Kalos is drawn to water. Every performance is like stepping into a river—they never play a
song the same way twice. They make music inspired by the maritime traditions of Scotland,
Ireland, Scandinavia and North America. Their album titles—Harbour and Headland—honor
the meeting point between the land and sea and they sing songs about shorelines, seafarers
and drownings. They revel in the driving danceability of Irish tunes, but also take inspiration
from the pastoral melodies and naturalistic metaphors of Scottish music. But while the music
they write is forged in tradition, it is nonetheless cast and tempered in new and unexpected ways.
The trio spans three generations, three cities and two countries. Ryan McKasson,
Eric McDonald, and Jeremiah McLane met over the years at highland games, contra
dances and fiddle camps across North America. They made their first recording in 2016
and have been touring together since 2019. Kalos prizes the magic of live performance—
breathing, dancing and weaving together like high-wire acrobats. They are as generous
as they are virtuosic. Like nature itself, their music is full of chaos and chance yet always
feels spacious and balanced. Their concerts are more an exposé than a performance—
they are immersive, trance-inducing experiences.
Ryan McKasson: fiddle, viola, vocals
Ryan McKasson has gained a strong reputation as a performer, composer, collaborator
and teacher. In 1994, he began attending Alasdair Fraser's Valley of the Moon Scottish
Fiddling School (VOM), which led him deep into the world of traditional music. In 1996
he became the youngest ever to win the US National Scottish Fiddle Championship and
in 1997 he was awarded a Merit Scholarship for Viola Performance from the University
of Southern California, where he studied with Donald McInnes. Over the years Ryan has
recorded with a number of influential artists; his playing appears on fellow Scottish fiddle
champion Hanneke Cassel's three albums, as well as Alasdair Fraser & Natalie Haas's
recording Highlander's Farewell (2011). In addition to McKasson & McDonald, other
current projects include MAC, Ensemble Galilei and The Syncopaths.
Jeremiah McLane: accordion, piano, vocals
Jeremiah was raised in a family with deep ties to both its Scottish heritage and its New
Hampshire roots. Traditional New England music and dance were a part of his parents' and
grandparents' generations. After an early formation in classical piano, Jeremiah spent his
teenage years playing blues and jazz, studying with legend Gary Peacock in university.
He then studied Indonesian Gamelan, West African drumming, and the music of minimalist
composers Steve Reich and Philip Glass. It wasn’t until his mid twenties that Jeremiah
began to immerse himself in the world of traditional Celtic and French music, studying
accordion with Jimmy Keene and Frederic Paris. He then spent several decades traveling
in Europe, doing field research that laid the groundwork for a Master’s degree from the
New England Conservatory. In the early 1990s Jeremiah formed two bands: The Clayfoot
Strutters and Nightingale. Both bands had strong traditional New England roots and had a
deep and lasting impact on the traditional dance scene in New England. Jeremiah has
recorded over a dozen CDs with Nightingale, the Clayfoot Strutters, Bob & the Trubadors,
Le Bon Vent, and with Ruthie Dornfeld. His second solo recording, Smile When You’re Ready,
was nominated by NPR in their “favorite picks”, and his fifth release, Hummingbird, with
Ruthie Dornfeld, received the French music magazine “Trad Mag” Bravo award, as did his
CD Goodnight Marc Chagall with Le Bon Vent. He has composed music for theatre and film,
including Sam Shepard’s “A Lie Of The Mind”, and been awarded the Ontario Center For
The Performing Arts “Meet The Composer” Award, and the Vermont Council On The Arts
“Creation Of New Work” grant.
Eric McDonald: guitar, mandolin, vocals
Eric McDonald found his way to traditional music through the rich local music scene in his
hometown Boston. Nearly a decade after studying at Berklee College of Music under world
renowned musicians such as guitarist/mandolinist John McGann and cellist Eugene Friesene,
he is now established as one of the USA's premier accompanists in many styles. Eric cut his
teeth playing for contra dances in New England, and can still often be seen from the dance
floor. Nowadays he is an active session player, regularly recording and traveling with musicians
of many stripes. Touring credits include The Outside Track, Andrea Beaton, Wendy MacIsaac
and Katie McNally. In addition to McKasson & McDonald, he can currently be seen touring with
the lively trio Daymark, Scottish powerhouse Cantrip, and award winning singer/songwriter
Connor Garvey. In addition to guitar accompaniment, Eric's debut solo album Rove features
his unique style and approach to tunes on the mandolin, as well as carefully crafted deliveries
of traditional ballads on voice and guitar.