Phaistos Disc again, delving deeper, final evidence. 10 messages in one,
compiled because of a current wave of adversity in sci.lang which
I transform as usual into energy
(1/10)
Phaistos Disc, as deciphered by Derk Ohlenroth, combined with an alternative
archaeological story:
A promising young man from Lycosoura spent much time in Elaia's grove at
Phigalia, learned all he could about agriculture from the priestesses of
Demeter-Elaia, and consulted the oracle of Nyx. Powerful Nyx, feared even
by Zeus, was the daughter of Poseidon in the guise of a stallion and of
Demeter in the guise of a mare. (Demeter as goddess of cereals is represented
by the baking oven in the center field of the Elaia disc, and Poseidon,
originally the god of rivers, in form of the waves next to the baking oven)
Enter Elaia's grove, kindle wood that is polished round about,
walk around the sacrificial fire, beat the earth, and neigh
suddenly like a pair of horses: Aio ae! hyauax! Come, shadowy one,
noble late Night, born by the goddess again and again
Later on the young man wandered to the Argolis, bringing olive twigs and
portable beehives with him. He introduced edible olives (elaia 'olive')
in the Argivian plain, grew cereals, vegetables, vine, and cared for the
bees. Thus he luckily averted a famine and was appointed king of Tiryns.
He had a good friend at Phaistos in the fertile plain of Mesara in southern
Crete. He asked him for a pair of gold discs he could wear on his shoulders
on festive occasions. Well, the gifted scribe and goldsmith invented a
peculiar Greek alphabet which allowed him to render Elaia's grove and Tiryns
both in words and as pictures - Tiryns from the former Round Building on top
of the acropolis (rosette of eight massive blocks at the base still extant
in situ, represented by the rosette of eight petals in the center of the
Tiryns disc) to the well guarded palisade (enforced by a banning formula
of archaic power). Spiral text
Zeus is the shining one also when Zeus is the Lycaion one
whose lovers give birth to offspring his equal,
and if shining Tiryns is a divine town, also I (Eponymous Tiryns)
may be a shining one of the same kind (i.e. divine)
text covering the entire margin, banning formula enforcing the palisade,
deterring possible intruders who try to enter the acropolis and the Zeus
shrine replacing the former Round Building that burned down at the end
of the Early Helladic period of time
Marked (by the god) and lonely forever, without hope for salvation
and without a shadow, shall return who tries to intrude into the
sanctuary
A fresco in the palace of Tiryns showed the king and his successors worshiping
Demeter-Elaia, and Zeus in the guise of an eagle behind her, under a sky of
raining cereals (grains), between the men olive twigs, on their shoulders
gold discs, and they appearing as lion-wolf-dog-bee men. The lion symbolizes
royalty; the wolf reminds of Lycosoura, Greek lykos 'wolf'; dogs are watchful
guards; and bees industrious helpers of a farming society.
The palace is long gone, but the freso survives in the gold signet ring found
in a cache of Tiryns
http://www.seshat.ch/home/ring.gif
http://www.seshat.ch/home/ring2.JPG
The olive twigs between the lion-wolf-dog-bee men are the same sign as
on the Phaistos Disc, which disc is the pair of clay models baked together,
found by Luigi Pernier in 1908. Maybe the pair of gold discs will one day
be found in another cache of Tiryns? The lower parts of the palace ruins
are not yet excavated.
