Fwd: [Fwd: ASIFA ARCHIVE: Ten Most Important Topics of 2007]
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willie be
Jan 2, 2008, 11:51:11 AM1/2/08
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As the ASIFA-Hollywood Animation Archive completes its second year in
operation, it's time to review the accomplishments of the past year.
Here's a countdown of the ten most important subjects we've covered in
2007. See if your list matches mine. Click on the links to read more on
the topic.
THE TOP TEN TOPICS OF 2007
![MILT GROSS]()
NUMBER 10: MILT GROSS
Milt Gross is one of the greatest cartoonists who ever lived, but most of his work has been out of print for many years. He was a master of both words and images. His books Nize Baby, Dunt Esk, and De Night In De Front From Chreesmas are classics of ethnic New York dialect humor. His masterpiece, He Done Her Wrong, which Gross described as "The great American novel- and not a word in it- no music too", tells a story entirely in funny pictures... Read More
![CULTURAL LITERACY]()
NUMBER 9: CULTURAL LITERACY
Zutty Singleton, Cootie Williams, Zoot Sims, Bubber Miley, Papa Jo Jones and Dizzy Gillespie weren't just guys with funny first names... they were some of the most creative individuals who ever walked the earth, working in the greatest new artform from the past 100 years... Jazz. And they weren't the only ones worth studying. The 20th century sparked an explosion of creative expression in the fields of filmmaking, music, the performing arts and dance. All of these have a direct relation to your work as an animator... Read More
![CARTOON WRITING]()
NUMBER 8: CARTOON WRITING
One of the principle catalysts for discussion on the net is John Kricfalusi's blog, All Kinds of Stuff. A series of John's posts on writing for animation created a wave of comment across the "blogosphere". A prominent cartoon scriptwriter vehemently disagreed with John's opinion that cartoons should be written by cartoonists. But when he was asked to name his favorite golden age cartoon writer, the scriptwriter was unable to come up with a single name... This isn't particularly surprising because THERE WERE NO CARTOON SCRIPTWRITERS prior to 1960... Read More
![MODERN ANIMATION]()
NUMBER 7: MODERN ANIMATION
Amid Amidi's great book, Cartoon Modern: Style and Design in 1950s Animation stirred up a recent revival of interest in 1950s stylized animation. Just about every animation related blog had posts dealing with the subject. Back in May, a firestorm of controversy erupted around a fascinating series of articles on John Kricfalusi's blog, All Kinds of Stuff. The informed and impassioned arguments on both sides of the issue spilled over into Michael Sporn's Splog and Amid's Cartoon Brew... Read More
![MILTON CANIFF]()
NUMBER 6: MILTON CANIFF
Milton Caniff has been referred to as "The Rembrandt of the Comic Strip", and oft by himself as "an Armchair Marco Polo", but in fact this whirlwind of a comic strip innovator and writer was essentially a sincerely nice man who loved to draw. He created and drew Terry and The Pirates from 1934 to 1946, which set the standard for the adventure comic strip. He raised the bar with Steve Canyon, which unlike Terry, he owned lock stock and barrel from the first daily strip in January 1947 through to June 1988, the final installment published shortly after his death. Caniff worked rain or shine, seven days/strips a week for 54 years, even from his hospital bed, the deadlines never ended... Read More
![ORIGINALITY vs RIPOFFS]()
NUMBER 5: ORIGINALITY vs RIPOFFS
Ethics may not be the first subject that comes to mind when you think of the challenges facing cartoonists, but it's an important issue. I addressed the students who read this site and gave them some useful advice on thinking for themselves in an article titled "Chaplin's Shadow"... Read More
![rotoscope]()
NUMBER 4: ADVICE FOR CG ANIMATORS
In 1914, Max Fleischer invented the rotoscope as a time and labor saving way of producing animation. He soon came to realize that although the device was a great aid in effects and technical animation, it was a poor substitute for character animation...
