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Jan 25, 2024, 9:55:57 AM1/25/24
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Nil Battey Sannata was directed by Ashwiny Iyer Tiwari in her directorial debut.[3] She conceived the idea for the film while working with Leo Burnett Worldwide, a Chicago-based advertising company, for a Kaun Banega Crorepati promotional video.[4][5] The screenplay was written by Iyer, Neeraj Singh, Pranjal Choudhary and Nitesh Tiwari.[1][4] In an interview with The Indian Express, Iyer said that "the story of Nil Battey Sannata is relevant as well as inspiring".[6] The film's title translates to "Zero Divided by Zero Equals Nothing", and is a slang for "Good For Nothing".[7]

After going through the script, JAR Pictures' Ajay G. Rai decided to produce the film, and insisted on Iyer to direct it as well. Although initially reluctant, Iyer agreed to direct and learnt the major aspects of cinematography as a part of her preparation.[4] Gavemic U Ary worked as the cinematographer for the film, and Kunal Sharma headed the sound department. The visual effects were provided by Prasad Film Labs, a motion picture post-production studio based in Hyderabad, and the costumes were designed by Sachin Lovalekar.[1]

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Mukesh Chhabra was the film's casting director.[4] Swara Bhaskar was the first to be cast in the role of Chanda Sahay, a single mother of a 15-year-old girl. Initially sceptical about playing a mother on screen early in her career, she changed her mind after reading the script.[8][9] To understand the role better, Bhaskar stayed with professional domestic helpers from Agra, Uttar Pradesh, where the film is set.[9] She bought such props as a handbag, a comb, a pocket mirror, and rubber chappals.[10] She also drew guidance from her mother's experiences of handling a teenage daughter. After the film's release, Bhaskar said in an interview with Daily News and Analysis that her friends in the Hindi film industry advised her not to take up the role as they felt it would be a "career suicide" for her. She agreed to participate in the project because "the story stayed in [her] mind".[9] The next role to be cast was that of the 15-year-old daughter of the protagonist. Ria Shukla was selected for the role after auditions in Lucknow.[4] Ratna Pathak and Pankaj Tripathi play supporting roles in the film.[6][11] A group of around 25 local children played the students at the school.[11]

The music for Nil Battey Sannata was composed by newcomers Rohan and Vinayak, with Manoj Yadav, Nitesh Tiwari and Shreyas Jain as lyricists for the soundtrack.[16][17] Joginder Tuteja's mixed review for Bollywood Hungama was largely appreciative of the songs "Murabba" and "Maths Mein Dabba Gul", also acknowledging the soundtrack's "rural flavor". He deemed the overall album to be "strictly situational".[16] The Times of India critic Mohar Basu gave the soundtrack a 3 out 5 star rating, saying that the "album wins you over with its innocence". Praising the pleasant "Murabba" and the catchy "Maths Mein Dabba", he asserted that the film "has music that will touch your heart".[18]

The film had its world premiere in the last week of September 2015 at the Silk Road Film Festival, Fuzhou, China.[20] It was released under the title of The New Classmate, as it was at such international film festivals like the Marrakech International Film Festival and the Cleveland International Film Festival.[21][22][23] The film then went on to be screened at the BFI London Film Festival (LFF) on 23 October 2015, and was lauded at the event.[3] The release of the first look of the film coincided with the International Women's Day, 8 March.[24] In the poster of the film, a smiling Swara Bhaskar is seen taking a leap with Ria Shukla in a red sari and a blue salwar kameez respectively. The poster was unveiled by the actress Sonam Kapoor, a close friend of Bhaskar.[24] The official trailer was released by Eros productions on 22 March 2016.[25] The launch took place at a media session in a classroom set-up with Bhaskar, Shukla and Pankaj Tripathi.[26] At the event, the film's producer Anand L Rai said, "I associated with Nil Battey Sannata straight from my heart and I'm feeling very proud of the film."[27] The trailer was well received by both critics and audiences.[26][27] A reviewer for Daily News and Analysis thought of it as "heartwarming".[28] The film had its theatrical release in India on 22 April 2016.[29]

Nil Battey Sannata opened to critical acclaim, and was positively received by the audiences as well.[37] It received overwhelming praise, chiefly for the direction, and for Bhaskar, Shukla and Tripathi. Kunal Guha of the Mumbai Mirror wrote, "It's rare to come across films that force you to keep aside your yardsticks of what a good film is and dive into the experience".[38] Namrata Thakur of Rediff.com gave the film the highest praise and deemed it "an absolute gem", saying "there is hardly a dull moment in the film". She considered it the feel-good film of the year, comparing it to 2015's Dum Laga Ke Haisha.[39] The Hindu journalist and film critic Namrata Joshi included Nil Battey Sannata in her year-end list of "Hindi films that made a mark in 2016".[40] She thought of it "a warm, feel-good film which offers hope and the promise".[41]

The realism in the portrayal of the characters, and the universal theme of the film was widely lauded by critics. Gautaman Bhaskaran of Hindustan Times gave it 4 stars out of 5 and remarked that the film "is a powerful and honest work",[42] and Shubhra Gupta of The Indian Express noted that "the film relies on keeping things real".[43] Mohar Basu in his review at The Times of India described the movie as "unpretentious", saying that "the movie wins you over with its innocence and simplicity".[15] Saibal Chatterjee of NDTV said the film resonated as "a disarmingly simple and heart-warming film".[44] Suparna Sharma of Deccan Chronicle called it a "real film in a real setting about real people that delivers several empowering, powerful messages".[45]