(2/10)
The emphatic sigma Ss (explained by Wilhelm Larfeld on the pages 54/5
of Derk Ohlenroth's book) is represented by the rosette of eight petals
which appears
*** at the beginning of the spiral text in the center of the Tiryns disc,
SsEYR for Zeus
*** repeated for the Lycaion SsEYR
*** and again at the beginning of the ring text, banning formula covering
the entire margin, SsLYGOS 'marked (by the god, SsEYR)'
*** and once on the margin of the Elaia side, KSsYNORIS for a pair of horses
- Poseidon fell in love with Demeter, she fled, he turned into a stallion,
she into a mare, he raped her, she in her anger made the cereals wither
and caused a famine; only Pan with his flute could mollify her, placated
she gave birth to Nyx 'Night' and made the fields fertile again
Whatever the meaning of this myth (perhaps a reflex on the invasion of the
Indo-Europeans and their horses in the Balkans?) the rosette indicates deities
and has a multiple significance in the center of the Tiryns disc
*** the former Round Building from the Early Helladic period on top of the
limestone hill of Tiryns contained a shrine of Zeus; the Round Building burned
down in the Early Helladic period, or at it's end; the sanctuary of Zeus was
probably rebuilt in the Middle Helladic period; anyway, a rosette of massive
blocks at the base of the former Round Building still extant in situ
*** as a flower it evokes the sun that makes vegetation grow
*** as a windrose it allows an exact orientation of the disc: entrance to the
acropolis in the NEE; pictogram of Demeter-Elaia on the margin turning into
a mare (growing a mane) indicating West, Phigalia west of Tiryns; two waves
in the South indicating the former course of the Manesse river (which caused
heavy floodings and was therefore diverted around the mountain east of Tiryns
with a kilometers long and up to thirteen meters high dam in the Late Helladic
period according to geo-archaeologist Eberhard Zannger - a Herculean labor)
*** a lunisolar calendar, each petal 45 days, in all a basic year of 360 days,
add 5 and occasionally 6 days for the tiny circle in the center and you get
a regular year of 365 and occasional leap year of 366 days, while 21 continous
periods of 45 days are 945 days and correspond to 32 lunations or synodic
months
*** a world formula: here and now (center), in the South and North, East and
West, below and above, in the past and future - SsEYR is everywhere, Zeus
onmipresent.
(3/10)
Eponymous Tiryns on the Phaistos Disc is (in my opinion) Lord Laertes
the gardener in Homer's Odyssey, of the lineage Zeus - Arkeisios - Laertes
- Odysseus - Telemachos.
TYR for the one who overcomes in the double sense of rule and give was
the god of the first Indo-European homeland on the middle course of the
Amu Darya. Central Asia abounds with derivatives of TYR. Magdalenian TYR
became Middle Helladic SsEYR Doric Sseus Homeric Zeus, while DhAG meaning
able accounts for Dios, genitive of Zeus.
Arkeisios led the former miner tribes of the Greeks and Hellenes from Central
Asia to the southern Balkans and might have been the mythological founder
of the Early Helladic period in the Argolis on the Peloponnese.
Lord Laertes the gardener personifies the Middle Helladic period, achieving
a certain equilibrium between the invading Indo-Europeans and the local
tradition of the Vinca (Vincha) culture surviving in Elaia's grove at Phigalia.
Problem: Eponymous Tiryns lived in the Argolis, Lord Laertes on Ithaca.
The question was solved by Magdalenian. ITA CA Ithaca means under the
sky CA of the young (Zeus) bull ITA, and ATI CA Attica under the sky of the
mature (Zeus) bull ATI. Ithaca named originally the Argolis, then larger parts
of the Peloponnese, or all of it, and survives in the name of a relatively
small island off the northwestern Peloponnese. The lion-wolf-dog-bee men
spread over the Peloponnese and are often depicted as pair blessing a young
tree between them. Eponymous Tiryns introduced edible olives in tha Argolis,
and Lord Laertes planted the olive tree around whose trunk Odysseuy and
Penelope constructed their immoveable bed, symbol of the hopefully eternal
Greek civilization.
Odysseus - 'if there ever was such a man' (Homer) - personifies Greece
in the time of the Late Helladic period ending with the Trojan war.
Telemachos 'Far Away War' symbolizes Greece in the time of the Messenian
wars, far from Troy and far away in time from the Trojan war. Homer 1 of
the Iliad flourished in the time of the first Messenian war, Homer 2 of
the Odyssey florished in the time of the second Messenian war, and both
of them were concerned about the coherence of the Greek civilization.
