Rave Generation 2

[Fito Coulter]

Accordingto The BBC, The teenager - originally from Oswaldtwistle in Lancashire - was reported to have travelled to the island for his first holiday with friends to attend the multi-venue festival, which saw performances from horsegiirL, 999999999, Patrick Mason, Hannah Laing, and more.

On Monday morning just before 9:AM, Slater reportedly called his friends, according to the BBC, saying he was lost and was attempting to walk back to his accommodation alone - a journey that would have taken him 11 hours on foot.

His phone shows his last location at the Rural de Teno Park, a mountainous area in west Tenerife. Police are currently searching for Slater using mountain rescue teams, drones, a helicopter, and sniffer dogs.

hey there . i just found this version 2 and it has some great oldschool samples. after playing around with it for an hour or so ,i just have one question .is it possible to add your own samples to the library or create a library . i have some oldschool tracks to lift some sample from . would be nice to put it all in the vst and not in a seperate sampler of sorts. anyway ,keep up the good work

any answer to the gui resize prob started using this plugin again in maschine but when i open it up it then resizes my maschine daw gui to smaller size, i have it large due to bad eyesight, any work arounds at all ?

i have literally tons of beta testers with Mac OS X this is the first time i hear about this problem!

does it happen all the time ? do you use the 32 or 64 bit version ? the VST or the AudioUnit ?

Hi (and thanks for the amazingly fast re),

No luck after restarting the session (also tried to remove the component file, restarting, re-adding it to the library folder for components and restarting again.

where did you copy the RaveGenerator2.component file ?

usually it works with both /Library/Audio/Plug-Ins/Components and /Users/yourusername/Library/Audio/Plug-Ins/Components but Apple may have changed that too, maybe it only works in one of the folder and not the other..

This idea is really cool, hope we get to know more about it so soon in future. and the great collection of sound thanks for sharing this with us. I am happy because it is available also for the window because I have seen the new technology is coming works of mac :(. and I am using window ?

visit me to resolve its issues.

ilove the pugin buti have a similar problem to some one above when i use it as a vst in

cubase or the new acid pro 9 as i was ging it a blast the rave gen plugin causes the gui

to shrink down to a size so small that i cannot read anything on screen ive tried dropping the screen resolution but i cannot get it to a readable size and until i remove the plugin from the song i cannot do any work any ideas ?

DDMF metaplugin 64 has solved the Catalina OS problem for me.It takes a bit of juggling but i got it to work on my mac.

The plug in allows you to run a 32 bit plugin of your choice (RG etc) wrapped inside metaplugin on a Catalina OS.

Really weird issue with the plugin, if windows is set to scale to 125% (Super common on hi res screens on laptops) when you load the plugin it forces the DAW to reset to 100% scale and shrinks the DAW, tested in Acid Pro and Maschine.

Hi, I use FL Studio. I can open the VST in FL Studio but as soon as I pick a new preset on the VST it crashes the whole of FL Studio. This Happens every time. I have tried deleting and re-downloading 3 times and it still happens. Any help is massively appreciated as I have looked everywhere and cant find a solution.

When I first learned of the Lazy Sunday Festival I was told it was held in a large beer garden behind a pub in the beautiful rural village of Stotfold, and while that might be technically true it's also very much misleading...

Billed as an "old skool and jungle family all-dayer", the Lazy Sunday Festival took place on Sunday 27th August 2017 in an enormous field that, although part of the adjoining pub (the Fox and Duck), was certainly no mere "beer garden", and was more than capable of accommodating the three thousand visitors it received over the course of the day.

The festival was blessed with one of the brightest and hottest days of the summer, and upon joining the queue to enter the venue the throbbing bass of LFO's eponymous classic rumbled through the beautiful Hertfordshire countryside. At this point, still oblivious to the scale and ambition of the festival, I felt those all too familiar pre-rave feelings wash over me - anticipation, excitement, and butterflies in the stomach. Those feelings took me back twenty five years - there's nothing like that sense of anticipation as you wait in the queue, full of nervous energy, swaying to the bass making it's way out of the venue. The big difference this time? I was able to share the experience with my wife and six-year-old twins!

Parking for the festival couldn't have been easier as there was a field directly opposite the venue where you could ditch your car at no cost. Whilst standing in line I got my first glimpse of the true scale and ambition of the festival. At the far end of the site I could see a large stage framed by huge inflatable lips, while one side of the field was lined with street-food vendors and bars.