The performances of the lead cast were chiefly praised by critics. Joshi, who was particularly impressed with the performances of Tripathi and Shukla, ascribed the film's appeal to its well-etched characters and their relationships which were "brought alive by a nicely put together ensemble cast".[41] The view was shared by Rachit Gupta of Filmfare, who noted that "the actors make this film so memorable". He gave Bhaskar the highest praise, saying that she delivered the "performance of a lifetime", while also praising Shukla's "super", Pathak's "phenomenal" and Tripathi's "masterclass" performances.[46] In his review, News18 film critic Rajeev Masand deemed Bhaskar to be "the heart of the film" noting that with "not one note out of place, she grabs your attention".[47] Udita Jhunjhunwala of Firstpost praised Bhaskar, stating that "This is one of her most nuanced performances and a welcome change", and highlighted Tripathi, calling him the "scene-stealer as the zealous school principal".[48]

In November 2015, Iyer agreed terms to direct a remake of the film in Tamil, for producers Dhanush and Anand L Rai. Dhanush had been shown a preview of the film by Rai, during a visit to Mumbai in September 2015 and the duo chose to co-produce the film, with Iyer retained as director.[49] The roles played by Bhaskar, Shukla, Pathak, and Tripathi were essayed by Amala Paul, Yuvasri, Revathi, and Samuthirakani respectively in the remake, titled Amma Kanakku, which released on 24 June 2016.[50] A Malayalam remake, Udaharanam Sujatha, starring Manju Warrier was released in 2017.[51]

It's a sweet, sanitized and somewhat simplistic story that debutant director Ashwiny Iyer Tiwari tells with a light touch and a lot of heart. The film's emotional center is the relationship between mother and daughter. They are friends but also foes who compete and fight bitterly. Writer Nitesh Tiwari nails the fault lines in their bond and both Swara Bhaskar as the mother and Ria Shukla as the daughter deliver strong performances. Swara movingly portrays the anguish of a mother who is desperate to give her daughter a better life.

Firstly, kudos to Swara Bhaskar , Riya Shukla and Ratna Pathak for their amazing way to be into the skin of their character with seamless ease. Ashwini Iyer Tiwari has done a fabulous job of portraying the importance of inner motivation and how it can be used to motivate others at external level. If you peel the film, there are many layers:



The best films, like the best stories tell you something about yourself. Through their characters and situations these films show you a mirror not just to life itself but to your own personality and experiences. Also, such films are a rarity. They're about as abundant as most people's bank accounts. And yet, their richness leaves a lasting impact on you. You tend to remember these films the most. Each time, cherishing the art, the craft, the music and the characters as if they were part of your own life. That's Nil Battey Sannata for you. It's slice of life, but in an inspirational sort of way. It doesn't preach. It doesn't critique. It doesn't sensationalize. It tells you a simple story of motherhood and the value dreams hold to human beings. In the process it enriches your perspective on life and self.

The story of this little gem, deals with a mother named Chanda (Swara Bhaskar) and her daughter Apeksha (Ria Shukla). Chanda is a maid in a middle-class home in Agra. And to earn a few extra bucks she also takes up odd jobs at a shoe factory and dhobi ghat. She needs the extra income so she can provide a decent education to her daughter. But Apeksha aka Appu is as spoilt as a rich kid. She doesn't want to study at all, much to the chagrin of her mother. Chanda tries her best to inspire Appu into academics, losing sleep and greying her hair in the process. It's a simple story, but the themes it showcases are complex and pertinent. Mother and daughter have a peculiar relationship. They're more like sisters and eventually they even share a sense of aggressive sibling-like rivalry. The story of Nil Battey Sannata is it's strength. The screenplay has minor gripes but none that steal the impact of this modern mother-daughter tale. You could call this film, India's answer to The Pursuit Of Happyness.

The film's emotional impact is solid and genuine. You feel for Chanda the most. You invest all your faith in her journey and her dreams. That becomes the all important message. So when her character says, 'Gareeb woh hote hain jinke paas sapne nahi hote' it wrenches your gut. And yet, the movie cajoles and coaxes you to believe in dreams. That's the big emotional victory in Nil Battey Sannata.

The performances are second win. Ratna Pathak Shah, who plays Chanda's benefactor and chief emotional anchor, takes control right at the onset. She's effortlessly phenomenal. And yet, like the greatest actors she knows when to step aside and let others take lead. That's exactly what she does and from there on, Swara Bhaskar gives the performance of a lifetime. The dedication, the nuance and the depth in her portrayal of a desperate mother are pitch perfect. Her performance deserves a standing ovation. Young Ria as the firebrand daughter Appu is super as well. And then you have Pankaj Tripathi as the eccentric principal. His performance is so funny because it's a masterclass in comedy. The actors make this film so memorable.

Contributions from director/writer Ashwini Iyer Tiwari and her team of writers is fabulous as well. The story in particular, helmed by Dangal's director Nitesh Tiwari, is the driving force of the film. Aspects like the cinematography, which captures an unknown earthy sight of Agra, sound design and production design make this film authentic and impressive. The music is perfect and colourful. The dialogue is soul stirring in the film. In the big bad world of big ticket releases this little film with a big heart has all the right ideas. The execution of those ideas has been done with utmost honesty and the end result is a film that can move it's audience to tears. Watch this and you will want to give your mother a bear hug. Do not miss this gem.

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