Radio Sai Easwaramma Day Special Wallpapers (4 photos)
WALLPAPER - 01
Download for Desktop:
http://media.radiosai.org/www/imagedownloads/Easwaramma-The-Divine-Mother-of-Easwara.jpg
Download for ipad & Android Mobile:
http://media.radiosai.org/www/imagedownloads/Easwaramma-The-Divine-Mother-of-Easwara-ipad.jpg
| ||
|
| ||
sourced:
http://media.radiosai.org/journals/vol_10/01DEC12/ringtones.htm




REMEMBERING THE BLESSED MOTHER: MOTHER EASWARAMMA

Today we are celebrating Easwaramma Day to propagate the
glory of motherhood. The world is sustained by the prayers of mothers. A woman's
prayer is more powerful than a thousand prayers of men because women are pure
and tender-hearted. Never cause displeasure to your mother. Never hurt her
feelings. Then God will help you in all your endeavors. One calls one's country
motherland and not fatherland. Thus, mother is given an exalted position in the
world. Consider your country as your own mother and work for its progress. Under
any circumstances, do not cause any harm to your mother and motherland. This is
the significance and main teaching of today's celebration. (Divine Discourse
2002)
Mrs Vasumathi, who was blessed to be with Mother Eswaramma shares her
experiences with Mother Eswaramma (subtitled in English)
Video link:
https://www.youtube.com/watch?v=Jamc36vp7rQ
Shared by SaiBliss FB
!! OM SAIRAM !!
It is your foremost duty to love your mother. As soon as you wake up in the
morning, the first thing you should do is to touch your mother's feet and offer
your salutations. Such a noble practice will protect you always and bestow on
you all types of wealth. You are going to be fathers and mothers in future. You
will be loved and respected by your children only when you love and respect your
parents now. You are bound to face the reaction, resound and reflection of your
actions. When you respect your parents, there will be rich rewards for you in
the future”.
- Divine Discourse: May 6th, 2003

Posted on FB by Parthi Development
Sri Sathya Sai Vidya Vahini Anniversary Celebrations (17 photos attached to this mail)

Radio Sai is pleased to bring you some glimpses of Sri Sathya
Sai Vidya Vahini Anniversary Celebrations held in Prasanthi Nilayam on 5th May
2014.
The Sri Sathya Sai Vidya Vahini Project was launched by Bhagawan on 6th May four
years ago. Three schools involved in this project presented beautiful cultural
programme this evening here at Sai Kulwant Hall.
Here are the recorded video links for those who have missed this beautiful
program:
https://www.youtube.com/watch?v=aFRi6zjLsrs
https://www.youtube.com/watch?v=B6EQPrvawD4
Radiosai facebook team
EASWARAMMA DAY CELEBRATION IN
PRASANTHI NILAYAM (9 Photos attached)
Prasanthi Nilayam, 5th May 2014
Celebrating the third anniversary of Bhagawan’s revolutionary educational
package for the world of blossoming children, Sri Sathya Sai Vidya Vahini,
students belonging to the twin Vidya Vahini schools from Patiala, Punjab, Sri
Sathya Sai Vidya Niketan, Baghpur, Sai Saraswati Vidya Mandir along with Sri
Sathya Sai Higher Secondary School, Jodhpur, Rajasthan presented a cultural
offering today, on the eve of Easwaramma Day, here in Prasanthi Nilayam.
The programme commenced at 1720 hrs. with a brief introduction on the glory of
Punjab followed by a brief spell of Veda chanting by the tiny tots.
Taking its turn first, Sri Sathya Sai Vidya Niketan, Baghpur offered a couple of
Quawwalis, beginning the session, singing paeans to Sai Avatars. This was
followed by a brief ‘dance-skit’ depicting on the unbounded love between
Bhagawan Sri Krishna and Sudhama. Even as Sudhama sets out to meet his former
classmate, at the gate, the simpleton was not well entertained by the
gatekeepers… Sudhama, with a heart longing to meet his Lord, burst into singing,
pleading The Lord to reveal Himself, allowing him in…
The second half of the Punjab programme, presented by Sai Saraswati Vidya Mandir
comprised of an all-Punjabi special, presenting Mool Mantra – the first
composition in the Sikh holy text The Guru Granth Sahib, a stirring Bhangra
dance, Sufi Songs…etc…
The final session marked with a sterling Tera Tali dance by Sri Sathya Sai
Higher Secondary School children from Jodhpur, Rajasthan. Tera Tali is a
ritualistic dance of Rajasthan, performed by female dancers with song
accompaniment provided by male singers. With faces thinly veiled, the women
squat on the floor with tiny cymbals tied to their outstretched legs… and they
go on striking the cymbals rhythmically with the cymbals held in their hands.
A song in love and gratitude by Team Vidya Vahini followed, “Oh Maa…Sai Maa…’
before students burst in to bhajans. The session ended with Mangala Arathi at
1900 hrs.
Parthi Development FB Team