For those of us that had young families there was a large area filled with bouncy castles and all manner of inflatable slides to keep them occupied. There was also a stall selling horns and whistles which kept my two budding ravers happy (although I did have to remind them that the horns were for dancefloor use only!)

During the first few hours, as the venue started to fill up, and people started to flood in in search of a place to set up camp, DJ's Dill, Braddaz and Cosmo & Dibs did an excellent job of warming up the crowd and setting the tone for the event. The blend of dance classics, summer house and old skool rave anthems perfectly complemented the glorious weather. The sight of a woman styled as a unicorn bouncing around beneath an intense August sun, to a very well received remix of Snap's "The Power" (courtesy of Steve Thrower of Cosmo & Dibs), perfectly captured the spirit of the early hours of the festival!

It was mid afternoon when local talent Barrington brought the first jungle-tinged vibes of the day, playing Renegade's "Terrorist" to a jumping crowd of adults and kids - needless to say the place went off! My six year-old twins danced with blissed-out parents, first-time teenagers, and grizzled hardcore veterans - mixing with people of all ages, colours and backgrounds; a true microcosm of the early rave scene.

"There's such a wide range of people here. You can pick out the old ravers... the kids... and that's what's made today... that all the kids are really getting into it. This scene has been going for twenty five plus years and it's never going to go away. You don't get this at punk events... you don't get this at mod events.,. You could rewind this twenty five years and say this was an illegal rave. We've rocked up in a field, got a sound system, set up a bar up and away we go!"

As a parent I wanted my kids to not only have a great time dancing to the tunes they've heard their dad blast a thousand times, but to also experience the culture of inclusiveness that surrounds the rave scene. It was the following day when my son asked me why everyone was giving him high fives on the dancefloor and being so nice to him! Not only did I meet a lot of very cool people that day, but my kids did too. Whether sat on my shoulders as I bounced around, or busting the moves they'd stolen from me, my kids were always given such positive attention by the raving crowd.

As the afternoon became evening, and the sun started to set, the ever-increasing crowd were treated to stand-out sets by both Slipmatt and RatPack - the latter offering the crowd several bangers from their new album. It's moments like these where, as a fan of the old skool scene, you can't help but pinch yourself - the line-up for Lazy Sunday was second to none.

At risk of coming across as too much of a "fanboy", to a certain generation these guys were our heroes. We didn't buy albums, we bought mix tapes. We didn't need posters because we had flyers. Whether it was 2 Bad Mice dropping "Bombscare", Ratpack performing "Searching For My Rizla", Slipmatt smashing it with "On a Ragga Tip" or Fat Controller bringing the euphoria with "In Complete Darkness", the day was punctuated with "pinch-me" moments when you'd allow yourself to embrace the nostalgia.

"It's nice watching all the people's faces, everyone seems to be loving it... that's what does it for me. In 1991 I did a radio interview with BBC Cardiff, bearing in mind this was before the '92 explosion and we'd only just released "Way in my Brain", and the DJ was saying "do you think rave is dying?", and twenty six years later we're pulling bigger crowds than we was then really but with the families too".

Later in the night there were some issues with supply at the bar but these were quickly overcome thanks to a very busy team working behind the scenes. The event was a huge success and the gorgeous weather did nothing but give everyone a real thirst-on! A huge respect must be paid to the men and women that kept the bars and food areas running - no-one deserved the Bank Holiday Monday more than them.

By the time Uncle Dugs took to the decks the crowd was huge and well up for his rolling set of jungle classics and drum and bass. The jungle crowd certainly came out after dark and were not disappointed. Uncle Dugs is a DJ that clearly loves to connect with an audience whether through track selection or taking the mic, and his interactions with an already jumping dancefloor only served to hype the crowd more.

This interaction between artist and audience was certainly a theme of the festival. For example it's impossible to estimate the number of "selfies" taken with Billy Daniel Bunter, RatPack or Slipmatt. Whether by accident or design the festival had a wonderful sense of openness, where artists mingled freely with the crowd and were happy to chat and take photos. In spite of the global success enjoyed by many of the artists performing at the festival there were certainly no egos on display and every performer made themselves accessible to the fans.

3a8082e126