Titanicis a 1997 American epic romantic disaster film directed, written, co-produced and co-edited by James Cameron. Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of RMS Titanic in 1912. Leonardo DiCaprio and Kate Winslet star as members of different social classes who fall in love during the ship's maiden voyage. The film also features an ensemble cast of Billy Zane, Kathy Bates, Frances Fisher, Bernard Hill, Jonathan Hyde, Danny Nucci, David Warner and Bill Paxton.
Cameron's inspiration for the film came from his fascination with shipwrecks. He felt a love story interspersed with human loss would be essential to convey the emotional impact of the disaster. Production began on September 1, 1995,[15] when Cameron shot footage of the Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Baja Studios were used to recreate the sinking. The film was initially meant for 20th Century Fox, but due to a mounting budget and being behind schedule resulted in Fox asking Paramount Pictures for financial help; Paramount handled distribution in the United States and Canada, while 20th Century Fox released the film internationally. Titanic was the most expensive film ever made at the time, with a production budget of $200 million. Filming took place from July 1996 to March 1997.
In 1996, aboard the research vessel Akademik Mstislav Keldysh, Brock Lovett and his team search the wreck of RMS Titanic. They recover a safe they hope contains a necklace with a large diamond known as the Heart of the Ocean. Instead, they find only a drawing of a young nude woman wearing the necklace. The sketch is dated April 14, 1912, the same day the Titanic struck the iceberg that caused it to sink.[Note 2] After viewing a television news story about the discovery, centenarian Rose Dawson Calvert contacts Lovett, identifying herself as the woman in the drawing. Hoping she can help locate the necklace, Lovett brings Rose aboard Keldysh, where she recounts her experiences as a Titanic passenger.
In 1912 Southampton, 17-year-old Rose DeWitt Bukater, her wealthy 30-year-old fianc Caledon "Cal" Hockley, and Rose's widowed mother Ruth board the Titanic. Ruth emphasizes that Rose's marriage to Cal will resolve the family's financial problems and maintain their upper-class status. Rose, distraught over her loveless engagement, climbs over the stern railing, contemplating suicide. Jack Dawson, a poor young artist, coaxes her back onto the deck, and they develop a friendship. He soon admits that he has feelings for her. When Cal and Ruth object, Rose rejects Jack's attentions, but returns to him after realizing she has fallen in love.
Rose brings Jack to her stateroom and requests he draw her nude, wearing only the Heart of the Ocean. They later evade Cal's servant, Lovejoy, and have sex in a Renault Towncar inside the cargo hold. Escaping to the forward deck, the pair witness the ship's collision with an iceberg and overhear its officers discussing its seriousness. Cal discovers Jack's sketch and an insulting note from Rose in his safe, along with the necklace.
When Jack and Rose return to warn the others about the collision, Cal has Lovejoy slip the necklace into Jack's pocket to frame him for theft. Jack is confined in the master-at-arms' office. Cal puts the necklace into his own overcoat pocket. With the ship sinking, the crew prioritize women and children for evacuation. Rose finds and frees Jack, and they make it back to the deck, where Cal and Jack urge Rose to board a lifeboat. Intending to save himself, Cal lies that he will get Jack safely off the ship and wraps his overcoat around Rose.
As her lifeboat is lowered, Rose jumps back onto the ship, unable to abandon Jack. Cal grabs Lovejoy's pistol and chases Jack and Rose, but they escape. Cal realizes the necklace is still in the coat he gave Rose. He poses as a lost child's father to board a lifeboat. Jack and Rose return to the deck. The ship's stern is rising as the flooded bow sinks; the two desperately cling to the stern rail. The upended ship breaks in half, and the bow section sinks. The stern slams back onto the ocean, upends again and sinks. In the freezing water, Jack helps Rose onto a wood transom panel among the debris, buoyant enough only for one person, and makes her promise to survive and live her life to the fullest. Jack dies of cold shock, but Rose is among six people saved by the one returning lifeboat. RMS Carpathia rescues the survivors. Rose avoids Cal and her mother by hiding among the steerage passengers and giving her name as Rose Dawson. Still wearing Cal's overcoat, she discovers the necklace tucked inside the pocket.
In the present, Rose says she heard that Cal committed suicide after losing his fortune in the 1929 Wall Street crash. Gazing out into the ocean, Lovett laments to Lizzy Calvert and abandons his search after hearing Rose's story. Alone on the stern of Keldysh, Rose takes the Heart of the Ocean, which has been in her possession all along, and drops it into the sea over the wreck site. While she is seemingly asleep in her bed,[17] her photos on the dresser depict a life of freedom and adventure inspired by Jack.
