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to SFABC (nj) Movie Group
The following commentary is reprinted with permission from:
THE MT VOID 02/06/26 -- Vol. 44, No. 32, Whole Number 2418
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WHO? (1974):
WHO? is a real rarity; we taped it off Philadelphia's independent Channel 17 back in the 1980s, and I don't think it has shown up since. It was produced by Barry Levinson and starred Eliott Gould and Trevor Howard, so it was not exactly made by unknowns.
The plot is that a scientist who was in an accident near the East German border was in an accident, rescued by the East Germans, and rebuilt with an artificial face and an arm. Then they returned him. The question is whether it is Martino who was returned, or a construct designed and trained to resemble Martino.
The construct is not a robot or an android; it is basically human, with mechanical parts--a bionic man.
This is a movie that has not aged well, science-wise. A decade after the film, identification through DNA came into use. Retinal scans had been in use, but Martino hadn't had any done before his accident. (Isaac Asimov used a similar "loophole" in the last story in SECOND FOUNDATION.) The artificial face looks very fake--like someone whose face has been painted silver, and then a silver helmet put over it, leaving the eyes, mouth, and chin exposed. His larynx was rebuild, so voiceprints don't work. They don't seem to have addressed dental records, and Gould seems to think the remaining human arm (with fingerprints) may have been grafted on to someone else.
I'm not sure the logic holds. I think that the viewer is supposed to be left unsure whether the man is Martino. But since we see the East German interrogator extracting personal information from who we know is the real Martino, watching Elliott Gould trying to use personal information to answer the question seems like something he wouldn't expect to work.
I just wish they had had a more ambiguous ending, but I suppose that is a much more recent approach (e.g., LIMBO (1999)).