Re: Dj Mixer Professional For Win Personal Unlock Key
Fe Gillenwaters
The M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both headphones and IEMs (In-Ear Monitors) as well as for wedge and powered monitors. The superb sound quality creates the ideal monitoring environment for live performance and recording as well as studio applications.
The M-48 enables control of up to 40 audio channels via 16 stereo groups. No longer do you have to share the same sources and in the same order as everyone else. Each musician can choose what he or she wants to listen to - a truly personal mix.
Sweeten your monitor mix to your exact preferences with volume, pan, 3-band EQ and built-in reverb per group ?all instantly adjustable by convenient encoder knobs. A limiter is incorporated for protecting your ears from sudden and dangerous volume spikes. Based on REAC, the all-digital connection results in a low noise floor, improved musicality and crystal clear sound.
The LED indicators on the control knobs enable instant adjustment and visual confirmation at a glance, even on a dark stage. The built-in ambient mic aids in communicating with other musicians without have to remove your ear-buds or headphones as well as enabling a stage/room feel if desired. The AUX Input allows a metronome or other device to be mixed into the primary sound.
Our newly developed "REAC Embedded Power" (via the S-4000D) transfers both power and 40 channels of audio to the M-48 via a single CAT5e cable dramatically simplifying wiring and stage layouts. Mini jack and 1/4 inch phone jack headphone outputs are provided. Balanced TRS line outputs support wedge or other types of powered monitors. An independent stereo output mini jack enables recording with superb sound quality.
With any V-Mixer Live Mixing Console you can setup, maintain and control 40 channels of monitor output to each M-48 connected to the system. All V-Mixers are equipped with the remote management software, memory recall, etc. providing a simple and flexible setup.
With an existing console, connect the M-48 along with the S-1608 (16 channel) or the S-4000S (40 channel) Digital Snake to utilize the complete system. For a digital consoles, use the S-MADI REAC MADI Bridge to maintain the digital connection between the console and the M-48s. The next generation of digital monitoring can be incorporated along with your existing mixing system.
The M-48 can be attached to the top of a microphone stand by using the bundled mounting bracket. The mounting bracket is also designed with a removeable headphone hanger and accessory tray for your pencil or portable recorder. The optional APC-33 mounting bracket can be used when you need to mount the M-48 to the middle of a music or mic stand.
"REAC Embedded Power" is unique Roland technology that enables the transfer of not only the digital audio signal but also the power required by the connected device - all via one CAT5e cable. The S-4000D Splitter and Power Distributor is equipped with 10 REAC ports including 8 ports of REAC Embedded Power. The S-4000D can automatically detect and distinguish a product not supporting REAC Embedded Power. In this case, power is not provided allowing the S-4000D to also function as a standard splitter when required. The S-4000D is required to use the M-48s.
The A320 Personal Mixer gives performing and recording musicians simple, intuitive control over their monitor mixes. With many of the features of the award-winning A360 Personal Mixer, the A320 gives musicians the ability to get clear, musical monitor mixes every time they play. Ideal for use with in-ear monitors and headphones, the A320 gives musicians powerful control over their mix, while also preserving the simplicity required for use while performing. The A320 is compatible with all existing and legacy Aviom personal mixing systems.
Musicians are not engineers, and mixing while playing music or singing is very different than just mixing. That's why the A320 is designed with such a clean user interface. No clutter. No menus. Just quick access to the mixing controls you need.
The A320 doesn't have a lot of bells and whistles. By design. Because when you're focused on playing music, bells and whistles can just get in the way. That's why the A320 gives musicians the controls that matter most for adjusting their monitor mix and keeps the rest out of the way.
Each of the 16 mix channels on the A320 can host a mono or a stereo source. That means you can preserve the fidelity of your stereo instruments and submixes from the console without giving up another mix source in your personal mixer. And that translates directly into clearer, more natural sounding monitor and cue mixes.
Good stereo imaging in a monitor mix is essential for hearing every source clearly and distinctly, within the context of the ensemble. It's also an important way to reduce the sense of isolation many musicians experience with in-ear monitors.
Like the A360 Personal Mixer, the A320 allows users to pan both mono and stereo sources. With stereo sources, the Stereo Placement control adjusts both the separation and the position of the source in the mix as a whole. The A320 places all that power in a single control, allowing musicians to make a clear, natural sounding monitor mix with just the simple turn of the knob.
The A320 uses the same master tone filters as the premier A360. They're easy to use - even if you don't know a thing about EQ - and they'll help your in-ear monitors sound their best, no matter what type of music you play.
From the enduring simplicity of the mechanical design to the elegant efficiency of the embedded software, the A320 is built to work when you need it to work and to withstand the abuses of life on stage and in the studio.
The A320 Personal Mixer is also available in a bundle with a set of MEE Audio M6 Pro IEMs. These great sounding single-driver earbuds feature a detachable, replaceable cord and come with an assortment of flexible ear tips that reduce outside noise and allow you to easily find the most comfortable fit for your ears. Each set also includes custom-engraved metal faceplates and a protective case.
Whether you're adding to an existing Aviom personal mixing system or building a new one, getting up and running with the A320 is a breeze. For older systems, the A320 runs in Pro16 mode, with 16 channels spread across the interface and stereo sources occupying adjacent channel buttons, like on the iconic A-16II Personal Mixer. For systems with more channels, switch the A320 into Pro16e mode to access the full power of its 32-channel mix engine which supports any combination of 16 mono or stereo sources.
Ideal for use with in-ear monitors and headphones, the A320 gives musicians powerful control over their mix, while also preserving the simplicity required for use while performing. The A320 is compatible with all existing and legacy Aviom personal mixing systems and can be used simultaneously with the A640, A360, and/or A-16II Personal Mixers.
Like its big brother the A640 Personal Mixer, the A320 allows users to pan both mono and stereo sources. With stereo sources, the Stereo Placement control adjusts both the separation and the position of the source in the mix as a whole. The A320 places all that power in a single control, allowing musicians to make a clear, natural sounding monitor mix with just the simple turn of the knob.
Whether you're adding to an existing Aviom personal mixing system or building a new one, getting up and running with the A320 is a breeze. For older systems, use the A320 in Pro16 mode, with 16 channels spread across the interface and stereo sources occupying adjacent channel buttons, like on the iconic A-16II Personal Mixer. For systems with more channels, switch the A320 into Pro16e mode to access the full power of its 32-channel mix engine which supports any combination of 16 mono or stereo sources.
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