Several crew members of the Akademik Mstislav Keldysh appear, including Anatoly Sagalevich, the creator and pilot of the Mir self-propelled Deep Submergence Vehicle.[56] Van Ling portrayed Fang Lang; his backstory inspired Cameron to produce a documentary The Six, based on a group of Chinese survivors who survived the sinking.[57] Anders Falk, who filmed a documentary about the film's sets for the Titanic Historical Society, makes a cameo appearance in the film as a Swedish immigrant whom Jack Dawson meets when he enters his cabin; Edward Kamuda and Karen Kamuda, then President and Vice President of the Society, who served as film consultants, were cast as extras in the film.[58][59]
The story could not have been written better had it been fiction ...The juxtaposition of rich and poor, the gender roles played out unto death (women first), the stoicism and nobility of a bygone age, the magnificence of the great ship matched in scale only by the folly of the men who drove her hell-bent through the darkness. And above all the lesson: that life is uncertain, the future unknowable ... the unthinkable possible.
James Cameron has long had a fascination with shipwrecks, and for him Titanic was "the Mount Everest of shipwrecks".[62][63][64] He was almost past the point in his life when he felt he could consider an undersea expedition, but said he still had "a mental restlessness" to live the life he had turned away from when he switched from the sciences to the arts in college. When an IMAX film, Titanica, was made from footage shot of the Titanic wreck, Cameron decided to seek Hollywood funding for his own expedition. It was "not because I particularly wanted to make the movie," Cameron said. "I wanted to dive to the shipwreck."[62]
Cameron wrote a scriptment for a Titanic film,[65] met with 20th Century Fox executives including Peter Chernin, and pitched it as "Romeo and Juliet on the Titanic".[63][64] Cameron said the executives were unconvinced of the commercial potential, and had instead hoped for action scenes similar to his previous films.[20] They approved the project as they hoped for a long-term relationship with Cameron.[20][21][31]
The crew shot at the wreck in the Atlantic Ocean 12 times in 1995. The work was risky, as the water pressure could kill the crew if there were a tiny flaw in the submersible structure.[21] Additionally, adverse conditions prevented Cameron from getting footage.[21] During one dive, one of the submersibles collided with Titanic's hull, damaging both sub and ship, and leaving fragments of the submersible's propeller shroud scattered around the superstructure. The external bulkhead of the captain's quarters collapsed, exposing the interior, and the area around the entrance to the Grand Staircase was damaged.[66]
Descending to the site emphasized to the crew that the Titanic disaster was not simply a story but a real event with real loss of life. Cameron said: "Working around the wreck for so much time, you get such a strong sense of the profound sadness and injustice of it, and the message of it." He felt a "great mantle of responsibility" to convey the emotional message of the story, as he was aware there might never be another filmmaker to visit the wreck.[31]
Cameron felt the Titanic sinking was "like a great novel that really happened", but that the event had become a mere morality tale; the film would give audiences the experience of living the history.[60] The treasure hunter Brock Lovett represented those who never connected with the human element of the tragedy.[56] He believed that the romance of Jack and Rose would be the most engaging element: when their love is finally destroyed, the audience would mourn the loss.[60] He said: "All my films are love stories, but in Titanic I finally got the balance right. It's not a disaster film. It's a love story with a fastidious overlay of real history."[31]
Cameron framed the romance with the elderly Rose to make the intervening years palpable and poignant.[60] While Winslet and Stuart believed Rose dies at the end of the film,[68][69] Cameron said "the answer has to be something you supply personally; individually".[17]
Harland & Wolff, Titanic's builders, opened their private archives to the crew, sharing blueprints that were previously thought lost. For the ship's interiors, production designer Peter Lamont's team looked for artifacts from the era. The newness of the ship meant every prop had to be made from scratch.[70] Fox acquired 40 acres of waterfront south of Playas de Rosarito in Mexico and began building a new studio on May 31, 1996. A horizon tank of 17 million gallons was built for the exterior of the reconstructed ship, providing 270 degrees of ocean view. The ship was built to full scale, but Lamont removed redundant sections on the superstructure and forward well deck for the ship to fit in the tank, with the remaining sections filled with digital models. The lifeboats and funnels were shrunk by ten percent. The boat deck and A-deck were working sets, but the rest of the ship was steel plating. Within was a 50-foot lifting platform for the ship to tilt during the sinking sequences. The 60-foot 1/8th scale model of the stern section was designed by the naval architect Jay Kantola using plans of the Titanic's sister ship RMS Olympic.[71] Above the model was a 162-foot-tall (49 m) tower crane on 600 feet (180 m) of rail track, acting as a combined construction, lighting, and camera platform.[56]
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