Initial D Movie 1080p 16
Riikka Drumheller
A sequel has been in discussion since the following year after the movie debuted. However, a concrete conclusion could not be reached due to obstacles that include the storyline, filming locations, casts, and safety reasons. In March 2014, director and producer, Andrew Lau, once again reconfirmed in an exclusive interview that a sequel will surely follow but is tight-lipped on the release date. Jay Chou and Edison Chen will reprise their roles.[17] In 2018 Felix Chong, the screenwriter for the first film, stated he and Lau previously had plans to develop the sequel but both have since moved onto other projects, citing production costs being too high due to Lau's insistence on using real cars instead of CGI.[18] In 2020 director Andrew Lau stated that if a sequel is put into production he would likely not be directing it, citing the toll the first film took on his health, licensing issues, and once again budget issues, and also suggesting that Takumi should take on a mentor role similar to his father in the first film.[19] The sequel is now considered to be in Development hell.
Shortly after the story begins, the Red Suns, a highly experienced racing team from Mount Akagi led by Ryosuke Takahashi, challenge the local Speed Stars team to a set of races on Mount Akina. Dispirited after watching the Red Suns' superior performance during a practice run, the Speed Stars expect to lose. Later that night, the Red Suns' #2 driver, Keisuke Takahashi, heading home after the last practice run, is defeated soundly by a mysterious Sprinter Trueno, despite driving a much more powerful Mazda RX-7 (FD3S). An investigation into the identity of the driver leads to Bunta Fujiwara, Takumi's father. While trying to do his best for the team on Mount Akina, Iketani suffers a crash and damages his car and injures himself. He is unable to take part in the race to represent his team. Iketani begs Bunta to help the Speed Stars defeat the Red Suns, and he initially refuses, later relenting to "maybe" show up at the race. At the same time, Takumi asks Bunta if he can borrow the car for a day to take a trip to the beach with a potential girlfriend (Natsuki Mogi), and Bunta seizes the moment by granting permission (plus a full tank of fuel) on the condition that Takumi defeats Keisuke. On the night of the race, the Trueno does not show up, and the Speed Stars enlist a backup driver (Kenji) for the first run. At the last moment before the race starts, the AE86 arrives. Takumi steps out of the car to the bewilderment of the Speed Stars, who were expecting Bunta. He easily defeats Keisuke by utilizing a dangerous "gutter run" technique (putting both the left/right tires into the gutters to prevent centrifugal force pushing the car outward) on the mountain road's hairpin corners.
In 1998, Initial D was adapted into an animated television series produced by OB Planning and Prime Direction. The first episode premièred on Fuji TV on April 8, 1998. The initial series ran for 26 weekly episodes with the finale airing on December 5, 1998.
Following Second Stage in 2000, Initial D Extra Stage was aired as a spinoff to the original series. This story focused on the all-female Impact Blue team of Usui Pass and their point of view of the recent events of Second Stage and the upcoming Third Stage movie. This was followed by Extra Stage 2 in 2008, which look at the relationship between Impact Blue's Mako Sato and Iketani of the SpeedStars (following on from the original side-story in the manga).
In July 2013 it was announced that another feature film titled New Initial D the Movie and a last anime series, Initial D Final Stage, will be produced.[26] The movie is a retelling of the early Stages with a wholly new voice cast and is split into three parts, with the first part released on August 23, 2014, titled Legend 1: Awakening, the second part was released May 23, 2015, titled Legend 2: Racer, the third part released on February 6, 2016, titled Legend 3: Dream.[27]
A live-action film based on Initial D was released on June 23, 2005, in Asia. The movie was jointly produced by Japan's Avex Inc. and Hong Kong's Media Asia Group. It was directed by Andrew Lau and Alan Mak, whose credits include the 2002 Hong Kong blockbuster Infernal Affairs. The adaptation featured Taiwanese singer Jay Chou as Takumi Fujiwara and Hong Kong stars Edison Chen as Ryosuke Takahashi and Shawn Yue as Takeshi Nakazato. Despite many changes to the original story, the movie was met with critical acclaim and was nominated for multiple awards, including Best Picture, at the Hong Kong Film Awards and Golden Horse Awards, winning many of them.
16:9 works great for TVs, since that is the aspect ratio used by the majority of today's TV shows, but unfortunately, most movies are made using the cinema standard, which is 21:9. 21:9 is much wider, so parts of the screen need to be filled with black bars above and below the image in order to fit most TVs. These horizontal bars are called "letterboxes."
IMAX movies and theaters are a complete ecosystem that encompasses everything from cameras, speakers, room shapes, screen finishes, and even film types. More importantly, though, part of IMAX's proprietary system is their own aspect ratio. IMAX has a few different ratios used now to accommodate for different types of rooms, but there are two major ones: 1.9:1 and 1.4:1.
Most movies today that use IMAX still are filmed with a mixture of 21:9 ratio and 1.4:1 IMAX. As seen in the picture above, IMAX content fills up the entirety of the 16:9 screen. The image itself goes beyond the height of a 16:9 TV, but it is cropped in Blu-ray films to fit the screen. You don't get the whole experience, but you still get a more complete picture than if it was letterboxed to the standard cinema ratio.
21:9 TVs were made a few years ago and were aimed at cinephiles since they match the standard motion pictures aspect ratio and allow you to watch movies from edge to edge of your screen. They aren't available anymore, and they were rare, and expensive, even at the time of their release. A few prototypes have been demonstrated in recent years, including a model that can change its aspect ratio to match the content, but nothing has been released.
Unless you only turn on your TV to watch movies, you're better off with a standard 16:9 TV. Watching normal TV shows on a cinema-wide screen causes it to show black bars on either side, which isn't great. This reduces the viewing area for 16:9 content considerably. A 58" 21:9 television corresponds to the same viewing area as a 47" TV for 16:9 content, as you can see in the illustration.
Nowadays, the 21:9 ratio is only found on PC monitors. It roughly equates to two 4:3 monitors side by side. Some PC monitors go even wider, causing even 21:9 movies to have vertical black bars. These are good for both productivity and immersive gaming.
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