![motion capture]()
In 1986, engineer Ernie Blood developed motion capture techniques as a time and labor saving way of producing animation. A decade and several mocap features later, many CGI animators are coming to the same realization that Max Fleischer and his staff had more than a half century ago. Read More
![CLAIR WEEKS]()
NUMBER 3: CLAIR WEEKS
The ASIFA-Hollywood Animation Archive owes a tremendous debt of gratitude to the family of Disney animator, Clair Weeks. Weeks was a missionary's son, born in India, who moved to America in the early 30s and ended up working as an assistant animator on Disney's Snow White and the Seven Dwarfs. Weeks went on to work on Bambi, Cinderella and Peter Pan. He eventually returned to Bombay, India to establish the animation community there... Read More
![GRIM NATWICK]()
NUMBER 2: GRIM NATWICK
Grim Natwick is undoubtedly one of the most influential animators who ever lived. His career spanned the entire history of animation- from its earliest days in New York to Richard Williams' Cobbler and the Thief in recent times. He animated in every style, but was able to maintain his own personal flavor, regardless of whether he was animating for modern studios like UPA or cartoony ones like Fleischer. If one had to define the single element that set his animation apart, it would have to be that his characters always seemed to have a genuine spark of life... Read More
![CARLO VINCI]()
NUMBER 1: CARLO VINCI
The history of animation is populated by scores of remarkably talented animators. But Carlo Vinci was much more than just an animator. "Legend" is a word that has been overused in recent times, but when applied to Vinci, it's perfectly apt. Carlo Vinci left behind a lot more than just classic cartoons. He left behind a legacy that will inspire and enlighten artists for generations to come... Read More
Stephen Worth
Director
ASIFA-Hollywood Animation Archive
THE TOP TEN TOPICS OF 2007
- 01 Carlo Vinci
- 02 Grim Natwick
- 03 Clair Weeks
- 04 Advice For CG Animators
- 05 Originality vs Ripoffs
- 06 Milton Caniff
- 07 Modern Animation
- 08 Writing Cartoons
- 09 Cultural Literacy10 Milt Gross
NUMBER 10: MILT GROSS
Milt Gross is one of the greatest cartoonists who ever lived, but most of his work has been out of print for many years. He was a master of both words and images. His books Nize Baby, Dunt Esk, and De Night In De Front From Chreesmas are classics of ethnic New York dialect humor. His masterpiece, He Done Her Wrong, which Gross described as "The great American novel- and not a word in it- no music too", tells a story entirely in funny pictures... Read More
NUMBER 9: CULTURAL LITERACY
Zutty Singleton, Cootie Williams, Zoot Sims, Bubber Miley, Papa Jo Jones and Dizzy Gillespie weren't just guys with funny first names... they were some of the most creative individuals who ever walked the earth, working in the greatest new artform from the past 100 years... Jazz. And they weren't the only ones worth studying. The 20th century sparked an explosion of creative expression in the fields of filmmaking, music, the performing arts and dance. All of these have a direct relation to your work as an animator... Read More
NUMBER 8: CARTOON WRITING
One of the principle catalysts for discussion on the net is John Kricfalusi's blog, All Kinds of Stuff. A series of John's posts on writing for animation created a wave of comment across the "blogosphere". A prominent cartoon scriptwriter vehemently disagreed with John's opinion that cartoons should be written by cartoonists. But when he was asked to name his favorite golden age cartoon writer, the scriptwriter was unable to come up with a single name... This isn't particularly surprising because THERE WERE NO CARTOON SCRIPTWRITERS prior to 1960... Read More
NUMBER 7: MODERN ANIMATION
Amid Amidi's great book, Cartoon Modern: Style and Design in 1950s Animation stirred up a recent revival of interest in 1950s stylized animation. Just about every animation related blog had posts dealing with the subject. Back in May, a firestorm of controversy erupted around a fascinating series of articles on John Kricfalusi's blog, All Kinds of Stuff. The informed and impassioned arguments on both sides of the issue spilled over into Michael Sporn's Splog and Amid's Cartoon Brew... Read More
NUMBER 6: MILTON CANIFF
Milton Caniff has been referred to as "The Rembrandt of the Comic Strip", and oft by himself as "an Armchair Marco Polo", but in fact this whirlwind of a comic strip innovator and writer was essentially a sincerely nice man who loved to draw. He created and drew Terry and The Pirates from 1934 to 1946, which set the standard for the adventure comic strip. He raised the bar with Steve Canyon, which unlike Terry, he owned lock stock and barrel from the first daily strip in January 1947 through to June 1988, the final installment published shortly after his death. Caniff worked rain or shine, seven days/strips a week for 54 years, even from his hospital bed, the deadlines never ended... Read More
NUMBER 5: ORIGINALITY vs RIPOFFS
Ethics may not be the first subject that comes to mind when you think of the challenges facing cartoonists, but it's an important issue. I addressed the students who read this site and gave them some useful advice on thinking for themselves in an article titled "Chaplin's Shadow"... Read More
NUMBER 4: ADVICE FOR CG ANIMATORS
In 1914, Max Fleischer invented the rotoscope as a time and labor saving way of producing animation. He soon came to realize that although the device was a great aid in effects and technical animation, it was a poor substitute for character animation...
In 1986, engineer Ernie Blood developed motion capture techniques as a time and labor saving way of producing animation. A decade and several mocap features later, many CGI animators are coming to the same realization that Max Fleischer and his staff had more than a half century ago. Read More
NUMBER 3: CLAIR WEEKS
The ASIFA-Hollywood Animation Archive owes a tremendous debt of gratitude to the family of Disney animator, Clair Weeks. Weeks was a missionary's son, born in India, who moved to America in the early 30s and ended up working as an assistant animator on Disney's Snow White and the Seven Dwarfs. Weeks went on to work on Bambi, Cinderella and Peter Pan. He eventually returned to Bombay, India to establish the animation community there... Read More
NUMBER 2: GRIM NATWICK
Grim Natwick is undoubtedly one of the most influential animators who ever lived. His career spanned the entire history of animation- from its earliest days in New York to Richard Williams' Cobbler and the Thief in recent times. He animated in every style, but was able to maintain his own personal flavor, regardless of whether he was animating for modern studios like UPA or cartoony ones like Fleischer. If one had to define the single element that set his animation apart, it would have to be that his characters always seemed to have a genuine spark of life... Read More
NUMBER 1: CARLO VINCI
The history of animation is populated by scores of remarkably talented animators. But Carlo Vinci was much more than just an animator. "Legend" is a word that has been overused in recent times, but when applied to Vinci, it's perfectly apt. Carlo Vinci left behind a lot more than just classic cartoons. He left behind a legacy that will inspire and enlighten artists for generations to come... Read More
Stephen Worth
Director
ASIFA-Hollywood Animation Archive
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