Tamil Movies Arunachalam
Temika
Watching a movie is no longer limited to a weekend, it has become an everyday affair thanks to movie theatres with world-class facilities. Arunachalam Cinemas, Thiruvannamalai is a chain of theatres in India that exhibit a myriad of movies around the year. Be it a Regional, Bollywood or Hollywood movie, at Arunachalam Cinemas, Thiruvannamalai you can catch them all.
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As it turns out, 1997 was a distinctive and extraordinary year for Tamil cinema. There was no shortage of critically acclaimed movies or blockbusters. A high was guaranteed practically every time you went to the theatre. Back then, before the age of social media, the movie-watching experience was so pure and so highly anticipated that satisfaction was always on the cards.
Kamal Haasan, taking a brief sabbatical from Tamil cinema, produced, co-wrote and directed, for the first time, a Hindi movie called Chachi 420, a remake of the Tamil hit Avvai Shanmughi. His main rival for the affections of the Tamil people, superstar Rajinikanth, released Arunachalam, in which director C Sundar proved once again that he had a flair for comedy. Coming on the heels of Baasha and Muthu, Arunachalam (featuring a monkey prominently in the climax) was underwhelming to many, but it was still a movie that defined 1997 in the annals of Tamil cinema history.
For this critic, the best film of the year was the awe-inspiring Iruvar, directed by Mani Ratnam. Based on the lives of Tamil Nadu politicians MGR, Karunanidhi and Jayalalithaa, the film had an ensemble cast including Mohan Lal, Prakash Raj, Aishwarya Rai (making her rip-roaring debut in a dual role), Tabu, Gautami and Revathi. With memorable cinematography by Santosh Sivan, the film released to critical acclaim but poor BO receipts.
Mohanlal plays Anandan, a struggling actor, who strikes up a lasting friendship with Tamizhselvan (Prakash Raj), an upcoming writer and Dravidian ideologue. With the passage of time, their comradeship, however, sours as the two get increasingly entangled in a fight for political power in Tamil Nadu. With a convincing production design by Samir Chanda, the film was a period piece that captured the political bonhomie and, later, the rivalry between MGR and Kalaignar.
Nerukku Ner, in which Suriya makes an awkward debut, fared better at the BO. Technically, this was the first movie that Simran signed in Tamil, though she had other movie releases ahead of this one. Composer Deva, who dominated the 1990s in many ways, put together a great score for this movie. Vijay and Kausalya put in adequate performances. Vasanth directed this movie with panache.
Actor Karthik, whose career was sputtering to an end as a bankable male star, made Pistha (directed by KS Ravikumar) with Nagma as the female lead. The movie delivered a strong dose of male chauvinism along with dollops of laugh-aloud humour. The combination worked wonders at the BO and the movie was a bona fide success.
Nandhu Sundaram lives in Medavakkam, a Chennai suburb, with his wife and 10-year-old daughter. He loves the city deeply and wants to change it everywhere he goes. He loves movies (all kinds), books and cricket. He is also trying his hand at short stories.
When promotions for the film Pad Man started, there were a lot of comments on social media criticising the Tamil film industry for not taking the initiative to make a film on Arunachalam Muruganantham. Considering he is from Coimbatore, Tamil Nadu, they felt that it would just make a lot of sense to have made it true to its milieu. But guess what? Apparently, they did want to make his story into a motion picture. But Muruganantham chose to go Bollywood and apparently, only because Hollywood didn't seem to be working out at this point in time. "There were filmmakers who approached me from the Tamil, Kannada and Telugu film industries. But I was keen on taking the film to a global audience. I wanted as many people as possible to watch the film so the message can spread far and wide. I was hoping that someone from Hollywood would be interested in making the film because it is a global problem but I thought that that might take over ten years," Muruganantham said.
Therefore, when Twinkle Khanna approached him with the idea of a film he decided to say yes, "I decided if not Hollywood, then Bollywood would be a better-suited option because it caters to a larger audience, at least all of India would be able to see it and will be able to learn the message. I had only two demands, one that it should be a film with a message that is easily accessible to people in far-off villages and the other that the makers should not distort my story. And I wanted the story to get made as soon as possible. Delaying it would mean the message too would take time to get delivered," explained the real Mr Pad Man.
So does he feel that the film has done justice to his story? "Yes, I'm very happy with the film. About 80 percent of the film is completely based on my life. They've also included the part where I myself tried on a pad once, so I'm glad that it is so authentic. To have a such a big hero in a film wear a pad on screen in quite a huge deal, I was sure it would manage to drastically change the mindset of people across the country," he said. India is a country that loves its movies and no one can worship actors like we do but is a film enough to spread a message as 'taboo-ed' as menstruation? "Well, the aim is to create million-dollars worth of employment (with the sanitary napkin-making industry) and creating a country where 100 percent of the women use sanitary napkins," he said.
What started out as a small cottage-based business in a small village near Coimbatore, is now present in 4800 villages across the country. And several countries across the world, "I started my research in 1994. It was the year that I got married and it was only in 2004 that I could successfully create the machine. It was in those ten years that everybody from my family, including my wife, gave up on me and abandoned me," he recollected. It is said that in those initial years of experimentation with various types of pads, he would ask his family to repeatedly use them and give feedback. later on, he sought the help of women students from a Medical College to use and assess his pads to improve its quality and design.
A decade later, when he started getting recognised and his work became more mainstream, his luck changed. Muruganantham's wife came back to him and they went on to have a daughter who is now in the fourth standard, "My daughter is still too young to understand the film but she has a vague idea." But how is he treated by all the others in his hometown? Like a celebrity, he says. "Now they all tell me 'Oh we knew you were always intelligent' or that they always supported me. Now they're changing their versions. But it's okay. They are all proud of me now," he said with a smile.
Turning to why he has had to campaign so much to begin debates on menstruation and menstrual hygiene, even in places like schools and colleges, "In our country, we don't speak about menstruation. I only came to know about menstruation after I got married and noticed my wife searching for materials to use (as pads). Almost 90 percent of men won't know what a pad is or what menstrual cramps are. Women know everything about men but men barely know anything about a woman and her body. Menstrual hygiene is not just important for women, it is important for fathers, brothers, husbands and friends too. Only then will they be able to understand women and also respect them as equals," he explained.
All said and done, we cannot ignore the fact that women on their periods are still prohibited from engaging in certain kind of work or entering certain places, especially religious ones, "Not entering temples is just one of the hundreds of prohibitions. Superstitions are even worse. Up North, people say things like if a dog happens to bite a used sanitary napkin then the unmarried girl will never get married and somewhere else I heard that if a newly married girl's sanitary pad is thrown out and if it falls in water, then the mother-in-law will die. These superstitions will only go away if we have a one-to-one discussion on the issue," he said.
Turning his attention to the restrictions that used to be strictly enforced in places of worship, he said, "Such rules were made because there was a fear that the blood might leak or stain. But when a woman has a proper pad, she herself will feel comfortable enough to go wherever she likes. So when she has proper hygiene why would she be denied entry to any place?"
Arunachalam cast list, listed alphabetically with photos when available. This list of Arunachalam actors includes any Arunachalam actresses and all other actors from the film. You can view additional information about each Arunachalam actor on this list, such as when and where they were born. To find out more about a particular actor or actress, click on their name and you'll be taken to page with even more details about their acting career. The cast members of Arunachalam have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with.
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