machines for thoughts and numbers for feelings, there lived a young woman named Anya. She was born in the city of Mechron, where every child was taught the same law from their very first day at school:
“Wants are unlimited. Compete. Strive. Achieve. Or be left behind.”
Anya was a gifted student — not because she understood this law, but because she memorized it well. She earned top grades, praise from teachers, and eventually a prestigious place at the grand institution called Econovia University — the place where the future rulers of Mechron were trained.
But something was wrong.
Despite her success, Anya couldn't sleep. Every night, she lay awake, heart pounding, her breath shallow. A creeping sense of emptiness wrapped around her chest like a cold vine. Her mind was filled with endless checklists, what-ifs, and numbers. Fear lived in her pocket — she carried it everywhere. Anxiety lived in her bloodstream. It pulsed through her with every breath.
One day, after collapsing during a particularly brutal exam on "Infinite Consumption Curves," Anya was sent away from Econovia to a rest facility called The Quiet Edge — a clinic on the outer limits of the city, near the forgotten Veridalis Forest, which no one visited anymore.
On her first walk through the edge of the forest, Anya felt something strange — stillness. No clocks ticked. No screens blinked. The air smelled of pine and damp soil. A breeze touched her face with such gentleness that she began to cry without knowing why.
The next day, she went deeper.
In the forest, she met a quiet old man named Saro, who lived in a hut made of fallen branches. His eyes were bright, but his face was lined like tree bark. He offered her tea made from wild herbs and said:
“You have learned the language of machines. But do you know the grammar of breath? The syntax of stillness?”
She laughed at first, thinking he was mad.
But he didn’t argue.
He simply breathed — deeply, peacefully — as if the forest itself were exhaling through him. He didn’t talk of wants. He spoke of rhythms: the cycle of the moon, the migration of birds, the natural synchrony of all life. He told her a secret:
“This forest once thrived because it remembered that every being was part of the same body. When one tree fell, others leaned to share light. When one river dried, the moss slept until the rains returned. But then came the cities, the greed, the numbers — and the forgetting began.”
Anya stayed for days. Days turned to weeks.
She stopped measuring time.
She stopped trying to be “better.”
She began to feel her body as part of something wider, older — not a machine, but a living node in an infinite web.
One day, she asked Saro, “Why do people live in so much anxiety back in Mechron?”
He replied:
“Because they believe they are alone — separate islands of hunger. But nothing in nature lives for itself alone. Not a bee, not a breeze. Economics taught you that your desires are infinite and your time is scarce. Nature teaches you that your breath is infinite — and time is shared.”
When she finally returned to Mechron, Anya was different. She no longer raced. She no longer feared missing out. Her stillness disturbed others. Professors called her lazy. Friends called her naïve.
But quietly, others began to follow her back to the edge.
The Forest of Veridalis began to fill again — with students, with seekers, with people who wanted to remember the lost language of nature.
And somewhere, far away, the gears of Econovia started to grind more slowly.
Because once the anxiety faded, and the breath returned, people realized:
They had everything they needed, as long as they remembered the whole.
When we forget we are part of nature’s larger body, we fall into the delusion of endless desire, which breeds anxiety, fear, and destruction. But the cure is not more consumption or competition — it is connection, symbiosis, and the quiet rhythm of nature that already beats within us.
Would you like to adapt this story into something else — a short film script, an illustrated book, or maybe a fable for students?