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After I published my earlier article in which I posed this question, I continued researching in hopes of answering my own question. I had conversations with my friend, Howard Weiner, one of the most respected scholars of the trombone who is also co-editor of the Historic Brass Society Journal, and consulted dozens of books about Mozart and the Requiem. As I looked more carefully at this, some important information came to light and I think I am beginning to understand why Mozart called for the trombone solo to be played in a gentle rather than dramatic style.