(4/10)
Eponymous Tiryns would have achieved a certain equilibrium between the
invading Indo-Europeans and Old Europe in the sense of Marija Gimbutas
which partly survived in Elaia's grove at Phigalia in Arkadia. Comparing
a loaf shaped clay plaque from Banjica near Belgrade, Early Vinca (Vincha),
with a rectangular spiral and inscriptions rendering a grove with gardens
and sanctuaries and beehives (honeycombs); the baking oven in the shrine
of the bird goddess at Sabatinovka, Southern Bug Valley, Early Cucuteni;
and the Elaia disc representing Demeter-Elaia's grove, a baking oven
in the center of the disc - in all fifteen baking ovens on this disc,
counterbalancing the fifteeen shields of the Argos eye on the other disc
http://www.seshat.ch/home/kirike08.GIF
http://www.seshat.ch/home/kirike11.GIF
The entrance field of Elaia's grove contains from the outside to the inside
(against the reading direction) the head of a pig, a pair of beehives (my
interpretation), a bag (dito), and a vine twig. Among the offerings to Demeter
had been pigs, also figurines with the head of a pig, and bags of unwashed
wool. The first lion-wolf-dog-bee man in line before Demeter on the gold
signet ring from a cache at Tiryns raises a libation jug of wine mixed with
honey in honor of the goddess. Both ring and offerings indicate respect for
the legacy of Old Europe, and only the balance of the old culture and new
culture of the Indo-Europeans made the rise of Greece possible.
The center field of the Elaia disc shows a baking oven, emblem of Demeter,
goddess of cereals, and a wave, emblem of Poseidon, originally a river god,
peacefully side by side. While the center field of the Tiryns disc associates
the rosette (Ss) of SsEYR Zeus and profile (EY) of the king and ear of grain
(R) as further emblem of Demeter. Eponymous Tiryns in divine company!
On his cheek is a tattoo resembling an 8 consisting of an upper circle for
the divine sphere and a lower circle for the human sphere. Eponymous Tiryns
rules in the name of the god and goddess, honors both of them in like manner,
and thus makes the Argolis flourish and prosper.
We find a marvellous complexity and multitude of enfolded messages, achieved
with a peculiar alphabet of 45 pictograms, among them for example six alphas,
allowing to render Elaia's grove and Tiryns both in words and as pictures.
A Greek alphabet from around 1650 BC, invented in the laboratory of writing
that was Minoan Crete.
(5/10)
Fifteen baking ovens on the Elaia disc as emblem of Demeter have a counterpart
in fifteen shields on the Tiryns disc, Argos eye, emblem of a watchful union
of towns in the Argolis, also of the organization of a single town - in the
center the ruler of the focused mind CO surrounded by guards of the open eyes
OC along the enveloping palisade or wall LOP, together CO OC LOP overformed
by Cyclops, the most famous one having been Polyphem, Homeric symbol of Troy,
his one eye overlooking the wide river plain, his body downtown Troy VIIa
that provided protected shelter for 5,000 till 10,000 people. Consider also
the term 'cyclopic wall'.
PAS LOP Penelope was the personification of the Argolis, everywhere PAS towns
enveloped by palisades or walls LOP, and POL LOP PAS named the Peloponnese,
fortified settlements POL enveloped by palisades or walls LOP everywhere PAS.
A further numerical symmetry are the five portable beehives on the Elaia disc
and five eagles on the Tiryns disc. The bee is an emblematic animal of Demeter,
also of Elaia, goddess of olives (Greek elaia 'olive'), see the gold ring from
Mokhlos in Crete
http://www.seshat.ch/home/elaia.GIF and the eagle was
a guise of Zeus. The flying eagle on the disc holds a snake in his talons.
Perhaps the farmers of Tiryns trained eagles to catch snakes? Then there is
a political and military aspect. Zeus in his guise of an egle, protecting the
palisade of Tiryns (banning formula along the rim, covering the entire margin)
punishing intruders symbolized by snakes?
Maybe there is more information regarding the social organization of the
Argolis in the Middle Helladic period of time, made accessible by Derk
Ohlenroth with his fine decipherment.
(6/10)
Three signs on the Elaia disc and three signs on the Tiryns disc represent
a vertical olive twig. They return in the three vertical olive twigs between
the lion-wolf-dog-bee men on the gold signet ring from a cache of Tiryns
in the same form and nearly the same size (10 vs 12 mm high). May we assume
an open air sanctuary of three sacred olive trees in Middle Helladic Tiryns?
Plenty double axes of bronze and some of gold were deposited in the cult cave
of Arkalokhori on Crete. One of the bronze double axes bears a hieroglyphic
inscription. Three of the signs (no correspondence with the number three above)
closely resemble pictograms on the Phaistos Disc. Also this inscription was
deciphered by Derk Ohlenroth
DAeIOYS LO(Y)S(I)AS EIMI I belong to the goddess Lousia
Lousia means 'Angry One'. She was the Cretan equivalent of Demeter-Elaia
from Phigalia in Arkadia who turned into Black Demeter-Melaina and caused
a famine. So we have not only a connection of the scripts but also of the
underlying myths. Apparently the votiv gifts were deposited in order to
mollify the goddess and prevent a famine.
