Sooryavansham Movie Year

[Prometeo Archuleta]

SakthivelGounder is a rich, influential and one of the most educated men in his village near Pollachi. He has a wife Latha, three sons, and a daughter. Sakthivel hates his youngest son Chinnarasu. Sakthivel's daughter's wedding is fixed, and Nandini is the groom's sister. She meets Chinnarasu during her brother's wedding and wonders why Sakthivel dislikes him. Chinnarasu's sidekick Rasappa tells a flashback to Nandini.

Chinnarasu was weak in studies from childhood. He was in love with his relative Gowri, and elders decide to get them married. However, Gowri is educated, and she attempts suicide, thinking that Chinnarasu is not a perfect match for her as he is uneducated and illiterate. Chinnarasu saves Gowri and cancels the marriage proposal, but blames himself and does not reveal the truth. This angers Sakthivel, thinking that Chinnarasu did not respect his words and stopped talking to him.

Nandini gets impressed understanding Chinnarasu's kind heart and develops an affection towards him. Nandini proposes to Chinnarasu, for which he does not agree. Later, he too understands her true love and accepts. Both get their marriage registered, but Sakthivel gets angry knowing about this and asks the couple to vacate the home. Chinnarasu and Nandini move to a small home on the outskirts, and he secures a job in a bus transport company. With the help of Nandini's uncle, Chinnarasu purchases a bus and starts a transport company. Over the time, he develops his business and becomes a rich man. Also, Nandini clears civil services and gets posted as the Coimbatore district collector.

Sakthivel gets surprised seeing his son and daughter-in-law's growth in life. Gowri's husband suffers losses in his business which is later closed down, and she comes to meet Chinnarasu, requesting him to provide the job of Marketing Manager in his sugar factory, for which he accepts. Sakthivel meets Chinnarasu's son Sakthivel Jr. at school and develops a bonding towards him. Chinnarasu gets to know this and feels happy. Sakthivel realises his mistake of not understanding his son. Meanwhile, Dharmalingam Gounder has a rivalry against Sakthivel and plans to kill him and blame Chinnarasu. Dharmalingam adds poison to the sweet given to Sakthivel by Chinnarasu, but Sakthivel is saved, and Dharmalingam gets beaten up by the people. In the end, everyone gets united and lives as a joint family.

The story of Surya Vamsam was written by director Vikraman in 1988 planning to cast actor Vijayakumar and Karthik in lead roles, but after 10 years the film got its venture.[2] In 1996, following the success of Poove Unakkaga, producer R. B. Choudary asked Vikraman to direct once again under his Super Good Films banner. This time Vikraman came with a relationship between elder brother and younger brother which later became Vaanathaippola (2000). After writing the story, he immediately narrated the story to Choudary. He was so inspired by story and he decided to produce the film, but he had put one demand to Vikraman to direct this story with Sarathkumar and give dual role for the character of Vellaichamy and Muthu like twin brothers but Vikraman did not accept to make this character with Sarathkumar because he thought of Janagaraj for Vellaichamy character and Vijay for Muthu character. After many arguments, Vikraman decided to make the film with Sarathkumar with a different story and Choudary did not accept this at first but later he was convinced with half heart to accept Surya Vamsam which Vikraman had scripted.[2][3]

Surya Vamsam was released on 27 June 1997.[5] Ji of Kalki called it a truly decent, well-structured story with unprompted dialogues while praising the performances of Sarathkumar in dual roles, Devayani and Priyaraman but called the climax as logical loophole and concluded if only the tempo in the second half had been sufficient, there would have been no objection to call it a super good film.[6] K. N. Vijiyan of New Straits Times wrote, "The story seems common enough and not that interesting. But under Vikraman's direction, it has been turned into an entertaining movie".[7] BizHat.com wrote, "The film, neither boasts of a revolutionary story nor classy acting... But it has an appeal that is difficult to describe". The critic added, "This kind of a movie doesn't require any great cinematography and S. Saravanan does not disappoint your expectations".[8]

