THE neat streets of Oslo are not a natural setting for
crime fiction. Nor, with its cows and country smells, is
the flat farming land of Sweden’s southern tip. And
Reykjavik, Iceland’s capital, is now associated more with
financial misjudgment than gruesome murder. Yet in the past
decade Nordic crime writers have unleashed a wave of
detective fiction that is right up there with the work of
Dashiell Hammett, Patricia Highsmith, Elmore Leonard and
the other crime greats...
Continued: http://tr.im/RsO4
Willow
But what the above means is that eventually people will not look at
Scandinavia as not pure as fresh snow. Like murder is now in cozy
English villages.
Scott
Ran across this interesting piece in March 11 The Economist on this very
subject...
"Why are Nordic novels so successful?"
http://www.economist.com/culture/displaystory.cfm?story_id=15660846
Annie