The first six pictograms in the center of the Tiryns disc tell the basic
story of Eponymous Tiryns in form of the shortest possible summary
rosette for SsEYR Zeus
profile of Eponymous Tiryns
ear of grain for Demeter
walking man
vertical olive twig
ground plan of a palace
Eponymous Tiryns, worshiper of Zeus and Demeter, had come from Elaia's
grove at Phigalia in Arkadia, bringing twigs of edible olives with him,
grafted them on wild olive trees, averted a famine, and was appointed
king of Tiryns the shining town ...
(7/10)
Remember the promising and ambitious young man from Lycosoura visiting
Elaia's grove at Phigalia, consulting the oracle of Nyx. What did she tell him
via her priestess? Maybe she gave him the advice to learn about agriculture?
and prophesized that one day he may be appointed king?
The reading direction leads from the end of the Elaia disc evoking Nyx to
the six first pictograms in the center of the Tiryns disc, which, when read
as emblems and pictures, convey the summary story of Eponymous Tiryns.
Can they also visualize the prophesy made by Nyx that came true?
From a 'shadowy late night' in Arkadia to the brightness of the Middle
Helladic day ...
If you magnify the six first pictograms in the center of the Tiryns disc,
the beginning of the spiral evokes a nautilus shell (and the man fixes
the ear of grain before him as if saying that he studied agriculture).
A Minoan seal from the Idaean cave, where Zeus was born according to
a Cretan legend, shows a priestess holding a triton shell before her mouth.
Beautifully colored spiraled conch-shells were found in many Minoan shrines,
nearly always the narrow end cut off, so they were used as megaphones by
a priestess conveying the message of her goddess.
The spirals on the pair of discs have then a further meaning, and thus confirm
the context of an oracle as found by Derk Ohlenroth in his fine decipherment.
(8/10)
Even astronomy is encoded in the Phaistos Disc - beyond the rosette of eight
petals that also adorns beautiful Kamares Ware from Middle Minoan Crete.
On the Elaia disc we count 119 and on the Tiryns disc 123 in all 242 =
11 x 22 pictograms which provide better definitions of the lunation and
year than the lunisolar calendar of the rosette.
But first of all they provide titles for the pair of discs. The one of the
Elaia disc is given by the 11 pictograms of the first 3 fields
EN / YLAeI / ELAiAS / in(to) Elaia's grove
and the one of the Tiryns disc by the 22 pictograms in the first 6 fields
SsEyR / KI / PhAAiNNOS / SsEyR / Ai YL / KIOS /
Zeus is the shining one also when Zeus is the Lycaion one
The Elaia disc evokes the 'noble late Night' Nyx, daughter of Demeter-Elaia,
personification of night, and the Tiryns disc a sunny day provided by Zeus.
Analogously the number 11 of the Elaia disc refers to the moon. 400 periods
of 11 days correspond to 149 lunations or synodic months, mistake half a
minute per lunation.
Count lunations in the 30 29 30 mode. 15 and 17 lunations yield 443 and 502
days respectively
17 15 17 15 17 or 17 32 49 64 81 lunations
502 443 502 443 502 or 502 945 1447 1890 2392 days
81 64 4 sum 149 lunations
2932 1890 30 29 30 29 sum 4400 days
Result: 400 periods of 11 days are 4,400 days and correspond to 149 lunations;
mistake half a minute per lunation.
Moon by night, sun by day. 119 123 123 sum 365 days in a regular year. Four
regular years plus one leap day are 1,461 days. 83 periods of 11 days are
1,826 days for 5 years; mistake one hour per year
365/1 (plus 1461/4) 1826/5 3287/9 4748/13 6209/17 ... 9131/25
These and further additive number sequences were known to the Minoans, helped
them find a way through the 'labyrinth' of demanding astronomical calculations,
and were later on dubbed 'Ariadne's thread'.
