HAMILTON PIANO CO., Est. 1889, with factories at Chicago Heights, Ill. Controlled by the Baldwin Piano Company. Gibson Guitars Guitars acquired the Hamilton name in 2001, when they purchased the Baldwin Piano Co. See Acrosonic or Baldwin for additional numbers. Serial numbers are for the first piano made in year shown.
Typically, a serial number has 5 to 7 digits, but in some cases, it may have fewer or more and may also include a letter. This is a view of the grand with the lid open and the music desk removed. It may be necessary to clean dust off the harp or soundboard before the serial number can be seen.
Upright or vertical piano serial numbers can usually be found by lifting the lid and looking inside on the gold harp or plate. It is usually not necessary to remove the upper front panel to find the serial number (as in this picture).
By locating the serial number, you can begin your research to know the value of the piano. The first thing the serial number tells you is the age of the piano. Paired with the who made the piano, the age is a key piece of information, and many piano experts can begin to assign a value quickly after assessing the condition and a few other criteria.
Piano serial numbers identify the (1) age of your piano, the (2)piano's year of manufacture, as well as (3) the circumstancessurrounding the production of your piano, including factory history,manufacturing processes, and company ownership and oversight.
5) Immediate interior [front]: On the back of the [a] keyslip (long wooden ledge, runs along the front/bottom of the piano's keys. The serial number is often hidden and stamped on the other side, facing the keys). On the front of the [b] action frame (after the keyslip is removed), or stamped on [c] one or both of the cheek blocks, viewed to the right and left of the piano's keyboard.
On older pianos, you may find 3-5 screws, underneath the keyslip, that will need to be removed (or, simply lift up, if no screws are present) to view the action frame. The serial number may be stamped on the front of the frame's wooden base, immediately under the keys.
To the right and left of the keys are two end cheek blocks, which are each secured down with a giant bolt or screw, which passes through the piano's keybed, both of which must be removed, to access the interior of the piano (see video, above).
(Please be patient as we are updating this page on a daily basis.We invite you to SUBSCRIBE to this page, and to use the search box above, as serial numbers are beingupdated and added on an ongoing basis.)
The Pierce Piano Atlas, 12th Edition now in hardcoverformat, provides a wealth of information about the piano manufacturingindustry. Over 12,000 piano names are included, some dating back to theearly eighteen hundreds. This guide provides references to serialnumbers, dates of manufacture, factory locations, a brief history ofmany manufacturers and other pertinent information.
The Piano Book is the bible of the piano marketplace. Anindispensable resource to buyers and owners of pianos, amateur andprofessional pianists alike. This book evaluates and compares everybrand and style of piano sold in the United States.
Information on how the piano works, ages, and the difference between different piano brands is discussed in great detail. There is also a wealth of diagrams of parts, information on manufacturing, maintenance, moving and storage, inspecting new and used pianos, the special market for Steinways, andsales gimmicks to watch out for.
Playing Piano for Pleasure is a practical guide to learning andplaying the piano for fun! Includes material from the author'sinterviews with master pianists, artists, and writers. The result is abook that should be cherished for years to come.
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All sections and supplements list the pianos alphabetically by brand name; the publisher assumes no responsibility for omissions. These are the E Book values and are average trade-in allowances. These figures help you point out to your trade-up customer how much his present model is really worth. Again, you must consider the condition, style and brand popularity of the Incoming Instrument, margins usually vary somewhat in our surveys. The E Book, or trade-In prices in this section are figured on the basis of Average Resale.
Presenting the American Jewish historical experience from its communal beginnings to the present through documents, photographs, and other illustrations, many of which have never before been published, this entirely new collection of source materials complements existing textbooks on American Jewish history with an organization and pedagogy that reflect the latest historiographical trends and the most creative teaching approaches. Ten chapters, organized chronologically, include source materials that highlight the major thematic questions of each era and tell many stories about what it was like to immigrate and acculturate to American life, practice different forms of Judaism, engage with the larger political, economic, and social cultures that surrounded American Jews, and offer assistance to Jews in need around the world. At the beginning of each chapter, the editors provide a brief historical overview highlighting some of the most important developments in both American and American Jewish history during that particular era. Source materials in the collection are preceded by short headnotes that orient readers to the documents' historical context and significance.
This volume explores the local specificities and global forces that shaped Jewish experiences in the Americas across five centuries, illuminating the culturally, religiously, and politically diverse lives of Jewish minorities in the Western Hemisphere.
The Jewish community of Washington, D.C., located in the political nexus of the United States, has often enjoyed attention from people of every level of influence, including the president of the United States. On May 3, 1925, Calvin Coolidge attended the cornerstone laying ceremony of the Washington Jewish Community Center. Herbert Hoover, as a former president, was vocal in his denunciation of Nazi Germany's treatment of the Jews. His voice garnered the support of many United States senators in 1943, including two from Maryland and one from Virginia. Ronald Reagan sent his personal regards to the Ohev Shalom Talmud Torah Congregation on their 100th anniversary celebration on April 10, 1986.
With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.
From the 1880s through the 1940s, tens of thousands of first- and second-generation immigrants embraced the anarchist cause after arriving on American shores. Kenyon Zimmer explores why these migrants turned to anarchism, and how their adoption of its ideology shaped their identities, experiences, and actions. Zimmer focuses on Italians and Eastern European Jews in San Francisco, New York City, and Paterson, New Jersey. Tracing the movement's changing fortunes from the pre-World War I era through the Spanish Civil War, Zimmer argues that anarchists, opposed to both American and Old World nationalism, severed all attachments to their nations of origin but also resisted assimilation into their host society. Their radical cosmopolitan outlook and identity instead embraced diversity and extended solidarity across national, ethnic, and racial divides. Though ultimately unable to withstand the onslaught of Americanism and other nationalisms, the anarchist movement nonetheless provided a shining example of a transnational collective identity delinked from the nation-state and racial hierarchies.
From an acclaimed historian and social critic, a passionate and poignant history of German Jews from the mid-eighteenth century to the eve of the Third Reich. As it's usually told, the story of the German Jews starts at the end, with their tragic demise in Hitler's Third Reich. Now, in this important work of historical restoration, Amos Elon takes us back to the beginning, chronicling a period of achievement and integration that at its peak produced a golden age second only to the Renaissance. Writing with a novelist's eye, Elon shows how a persecuted clan of cattle dealers and wandering peddlers was transformed into a stunningly successful community of writers, philosophers, scientists, tycoons, and activists. He peoples his account with dramatic figures: Moses Mendelssohn, who entered Berlin in 1743 through the gate reserved for Jews and cattle, and went on to become "the German Socrates"; Heinrich Heine, beloved lyric poet who famously referred to baptism as the admission ticket to European culture; Hannah Arendt, whose flight from Berlin signaled the end of the German-Jewish idyll. Elon traces how this minority-never more than one percent of the population-came to be perceived as a deadly threat to national integrity, and he movingly demonstrates that this devastating outcome was uncertain almost until the end. A collective biography, full of depth and compassion, The Pity of It All summons up a splendid world and a dream of integration and tolerance that, despite all, remains the essential ennobling project of modernity.
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