Space 1999 Season 1 720p Torrent
Grosvenor Styles
Space: 1999, a British science-fiction television series, ran for 48 episodes broadcast between 1975 and 1977. The first series (or season, often referred to as Year One) of 24 episodes began transmission in 1975, though production of the first episode began in 1973. In addition, a number of compilation films have been produced using material from multiple episodes, some containing additional footage. A brief, semi-official series denouement was filmed for exhibition at the Breakaway 1999 fan convention,[1] held in Los Angeles, California in September 1999.
Individual episodes are intended to be broadcast in a progressive order so that, for Year One, "Breakaway" should be broadcast first, with "Black Sun" and "Earthbound" being broadcast at an early stage to present the Moon entering a new and different part of space and the Alphans encountering their first aliens. However, many stations in the United States aired "Dragon's Domain" (production number 23) as the second instalment after "Breakaway" in September 1975. In the United Kingdom, "Force of Life" (production number 9) was the follow-up to "Breakaway". The other guidelines are that the episodes should progress to show John Koenig's and Helena Russell's relationship develop and blossom. "The Metamorph" should be the first episode of Year Two, followed by the remaining episodes (there is a two-part episode in Year Two) in the order that the days on Russell's status report (which begins each episode) dictates. Regional and national stations aired the series in a wide range of orders. In some cases, this included mixing Year One and Year Two episodes at random.[citation needed]
Four films were assembled from various episodes of Space: 1999 in the 1970s and 1980s. One aim was to provide content for new American and European cable and satellite TV stations (and for theatrical release, which occurred in a number of European countries). A fifth film, Spazio 1999, was created specifically for theatrical release in Italy. With the exception of Spazio 1999, the films were released on home video years before individual episodes.
Some American VHS editions of the English-language releases include specially filmed introductions by B-movie actress Sybil Danning (who never appeared in the original series). Space: 1999 actors Martin Landau and Barbara Bain were reportedly upset at this re-packaging and launched legal proceedings.[9]
At the Breakaway 1999 convention,[1] held in Los Angeles, California in 1999, a short featurette entitled Message from Moonbase Alpha premiered on 13 September. Produced by fans and written by Space: 1999 script editor Johnny Byrne, the short film features a tearful monologue performed by actress Zienia Merton in character as Sandra Benes.
The premise of the film, set decades after the events of the TV series (of which "The Dorcons" is the final episode), is that Moonbase Alpha's life-support systems have finally started to fail. Fortunately, a space warp has propelled the Moon to within range of an Earth-like planet, dubbed Terra Alpha. Following a vote (which was contested by some), Commander John Koenig has made the decision for all inhabitants to evacuate Alpha and settle on the planet before the Moon travels out of range. Sandra states that Operation Exodus is a gamble, as the planet is an unknown factor: the Moon is determined to be entering an orbit of sorts, but it will not return to Terra Alpha for another 25 years.
Meanwhile, Maya has devised a way for Alpha to send a message back to Earth using another space warp. Sandra, the last Alphan to leave the Moon, is given the task of sending it, but it is not known when or if the message will arrive. The film ends with the Meta signal (an unidentified radio transmission from nearby planet Meta featured at the end of the pilot episode "Breakaway"), indicating that the first signal the Alphans receive from space is, in fact, one that they have sent to themselves from the future. The featurette was shot on a small set using design elements from both Years One and Two and includes character and special effects footage from various episodes, some of which underwent minor alterations.
With the exception of Sandra, the only series characters mentioned in the present tense (meaning that they are still active at the time of arrival at Terra Alpha) are Maya and John Koenig, but Helena Russell also appears in the title sequences. Sandra also eulogises several notable Alphans who are now deceased, including Victor Bergman and Paul Morrow, and also mentions her fianc Michael (from "Black Sun") and Luc and Anna (from "The Testament of Arkadia").
Byrne devised Message from Moonbase Alpha to permit the possibility of a sequel series. According to Byrne's revival concept, this series would be set about 25 years later and feature the children of the Alphans who leave Terra Alpha when the Moon and its Moonbase eventually return. Although there was some press and fan speculation regarding the proposal at the end of 1999, the series remains undeveloped. Byrne himself died in 2008.
