Life Of Pi Film Review Guardian

[Tina Larzelere]

TerrenceMalick's "The Tree of Life" is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives. The only other film I've seen with this boldness of vision is Kubrick's "2001: A Space Odyssey," and it lacked Malick's fierce evocation of human feeling. There were once several directors who yearned to make no less than a masterpiece, but now there are only a few. Malick has stayed true to that hope ever since his first feature in 1973.

I don't know when a film has connected more immediately with my own personal experience. In uncanny ways, the central events of "The Tree of Life" reflect a time and place I lived in, and the boys in it are me. If I set out to make an autobiographical film, and if I had Malick's gift, it would look so much like this. His scenes portray a childhood in a town in the American midlands, where life flows in and out through open windows. There is a father who maintains discipline and a mother who exudes forgiveness, and long summer days of play and idleness and urgent unsaid questions about the meaning of things.

I wrote earlier about the many ways this film evoked my own memories of such time and place. About wide lawns. About a town that somehow, in memory, is always seen with a wide-angle lens. About houses that are never locked. About mothers looking out windows to check on their children. About the summer heat and ennui of church services, and the unpredictable theater of the dinner table, and the troubling sounds of an argument between parents, half-heard through an open window.

As I mentioned the O'Brien family, I realized one detail the film has precisely right: The parents are named Mr. O'Brien and Mrs. O'Brien. Yes. Because the parents of other kids were never thought of by their first names, and the first names of your own parents were words used only by others. Your parents were Mother and Father, and they defined your reality, and you were open to their emotions, both calming and alarming. And young Jack O'Brien is growing, and someday will become Mr. O'Brien, but will never seem to himself as real as his father did.

Rarely does a film seem more obviously a collaboration of love between a director and his production designer, in this case, Jack Fisk. Fisk is about my age and was born and raised in Downstate Illinois, and so of course knows that in the late '40s, tall aluminum drinking glasses were used for lemonade and iced tea. He has all the other details right, too, but his design fits seamlessly into the lives of his characters. What's uncanny is that Malick creates the O'Brien parents and their three boys without an obvious plot: The movie captures the unplanned unfolding of summer days, and the overheard words of people almost talking to themselves.

The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. "The Tree of Life" has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.

And what comes after? In whispered words near the beginning, "nature" and "grace" are heard. We have seen nature as it gives and takes away; one of the family's boys dies. We also see how it works with time, as Jack O'Brien (Hunter McCracken) grows into a middle-aged man (Sean Penn). And what then? The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.

Some reviews have said Mr. O'Brien (Brad Pitt, crew-cut, never more of a regular guy) is too strict as a disciplinarian. I don't think so. He is doing what he thinks is right, as he was reared. Mrs. O'Brien (the ethereal Jessica Chastain) is gentler and more understanding, but there is no indication she feels her husband is cruel. Of course children resent discipline, and of course a kid might sometimes get whacked at the dinner table circa 1950. But listen to an acute exchange of dialogue between Jack and his father. "I was a little hard on you sometimes," Mr. Brien says, and Jack replies: "It's your house. You can do what you want to." Jack is defending his father against himself. That's how you grow up. And it all happens in this blink of a lifetime, surrounded by the realms of unimaginable time and space.

It's a Wonderful Life is a 1946 American Christmas supernatural drama film produced and directed by Frank Capra. It is based on the short story and booklet "The Greatest Gift" self-published by Philip Van Doren Stern in 1943, which itself is loosely based on the 1843 Charles Dickens novella A Christmas Carol.[4] The film stars James Stewart as George Bailey, a man who has given up his personal dreams in order to help others in his community and whose thoughts of suicide on Christmas Eve bring about the intervention of his guardian angel, Clarence Odbody.[4] Clarence shows George all the lives he touched and what the world would be like if he had not existed.

Although it was nominated for five Academy Awards, including Best Picture, It's a Wonderful Life initially received mixed reviews and was unsuccessful at the box office. Theatrically, the film's break-even point was $6.3 million, about twice the production cost, a figure it did not come close to achieving on its initial release. Because of the film's disappointing sales, Capra was seen by some studios as having lost his ability to produce popular, financially successful films.[5] Its copyright expired in 1974 following a lack of renewal and it entered the public domain, allowing it to be broadcast without licensing or royalty fees, at which point it became a Christmas classic.[6]

It's a Wonderful Life is now considered to be one of the greatest films of all time and among the best Christmas films.[7] It has been recognized by the American Film Institute as one of the 100 best American films ever made.[8] It was No. 11 on the American Film Institute's 1998 greatest movie list, No. 20 on its 2007 greatest movie list, No. 8 on its list of greatest love stories, and No. 1 on its list of the most inspirational American films of all time.[9] In 1990, It's a Wonderful Life was selected for preservation in the United States National Film Registry by the Library of Congress for being deemed as "culturally, historically, or aesthetically significant". Capra revealed that it was his favorite among the films he directed and that he screened it for his family every Christmas season. It was one of Stewart's favorite films.[10]

On Christmas Eve 1945, in Bedford Falls, New York, George Bailey contemplates suicide. The prayers of his family and friends reach Heaven, where guardian angel second class Clarence Odbody is assigned to save George in order to earn his wings. Clarence is shown flashbacks of George's life. He watches 12-year-old George rescue his younger brother Harry from drowning, leaving George deaf in his left ear. George later saves the pharmacist, Mr. Gower, from accidentally poisoning a customer.

In 1928, George plans a world grand tour before college. He is reintroduced to Mary Hatch, who has loved him since childhood. When his father dies from a sudden stroke, George postpones his travel to settle the family business, Bailey Brothers Building and Loan. Avaricious board member Henry Potter, who owns the bank and most of the town, seeks to dissolve the company, but the board of directors votes to keep it open on condition that George run it. George acquiesces and works alongside his uncle Billy, giving his tuition savings to his younger brother Harry with the understanding that Harry will take over when he graduates.

However, Harry returns from college married and with a job offer from his father-in-law, and George resigns himself to running the building and loan. George and Mary rekindle their relationship and marry, and use their honeymoon savings to keep the company solvent during a run on the bank. Under George, the company establishes Bailey Park, a housing development surpassing Potter's overpriced slums. Potter entices George with a high-paying job, but George rebuffs him when he realizes that Potter's true intention is to close the building and loan.

George flees Potter's office, gets drunk at a bar, and prays for help. Contemplating suicide, he goes to a nearby bridge. Before George can jump, Clarence dives into the freezing river and George rescues him. When George wishes he had never been born, Clarence shows George a timeline in which he never existed. Bedford Falls is now Pottersville, an unsavory town occupied by sleazy entertainment venues and callous people. Mr. Gower was jailed for manslaughter because George was not there to stop him from poisoning the customer. George's mother does not know him. Uncle Billy was institutionalized after the building and loan failed. Bailey Park is a cemetery, where George discovers Harry's grave: Without George, Harry had drowned as a child, and without Harry to save them, the troops aboard the transport ship were killed. George finds that Mary is an "old maid" librarian. When he grabs her and claims to be her husband, she screams and runs away.

George flees back to the bridge and begs for his life back. His wish granted, he rushes home to await his arrest. Meanwhile, Mary and Billy have rallied the townspeople, who donate more than enough to replace the missing money. Harry arrives and toasts George as "the richest man in town." Among the donations George finds a copy of The Adventures of Tom Sawyer, a gift from Clarence inscribed, "Remember, no man is a failure who has friends. Thanks for the wings!" When a bell on the Christmas tree rings, George's youngest daughter, Zuzu, explains that "every time a bell rings, an angel gets his wings", while the people are singing "Auld Lang Syne".

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