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Nearly 20 years after release, the box office disaster that made less than Rs7 crore in total theatrical earnings, is topping television ratings on Sony Max that may air it as frequently as once a month. But it is not the only one. Senior executives from television channels name flops like dark fantasy action film Jaani Dushman- Ek Anokhi Kahani (Rs10 crore), Tarzan The Wonder Car (Rs6 crore), romantic comedy drama Ramaiya Vastavaiya (Rs26 crore), Akshay Kumar comedy Entertainment (Rs64 crore) and romantic drama Shaadi Mein Zaroor Aana (Rs15 crore) as examples of films that have emerged as blockbusters on television despite not setting the cash registers ringing on theatrical release.

The first reason for this is the distinct nature of the Indian television viewing world. Many, if not most Hindi films made today are sharp and well-shot, the content is modern, the issues contemporary and the depiction of intimacy between characters matches global standards. 93% of the country, on the other hand, exists in a one-television household reality.

Television, Vyas added, is a representation of the average Indian, the mass consumer who enjoys stereotypical scenes, situations and songs and comes back to them whenever he can. A family entertainer like Sooryavansham will always work on television because it not just allows for emotional peaks and curves every couple of minutes but can be watched in segments or its entirety with at least one other member of the family multiple times without discomfort.

At this moment, Tiwari said, Bollywood is not dishing out, not more than five films out of 200 a year that work on TV. The cinema that Bollywood has stopped making may not be commercially viable from a theatrical point of view but is relevant for most of India.

The person who played the grandson of Thakur Bhanu Pratap Singh and son of Thakur Heera Singh in the movie Sooryavansham is Anand Vardhan. His grandfather has a deep connection with films. Moreover, Anand Vardhan's father PB Srinivas was a well-known singer. Because of him, people associated with the film industry used to visit their houses. Someone from the film Sooryavansham was also visiting PB Srinivas' house when he liked the cuteness of little Anand Vardhan and offered him to work in films. Hence, that is how he started working in films at the age of just 3 years. He worked in about 25 films as a child artist and he also received the Nandi Award for the Best Child Artist Award.

Anand Vardhan had suddenly distanced himself from films. The reason for this was his studies. He has done B.Tech in Computer Science. After completing his studies, Anand Vardhan has again started connecting with fans through social media. There is news that very soon he will also be seen as a lead actor in a Telugu movie.

Bollywood has often delivered films that have changed the face of cinema in our country and have forced the who's who of the industry to think out of the box. Every year has some blockbusters, some disasters, and some of those films that go on to become cult classics later in the day. But not that often has the film industry seen a whole year packed with back-to-back iconic films. 1999 was one such year. 1999 saw many films, some of the memorable ones being Taal, Sarfarosh, Hum Dil De Chuke Sanam, Vaastav and the likes. And all of them are 20 years old this year.

Bollywood is known for its music but the rare feat that Taal, a musical romantic drama, achieved, is difficult to beat till date. The film cashed in on Aishwarya Rai's beauty and her heartfelt performance. Apart from Aishwarya, it starred two outstanding actors, known for their own style - Akshay Khanna and Anil Kapoor. The chemistry of these three actors, along with AR Rahman's infectious music, made Taal one of the most memorable works of director Subhash Ghai. Anil Kapoor won a Filmfare Award for the film and Aishwarya was nominated in the Best Actress category. Taal is 20 years old this year.

We crave to see more of the 90s' Shah Rukh Khan on the big screen. One of his films that still makes his fans go gaga over him is Baadshah. Shah Rukh's comic timing, with his boy-next-door charm, made Baadshah a massive hit. The film is also one of the few memorable films of Twinkle Khanna. Baadshah featured a motley of amazing actors - Raakhee, Johnny Lever, Sudhir, Amrish Puri, Thapar Viju Khote - who made the film a full-on entertainer.

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