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Wolverine (birth name: James Howlett;[1] alias: Logan and Weapon X) is a superhero appearing in American comic books published by Marvel Comics, often in association with the X-Men. He is a mutant with animal-keen senses, enhanced physical capabilities, a powerful regenerative ability known as a healing factor, a skeleton reinforced with the unbreakable fictional metal adamantium, and three retractable claws in each hand. In addition to the X-Men, Wolverine has been depicted as a member of X-Force, Alpha Flight, the Fantastic Four, and the Avengers. The common depiction of Wolverine is multifaceted; he is portrayed at once as a gruff loner, susceptible to animalistic "berserker rages" despite his best efforts, while simultaneously being an incredibly knowledgeable and intelligent polyglot, strategist, and martial artist, partially due to his extended lifespan and expansive lived experiences. He has been featured in comic books, films, animation, and video games.
The character first appeared in the last panel of The Incredible Hulk #180 before having a larger role in #181 (cover-dated November 1974), in the Bronze Age of Comic Books. He was created by writer Len Wein[2] and Marvel art director John Romita Sr. Romita designed the character's costume, but the character was first drawn for publication by Herb Trimpe. Since 2017, Marvel editor-in-chief Roy Thomas has also claimed co-creator credit.[3]
Wolverine then joined a revamped version of the superhero team the X-Men; writer Chris Claremont, artist Dave Cockrum, and artist-writer John Byrne would play significant roles in the character's development. Artist Frank Miller collaborated with Claremont and helped revise the character with a four-part eponymous limited series, cover-dated from September to December 1982, which debuted Wolverine's catchphrase, "I'm the best there is at what I do, but what I do best isn't very nice." The subsequent 1991 Weapon X storyline by Barry Windsor-Smith established that Wolverine had received the adamantium grafted to his skeleton in a torturous process conducted by a secret government project intended to create a super soldier, and that this experience led to post-traumatic amnesia.
The character's introduction was ambiguous, revealing little beyond his being a superhuman agent of the Canadian government. In these appearances, he does not retract his claws, although Wein stated they had always been envisioned as retractable.[9] He appears briefly in the finale to this story in The Incredible Hulk #182.
Wolverine's next appearance was in 1975's Giant-Size X-Men #1, written by Wein and penciled by Dave Cockrum, in which Wolverine is recruited for a new squad. Gil Kane illustrated the cover artwork but incorrectly drew Wolverine's mask with larger headpieces. Dave Cockrum liked Kane's accidental alteration (he thought the original was too similar to Batman's mask) and incorporated it into his own artwork for the actual story.[10] Cockrum was also the first artist to draw Wolverine without his mask, and the distinctive hairstyle became a trademark of the character.[11]
A revival of X-Men followed, beginning with X-Men #94 (August 1975), drawn by Cockrum and written by Chris Claremont. In X-Men and Uncanny X-Men, Wolverine is initially overshadowed by the other characters, although he does create tension in the team as he is attracted to Cyclops' girlfriend, Jean Grey. As the series progressed, Claremont and Cockrum (who preferred Nightcrawler[13]) considered dropping Wolverine from the series;[13] Cockrum's successor, artist John Byrne, championed the character, later explaining, as a Canadian himself, he did not want to see a Canadian character dropped.[11][14] Byrne modeled his rendition of Wolverine on actor Paul D'Amato, who played Dr. Hook in the 1977 sports film Slap Shot.[15] Byrne also created Alpha Flight, a group of Canadian superheroes who try to recapture Wolverine due to the expense their government incurred training him. Later stories gradually establish Wolverine's murky past and unstable nature, which he battles to keep in check. Byrne also designed a new brown-and-tan costume for Wolverine, but retained the distinctive Cockrum cowl.[16] Cockrum had introduced a new costume for Wolverine (taken from his adversary Fang) in the final issue of his run, but it was dropped one issue into Byrne's run because he and Cockrum alike found it painfully difficult to draw.[17]
Despite suggestions that co-creator Len Wein originally intended for Logan to be a mutated wolverine cub, evolved to humanoid form by an already established Marvel geneticist, the High Evolutionary,[18] Wein denies this:
While I readily admit that my original idea was for Wolvie's claws to extend from the backs of his gloves ... I absolutely did not ever intend to make Logan a mutated wolverine. I write stories about human beings, not evolved animals (with apologies for any story I may have written that involved the High Evolutionary). The mutated wolverine thing came about long after I was no longer involved with the book. I'm not certain if the idea was first suggested by Chris Claremont, the late, much-missed Dave Cockrum, or John Byrne when he came aboard as artist, but it most certainly did not start with me.[9]
Wein said on the X-Men Origins: Wolverine Blu-ray special features that he has read "Ten things you did not know about Wolverine", which says the character was originally intended to be a mutated wolverine cub, and that this rekindled Wein's frustration. He again stated that he had "always known that Wolverine was a mutant."