May 6th every year, is celebrated as Easwaramma Day,
commemorating the anniversary of the passing away of the saintly lady who was
blessed to be mother to the Avatar of the Kali age. Bhagawan exhorts His
devotees, especially children, to revere the mother as God. Hence, this day is a
celebration of the sacred ideal of Motherhood. Easwaramma was very fond of
children and was one of the pioneers of the Bal Vikas movement. Hence, this day
is also celebrated as Bal Vikas Day when hundreds of Bal Vikas gather in
Bhagawan’s presence to present before Him their cultural programmes and imbibe
the highest spiritual lessons from their Divine Mother. Narayana Seva (feeding
of the poor) is also undertaken on this day.
Posted on FB by Sai Samithi of Solapur
MUSICAL TRIBUTE AT THE LOTUS FEET OF BHAGAWAN - WITH RAVIRAJ NASERY & GROUP - BY SRI SATHYA SAI SEVA ORGANISATION DELHI NCR
IT IS DELHI, AFTER MUMBAI !
Prasanthi Nilayam, 5th May 2014














After Mumbai, it was the turn of Delhi to celebrate the
Ascension through a Musical Concert. Presenting an evening of devotional music
and attended by the elite in the capital, Ravi Nasery, the acclaimed Ghazal and
Bhajan singer, mesmerised the audience at the Sri Sathya Sai International
Centre, Lodhi Road, New Delhi on 4th May, 2014.
Arranged by the Sri Sathya Sai Seva Organization Delhi NCR ,the function was
organised to commemorate the third anniversary of the Mahasamadhi of Sri Sathya
Sai Baba.
Sh. Raviraj Nasery started the concert with a melodious Ganesh Bhajan, which he
followed with the soulful Guru Bhajan ‘Sakshaat Parabramha Sai’. Sh. Nasery
continued with several very popular Sai Bhajans including a number of own
devotional compositions including ‘Tera Naam Ek Sahaara’. On requests of the
audience he sang a composition dedicated to Baba's Mahasamadhi. Since the
audience included several prominent devotees of Shirdi Sai Baba, Sh. Raviraj
sang the popular Shirdi Sai Bhajan– ‘Mukh Dharshan’.
Sh. Nasery’s music, interspersed with narrations of his soul stirring, personal
experiences with Sri Sathya Sai Baba made the evening most poignant. The
performance reached its crescendo when he sang ‘Prem Mudit Mana Se Kaho’ a
bhajan that was particularly dear to Bhagwan Sri Sathya Sai Baba that He often
sang at the end of His discourses.
The evening concluded with offering of the Mangala Aarthi.
Posted on: May 06, 2014
Radio Sai Bhajan Classroom
Bhajan - Dhanyaho Eswaramba
Indian Notation -
Western Notation
![]() | |||||||
|
LYRICS
|
TUNES
|
RAGA
|
MEANING
|
MANDIR VERSION
|
CONVERSATION
|
FULL PROGRAM
| |
|
|
|
|
|
|
|
| |
Radio Sai Bhajan Classroom is a weekly Live program on Radio Sai featured every Thursday wherein all aspects of one selected Sai bhajan are dealt with comprehensively.
Dhanyaho Eswaramba
|
