Love Strange Love[2][3] (Portuguese: Amor Estranho Amor) is a 1982 Brazilian erotic crime drama film written and directed by Walter Hugo Khouri. The film stars Vera Fischer, Tarcsio Meira, Xuxa Meneghel, and Matilde Mastrangi. Fischer won the Best Actress Award at the 15th Festival de Braslia as well as the Air France Award.[1][4]
An older man wearing a business suit is dropped off at a mansion by his driver. He is alone as he starts wandering through the rooms of the mansion. It is apparently abandoned, with empty rooms, but has an aura of past opulence. The scene shifts to some 45 years earlier, where a twelve year old boy is being escorted on foot from a train station by his grandmother. The older woman produces a letter and asks the boy to give it to his mother. They came near the gate of the same mansion the older man visited 45 years later, and the grandmother leaves the boy there. The gate is locked, but a woman greets the boy. He gives her the letter, saying it is for his mother, and she lets him in. His grandmother, who has continued to watch discreetly from a distance, leaves the area once she knows he has been admitted. The younger woman escorts the boy into the house. The older man, who appears to have traveled back in time to observe, watches them although they apparently can't see him.
After they enter the house, another woman who appears to be serving as a business manager greets them. After being told about the letter for Anna, the boy's mother, the manager dispatches the first woman to find Anna. Meanwhile, many women in the house are hard at work preparing for what appears to be an important upcoming event, cleaning and arranging flowers. The boy is escorted off to a side room by the manager. She questions the boy who says that his grandmother left him there to stay with his mother. The grandmother is on her way back to Santa Catarina, Brazil. The manager seems shocked by the idea of the boy staying with his mother, but it isn't immediately clear why. Anna appears and embraces her son, commenting on how much more like a man he now is than he was the last time she saw him a year ago. The boy apparently usually lives with his grandmother, not Anna.
Anna and Laura then talk on the patio with Dr. Osmar, who arrived earlier. Dr. Osmar is a major political figure preparing for the Brazilian election then scheduled for January 3, 1938. To win the election, however, he needs an alliance with another man who is coming to the brothel a little later as a client. The prospective ally likes to present a Puritan image. The plan appears to be to show the man a good time, but put him at risk of future blackmail so that he feels some pressure to agree to the alliance. The potential ally is to be offered the chance to sleep with Tamara, who is said to always sexually feel like a virgin even though she is not. That is why she will be able to get away with claiming to be a virgin. Dr. Osmar is offered the chance to sleep with Tamara first, with Laura mentioning that if she is wrong she can always get a refund from the brothel Tamara is on loan from. Tamara then arrives on the patio. She wants to work permanently in this brothel, but to do so would need to relocate her entire family, and she wants Dr. Osmar's help on this.
Dr. Osmar talks with Anna about his need to be increasingly discreet when it comes to any association with the brothel. There will be increasing focus on his activities until after the election. He has asked Laura not to send anyone from the brothel to his office. He talks about the great uncertainty of the times, but says he will still provide Anna with a house. This appears to create some dispute with Anna. She wants a house, but would prefer the small house that she is purchasing herself but that she will own outright to a rented mansion provided by Dr. Osmar.
Dr. Osmar, in bed with Anna, expresses confidence that his plan will work. Meanwhile Hugo moves from spying on Tamara to spying on Anna, enjoying Anna's increasing physical arousal. Hugo returns to his attic and goes to bed, dreaming of sex with first one woman and then a group of about six women. He starts to masturbate while in bed to these images.
The next morning an associate of Dr. Osmar arrives at the house. In an angry and urgent mood, he demands to speak with Dr. Osmar, who is still in bed with Anna. Once Dr. Osmar is roused from sleep, he is told that some kind of coup, similar to 1932, has happened. Dr. Osmar tells Anna that the coup will likely lead to his needing to go to France in exile, but he expresses hope it could be a happy exile with Anna. He writes Anna a check and says they will talk more in the afternoon. Tamara gets dressed and leaves the room of Dr. Benicio who remains fully dressed. She goes up to the attic, undresses, and climbs into bed with Hugo. They start having engaging in foreplay. Dr. Osmar wakes Dr. Benicio and tells him about the coup, saying he must leave. As Tamara prepares to mount Hugo and have sex with him in the cowgirl position, Anna approaches. Tamara quickly gets out of bed and puts her robe back on. It is still obvious to Anna what has been going on, and she fights Tamara, slapping her several times. Dr. Osmar, Dr. Benicio, and the men who work for them then leave the house in a hurry.