The original arrangement between all the parties involved in the production of Message from Moonbase Alpha and (then) copyright holders of Space: 1999, Carlton Media International, was that the film would be screened only once, at the September 1999 convention. However, it was subsequently shown at other events and made available as a special feature on various DVD releases in the United States, Canada, France and Italy, in both its original and adapted forms.
This was obviously in the days where it was rare for television shows to do proper series finales, so this is what we got instead. Also, Gerry Anderson did not know if the Space 1999 was going to get renewed for a third season.
Moonbase Alpha hurtles through space encountering strange planets and strange alien species. Sometimes these aliens are helpful, but the majority of them are terrifying. Seriously, every time the moon gets near some new planet that the people of Moonbase Alpha want to colonize, the opportunity turns into a disaster. Like there was this one episode where the mushrooms the crew ate drove them mad. Another episode where the planet becomes unlivable after a season change. And still another planet that turns the people of Moonbase Alpha into Cro-Magnons. Other episodes feature the moon going through a Black Sun, fighting a giant space brain (naturally), and dealing with a future version of the Voyager probe that became a lethal weapon.
Martin Landau plays John Koenig, head of Moonbase Alpha. Barbara Bain plays Dr. Helena Russell, chief medical officer. They are joined by regulars Barry Morse, Zienia Merton, Nick Tate, Anton Phillips, and Clifton Jones. We also get guest stars like Christopher Lee, Peter Cushing, Brian Blessed, and Joan Collins. The special effects are fantastic considering the time it was made with some great model that Gerry Anderson probably pioneered during his Thunderbirds series.
Season 2 is probably best remembered and appreciated for the advent of Maya, the shape-changing alien who, fortunately, most of the times looks like Catherine Schell. The stories, though, get a bit sillier. Still, it does have the special effects.
Here is this multi-national cast and crew, and this British studio, developing in that shadow land between the demise of the Star Trek television series and the rise of the Star Wars film, this very odd space show.
I did a bit of searching, and thankfully found someone who noticed the same type of inconsistency in the production order of the shows. Namely Andrew Kearley who has created a great web site devoted to SPACE 1999.
These eight episodes GUARDIAN to THE END OF ETERNITY (with the exception of moving one episode earlier in the season for story development reasons) follow production order, as I saw no substantial reason to move them around. And having watched them both ways they work best this way, adhering closer to production order.
How much of that tension oozed into the show is hard to tell, although even the revamped second season was not able to really liven up what had become established as a very no-nonsense attitude on Moonbase Alpha.
For Generation-X, Space:1999 bridged the sci-fi gap between the Six Million Dollar Man/Bionic Woman and the explosion of Star Wars in 1977 which was then followed up by its imitators on TV with the original Battlestar Galactica and Buck Rogers. In that brief window it was able to capture mindshare, but because the tone of Star Wars was so much more exciting and uplifting, the morose, slow-moving, and cerebral Space: 1999 quickly faded from pop consciousness. Reruns persisted into the late 70s and early 80s, though, and for a kid that would eat up any sci-fi that was on TV before the age of VCRs, I never completely let go of my interest. It also helped that I had one of these:
This was NOT Power Rangers. This was a dark show. Maybe not Game of Thrones or Walking Dead dark, but really dark for standards and practices of the 1970s. It was dark enough that you might even classify it as horror since so many plots had elements of dread and gore. This might be surprising considering that Anderson became so closely associated with kiddie fare, but as early as Captain Scarlet he had taken an interest in darker subjectmatter (although its theme was um, goofy).
The first thing it does is open with the framing device of voiceover narration. This is sometimes used in horror movies. For instance, The Incredible Shrinking Man is interspersed with voiceover narration. The idea behind this is to create a conversational feel similar to telling ghost stories around the fire.
While yes, there are clear parallels, one key difference is the power of the monster. Rather than merely being tormented by PTSD, the monster has the ability to lure its prey into its maw through force of will, similar to the possession of a demon ala The Exorcist.
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