1. Dhanyaho Eswaramba Glory to Mother Eswaramma, the Blessed One chosen by the Lord to be the mother of His physical form. 2. Jag Ko Diye Jo Lal Baba Praise be to Mother Eswaramma, who gifted to the world the Beloved Lord whom millions adore as Sai Baba. 3. Dhanyaho Dhanyaho Glory to the Mother of the Divine! 4. Kaliyug Mein Avatar Liye Glory to the Formless One who chose to adorn a human frame in this age of Kali and come down as an a divine incarnation. 5. Sakala Charachar Ke Bhagawan You are the One, O Lord, who energizes and governs everything moving and unmoving in this Universe. 6. Jagadoddhara Sai Narayana Hail the Lord Narayana, who came down as Sai Narayana, to uplift humanity. 7. Dhanyaho Dhanyaho Praise be to the Divine Mother! Glory to the Divine Mother! |
![]() |
|
Bhajan Notation
Raga:
Sindhu Bhairavi
Shruti
- D Pancham
Beat (Tala): Keherwa or Adi Taalam
- 8 Beat
Bhajan Conversation: Sai Krishna Justa
INDIAN NOTATION
![]() |
|
Bhajan Theka
|
Dhin - na dhin - Dhin Dhina -
|
Tin -Na Dhin - Dhin Dhina -
|
|
1st line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
P ..d n S'..
|
d S' n d P. P.
|
|
2nd line
|
Jag ko diye Jo
|
lal Baba
|
|
Notation
|
m P d n d m g
|
r ..r g r S'
|
|
3rd line
|
Dhanyaho
|
Dhanyaho
|
|
Notation
|
P .d n S'..
|
r' g' R'.. S' r' n S'
|
|
|
|
|
|
4th line
|
Kaliyug Mein
|
Avatar Liye
|
|
Notation
|
g' g' g' R' g' ...g' g'
|
R' g' R' g' S' R' g'
|
|
|
|
|
|
5th line
|
Sakala Charaachar
|
Hey Bhagawan
|
|
Notation
|
r' m' g' r' r' S' r' n
|
d d n r S'
|
|
|
|
|
|
6th line
|
Jagadoddhara
|
Sai Narayana
|
|
Notation
|
P P S' n r' S' n d P m..
|
g P d S' d ..P..
|
|
|
|
|
|
7th line
|
Dhanyaho
|
Dhanyaho
|
|
Notation
|
P d n S'..
|
g' r' g' r' S' r' n S'
|
|
|
|
|
|
8th line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
g' g' g' R' g'..g'
|
R' g' S' R' g
|
|
|
|
|
|
9th line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
r' r' r' S' r' n
|
d d n r' S'
|
WESTERN NOTATION
![]() |
Scale - C
|
Bhajan Theka
|
Dhin - na dhin - Dhin Dhina -
|
Tin -Na Dhin - Dhin Dhina -
|
|
1st line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
G G# A# C'
|
G# C' A# G# G.. G..
|
|
2nd line
|
Jag ko diye Jo
|
lal Baba
|
|
Notation
|
F G G# A# G# F D#
|
C# D# C# C
|
|
3rd line
|
Dhanyaho
|
Dhanyaho
|
|
Notation
|
G G# A# C'
|
C#' D#' D' C' C#' A#' C'
|
|
4th line
|
Kaliyug Mein
|
Avatar Liye
|
|
Notation
|
D#' D#' D# ' D' D#' .. D#' D#'
|
D' D#' D' D#' C' D' D#'
|
|
5th line
|
Sakala Charaachar
|
Hey Bhagawan
|
|
Notation
|
C#' F' D#' C#' C#' C' C#' A#
|
G# G# A# C#' C'
|
|
|
|
|
|
6th line
|
Jagadoddhara
|
Sai Narayana
|
|
Notation
|
G G C' A# C#' C' A# G# G F.
|
D# G G# C' G# … G
|
|
|
|
|
|
7th line
|
Dhanyaho
|
Dhanyaho
|
|
Notation
|
G G# A# C'
|
D#' C#' D#' C#' C' C# A# C'
|
|
|
|
|
|
8th line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
D#' D#' D#' D' D#'… D#'
|
C#' D#' C' D' D#'
|
|
|
|
|
|
9th line
|
Dhanyaho
|
Eswaramba
|
|
Notation
|
C#' C#' C#' C' C#' A#..
|
G# G# A# C#' C'
|
Bhajan Conversation: A short conversation with brother Sai Krishna Justa, an alumnus of Bhagawan's University.
Notation by: Ms. Prasanna Desaraju
sourced:
http://media.radiosai.org/journals/vol_12/01MAY14/Dhanyaho-Eswaramba-radiosai-bhajan-tutor.htm