John Byrne said, both in interviews and on his website, that he drew a possible face for Wolverine, but then learned that Dave Cockrum had already drawn him unmasked in X-Men #98 (April 1976), long before Byrne's run on the series.[20][21] Later, Byrne used the drawing for the face of Sabretooth, an enemy of the martial artist superhero Iron Fist, whose stories Chris Claremont was writing. Byrne then conceived of the idea of Sabretooth being Wolverine's father.[22][23] Together, Byrne and Claremont came up with Wolverine being about 60 years old and having served in World War II after escaping from Sabretooth, who was about 120 years old.[22]
Following Byrne's departure, Wolverine remained as a prominent character in X-Men, which later changed its name to Uncanny X-Men. Cockrum returned for a longer, monthly run and afterwards Paul Smith, John Romita Jr., Marc Silvestri and Jim Lee were frequent artists on this series.[24] He remained a significant protagonist in this series until Chris Claremont left the title to write the new X-Men (vol. 2) and Wolverine transitioned to this new series.
In this period, Wolverine's appearance and characterization were particularly influenced by the film roles of Clint Eastwood, particularly the Revisionist Western antihero films featuring the Man with No Name. This inspiration continued to be significant throughout the development of the character and his adaptations.[26]
Other writers who wrote for the two Wolverine ongoing series include Peter David, Archie Goodwin, Erik Larsen, Frank Tieri, Greg Rucka, Mark Millar, and Gregg Hurwitz. Many artists have also worked on the series, including John Byrne, Gene Colan, Marc Silvestri, Mark Texeira, Adam Kubert, Leinil Francis Yu, Rob Liefeld, Sean Chen, Darick Robertson, John Romita Jr., Joe Madureira, and Humberto Ramos.
In the 1990s, Wolverine featured as a prominent character in X-Men vol. 2, initially written by Chris Claremont and illustrated by Jim Lee. The first issue of this comic book series is the highest selling comic book in history.[27] Following the departure of Claremont and Lee, Scott Lobdell usually wrote the title while Andy Kubert illustrated it.
Sales for X-Men comics declined somewhat at the turn of the 20th century, and Grant Morrison was hired to revive interest in the characters, including Wolverine, by means of the more experimental New X-Men. Frank Quitely and Chris Bachalo drew many of these issues, as well as a returning Mark Silvestri. Subsequently, he featured in the Astonishing X-Men series initially written by Joss Whedon and illustrated by John Cassaday.
Wolverine was born as James Howlett in northern Alberta, Canada (approximately near Cold Lake), during the late 19th century, purportedly to rich farm owners John and Elizabeth Howlett,[30] though he is actually the illegitimate son of the Howletts' groundskeeper, Thomas Logan.[31] After Thomas is thrown off the Howletts' property for an attempted rape perpetrated by his other son, named simply Dog, he returns to the Howlett manor and kills John Howlett. In retaliation, young James kills Thomas with bone claws that emerge from the back of his hands, as his mutation manifests.[32] He flees with his childhood companion, Rose, and grows into manhood on a mining colony in the Yukon, adopting the name "Logan".[33] When Logan accidentally kills Rose with his claws, he flees the colony and lives in the wilderness among wolves,[34] until he is captured and placed in a circus.[35] Saul Creed, brother of Victor Creed, frees Logan, but after he betrays Logan and Clara Creed to Nathaniel Essex, Logan drowns Creed in Essex's potion.[36] Logan returns to civilization, residing with the Blackfoot people. Following the death of his Blackfoot lover, Silver Fox, at the hands of Victor Creed, now known as Sabretooth,[37] he is ushered into the Canadian military during World War I.
During World War II, Logan teams up with Captain America[38] and continues a career as a mercenary. He serves with the 1st Canadian Parachute Battalion[39] during D-Day, and later with the CIA before being recruited by Team X, a black ops unit. Sometime after WWII and before joining Team X, Logan spends time in Madripoor before settling in Japan, where he marries Itsu. While Logan is away from home, Romulus sends the Winter Soldier to kill the pregnant Itsu and has her baby taken from her womb; the boy would later become Daken. Logan believes his son to be dead for many years.
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