Anna tells Hugo that he will need to return to his grandmother, although Anna will send her mother more money. Anna says that staying in the brothel wouldn't be good for Hugo, but he has trouble understanding and starts to cry. Anna tries to comfort him, then removes her robe revealing her nude body to Hugo. Anna then allows her son Hugo to make love to her. A political figure, apparently newly empowered by the coup, arrives at the house and somewhat vaguely promises to continue to protect the brothel from the law. A car arrives to return Hugo to his grandmother's house in Santa Catarina. The scene shifts back to the present day, where it is revealed that the older man in the house is donating the house to charity. He seems, himself, to be a very senior figure politically being referred to as "Your Excellency". In the film's final scene, the older man reveals that the young Hugo is his younger self from 45 years earlier.
Marcelo Ribeiro said that, unlike his first movie Eros, o Deus do Amor, when they put duct tape on his privates because he couldn't control himself, in this film's sex scenes he had a normal nude. "I learned to separate what was work and what was intimate. But of course there's always a little joke, an awkward situation... The film set is very mystical, you never know what might happen", he said.[6]
In the criticism of the website Filmes do Chico, it is stated that "because it was associated with Xuxa as a pedophile, the film gained a fame that does not correspond to the material it offers. Like all of Khouri's films, Amor, Estranho Amor has many sex scenes, a lot of free nudity, but, putting the drops on the is, it's a good movie."[7]
Love Strange Love caused some controversy due to the participation of Xuxa in the cast. In an interview, Xuxa explained that she was between 17 and 19 years old when the film was made. In another interview Xuxa comments that the film was made in 1979.[8] Her character has sexual relations with a boy of 12 years, interpreted by the actor Marcelo Ribeiro.[9] As in the contract there was no release of the image for video, Xuxa, through a judicial injunction, ordered to collect all the original tapes of stores and stores of the country, nevertheless 4,000 copies were sold before the Justice to distribute its distribution, being, therefore, many pirate copies continued circulating, making of the film a true legend among people who did not know the work.[10]
The video of Love Strange Love has its marketing and distribution prohibited in the country. However, the film was released on DVD in the United States in 2005 and can be purchased by any Brazilian on foreign import sites. The US producer did not sell the rights to Xuxa, who filed a lawsuit in the US in 1993, but lost. In 2006, Marcelo Ribeiro was found at 39 and gave several interviews, and also published a book on how everything happened at the time, including conversations behind the scenes with the actress.
In 2007, taking advantage of its momentary popularity, it made a pornographic film. In 2007, Marcelo Ribeiro, then at age 40, gives an interview where he comments on the film's controversy.[11] In 2007, the entire film became available in 5 parts and uncut. No legal action has yet been taken on the case. In 2011, producer Anibal Massaine fights in justice in the attempt to commercialize the film, taking advantage of the fame of the artist.[12] In 2014, Xuxa lost a lawsuit it filed against Google to create a filter in order to eliminate results related to the movie in its search engine.[13] Xuxa filed an appeal against that decision, but in 2017, the appeal was denied.[14]
Nhất Hạnh tells the story of his star-crossed love in a strange little book developed from a series of dharma talks he delivered in France in 1992, about 40 years after the love story occurred in his life.
Instead, Nhất Hạnh finds a teaching moment. He recognizes attachment in his feelings for the nun, recognizes the threat it presents to both of them, to their vows and to their self-realization, and through the teachings of the Buddha he transmutes his love for the nun into love for all beings, for all existence.
And this is when the book makes its strange transition. He plunges into an exploration of Mahayana Buddhism, the major school of Buddhism distinguished by the doctrine that what we commonly regard as the self has no intrinsic existence.
Through a collection of Mahayana teachings, captured in a handful of sutras, Nhất Hạnh explores the nature of the self, the nature of the world, our relationship to our environment, our way of seeing the world, and the way of seeing that comes with enlightenment.
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