Area that made its debut in January, 2010. The group celebrates the music, culture and
history of Brazil, with a special emphasis on the Choro genre, a style of music which
emerged in the 1800's in Brazil, fusing the music of Brazil's European immigrants and
the native music of Brazil's indigenous and African-Brazilian population. In particular,
the choro sound is somewhat akin to a combination of European classical music, ragtime,
From a family of professional musicians, flutist Jane Lenoir grew up in Tampa, Florida,
and left home at 15 to attend the Interlochen Arts Academy and Oberlin Conservatory of
Music. A performer comfortable in many diverse styles, Jane appears regularly as a soloist,
chamber player, orchestral musician, and jazz performer. She first began her study of
Brazilian music in 2006, and has since studied and performed with Marcos Silva, Jovino
Santos Neto, Hermeto Pascoal, and recorded with Carlos Oliveira and Ceilia Medeiros,
and the Brazilian Choro Ensemble. She is principal flutist with the Music in the Mountains
Festival Orchestra in Grass Valley, and also performs with Sexteto Matiz, an Afro-Cuban
ensemble, and numerous jazz, new music, and chamber ensembles in styles ranging from
early music (baroque flute) to free improvisation.
Saxophonist/clarinetist Harvey Wainapel (pronounced "wine-apple") has performed with
the likes of McCoy Tyner, Joe Lovano, Ray Charles, Dave Brubeck, and Joe Henderson.
Besides working with these and numerous other leaders, Wainapel has toured extensively
under his own name, and has performed in 22 countries. His heavy involvement with the
music of Brazil has led to performances with top-level musicians such as Airto Moreira,
Flora Purim, Dori Caymmi, Guinga, and Jovino Santos Neto. Wainapel was a featured
soloist on two CDs that were final nominees for Latin Grammy Awards™ "Best Latin
Jazz Recording" (with Jovino Santos Neto in 2004 and with Mark Levine in 2003).
Harvey has been called "one of the most promising and versatile players of his
generation." (All Music Guide to Jazz 1998)
Originally from Rio de Janeiro and based in the Bay Area, guitarist/composer Ricardo
Peixoto is among the top representatives of Brazilian guitar in the US, with a fluid melodic
style and a keen compositional sense. His performances explore Brazil's rich and diverse
traditions, both in his original work as well as in arrangements of Brazilian classics. His
approach is grounded both in the jazz and Brazilian music traditions, but always ventures
well beyond their borders, combining rich melodies, sophisticated harmonies, and the
unmistakable rhythms of Brazil. Ricardo came to the US on a scholarship to the Berklee
College of Music in Boston, and later continued his studies in classical guitar at the San
Francisco Conservatory. He has recorded, performed, and collaborated with, Claudia Villela,
Flora Purim and Airto, saxophonist Bud Shank, percussionist Dom Um Romão, Toots
Thielemans, Dori Caymmi, Guinga, and many others, throughout the US, Europe, Canada,
Japan and Brazil.
Percussionist Brian Rice graduated from the Interlochen Arts Academy and Oberlin
Conservatory of Music with a B.M. in Percussion Performance and Ethnomusicology.
A well-rounded musician, Brian is a highly acclaimed performer, educator and recording
artist adept at numerous musical styles ranging from classical and jazz, to Latin, Afro-Cuban,
and Brazilian, to contemporary and experimental music. Brian's study of the Brazilian
pandeiro began in 1986 when the Sao Paulo State University percussion ensemble visited
Oberlin and since then his obsession with the pandeiro has led him to study with Guello,
Marcos Suzano, Airto, Claudio Bueno and Clarice Magalhaes. His prowess on the
instrument has led him to perform with numerous Brazilian artists including, Jovino Santos
Neto, Paulo Sergio Santos, Danilo Brito, Dudu Maia and Jorge Alabe. It was studies with
Marcos Suzano that inspired Brian to expand his use of the pandeiro outside the Brazilian
music world and apply it to Balkan, Celtic, Middle Eastern, Spanish, and Cuban music with
great effect (eg, with Mexican/Cuban band Cascada de Flores, Celtic/Grateful Dead band
Wake the Dead, and flamenco/Latin band Potaje).