The myth of Minotaur in the labyrinth of Knossos and the round kernos in the
royal court of Mallia encode lunisolar calendars based on a number sequence
relating lunations (l) and years (y)
l/y 37/3 99/8 136/11 235/19 (Knossos) 371/30 (Mallia)
The Mallia calendar uses a period of 11 days (returning in Elaia's number).
Derk Ohlenroth found a phonological parallel between the Phaistos Disc and
the altar stone inscription of Mallia which he translates as follows: May
the goddess (Britomartis) let it rain. So the concern was again agriculture.
The Phaistos Disc in the light of Derk Ohlenroth's decipherment is of
a marvellous complexity which allows to combine various fragments of
the Minoan and Helladic past.
(9/10)
Not enough with astronomy, the numbers also reveal a system of early geometry.
The Elaia disc has 119 or 7 x 17 and the Tiryns disc 123 or 3 x 41 pictograms.
17 and 41 appear in the basic number column for calculating the square and
octagon
1 1 2
2 3 4
5 7 10
12 17 24
29 41 58
and so on
41 and 123 belong to the basic number column for calculating the cube,
equilateral triangle and hexagon (the construction of a hexagon is indicated
by the geometrical sun on the gold signet ring from a cache of Tiryns)
1 1 3
2 4 6
1 2 3
3 5 9
8 14 24
4 7 12
11 19 33
30 52 90
15 26 45
41 71 123
and so on
17 and 123 are present in the basic number column for calculating the double
square and decagon
1 1 5
2 6 10
1 3 5
4 8 20
2 4 10
1 2 5
3 7 15
10 22 50
5 11 25
16 36 80
8 18 40
4 9 20
13 29 65
42 94 210
21 47 105
68 152 340
34 76 170
17 38 85
55 123 275
and so on
Elaia disc 119, Tiryns disc 123, sum 242 pictograms. Let the circumference
of a circle measure 242 units. How long is the diameter? practically 77 units,
value for pi 22/7
77 x 22/7 = 11 x 22 = 242
Here we have again the number 11 of the Elaia title and number 22 of the
Zeus title involving night and day, lunar month and solar year, final evidence
for the validity of the decipherment achieved by Derk Ohlenroth.
A pseudo-decipherment is a window painted on the wall. A genuine decipherment
opens a window on a far away scenery and events in a long bygone era.
(10/10)
There might be even more geometry encoded in the Phaistos Disc, again
based on Egyptian - Mesopotamian - Minoan methods.
The Elaia title of the first three fields has 11 signs and the Tiryns title
of the six first fields has 22 signs, 11 x 22 = 242, number of all signs
on the Phaistos Disc.
The Elaia disc has 30 fields and the Tiryns disc 31 fields, 30 x 31 = 930,
an interesting number.
Basic pi sequence, followed by the most important one
4/1 (plus 3/1) 7/2 10/3 13/4 16/5 19/6 22/7
3/1 (plus 22//) 25/8 47/15 69/22 ... 465/148
Double the numbers of the last value and you get 930/296 for pi (3.14189...
instead of 3.14159...).
A rectangle measuring 12 by 35 units has a diagonal measuring exactly 37 units.
Multiply the numbers by a factor of 8 and you obtain a rectangle measuring
96 by 280 units, diagonal exactly 296 units, while the circle circumscribing
this rectangle has a circumference of practically 930 units, 930 the product
of the number 30 of Elaia fields and 31 of Tiryns fields.
The over-determination of laudatio and mythology and topography and astronomy
and geometry might explain some of the linguistic peculiarites of the early Greek
as deciphered by Derk Ohlenroth - anyway a secret message, beacuse the name
of Nyx was taboo, her public name Despoina 'Mistress', but is given as her proper
name Nyx on the Elaia disc, daughter of Demeter-Elaia.
Spirals in the Neolithic art of the Balkans have the meaning of regeneration,
growing, waxing, and giving birth. Double spirals curving in and out - for
example on the womb of a Vinca (Vincha) goddess - are a symbol of the
sequence of generations, one following the other.
The goddess on the Elaia disc gives birth to Nyx over and over again, while
SsEYR on the Tiryns disc 'sired' offspring his equal, Zeus in Homer's Odyssey
founding the lineage Arkeisios - Laertes - Odysseus - Telemachos, Lord Laertes
the gardener being the alter ego of Eponymous Tiryns and his dynasty, hero
of the Phaistos Disc.