Sri Sri Chandrasekharendra Saraswati [Maha Periyava] of Kaanchi By Sri Sri Muralidhara swamiji

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Ravishankar Gopal

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Nov 30, 2012, 9:19:58 PM11/30/12
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Radhe Krishna All,


 

Veda is the very breath of the Lord. Mahaperiyaval spent his lifetime for the preservation of the Vedas. Experts in various fields felt that Mahaperiyaval's knowledge was far greater than their own in their area of expertise."

"The noted Bharatanatyam dancer, Ms. Padma Subramaniam, while doing her doctorate at Annamalai University, claimed to have found some new mudras and showed her thesis papers to Mahaperiyaval. But, Mahaperiyaval directed her to Nellaiappar Temple in Tirunelveli to check the sculptures in the Gopuram (temple tower) where the very same mudras already existed."


"What is surprising is that Mahaperiyaval traversed the length and the breadth of the country by foot, which meant that he must have visited any particular place only once in his lifetime. Wherever he went people thronged to have a glimpse of him, not to mention those who came up to him for solutions to their various problems. Amidst such tight schedule Mahaperiyaval must have had just a brief glance at the gopuram. But to have observed, registered and much later recollected the mudras is indeed astounding."

"Nagasami, an archeologist, sought Mahaperiyaval's help in reading a stone inscription and Mahaperiyaval very easily read the inscription which this expert was unable to decipher."


"M.M.Ismail, an exponent of Kamba Ramayanam, was once asked by Mahaperiyaval about a verse which had the 'uvamaanam' (simile) but not the 'uvameyam'. Mahaperiyaval himself pointed to Sri Ismail that it was to be found fifty-five verses later."


"Once in Mahabalipuram, Mahaperiyaval was looking at the famous Pallava sculptures. Pointing to the 'Arjuna tapas', he appreciated the sculptor's subtle way of indicating the time of the 'tapas' as noon by showing the Sun right over a brahmin performing his anushtanam. Such was Mahaperiyaval's eye for finer details in art."


"Mahaperiyaval also greatly appreciated folk-arts. Once, after waiting for Sri Kachhapeshwarar procession in Kanchipuram till late in the night Mahaperiyaval retired to his private quarters. Next morning he enquired of the Manager the details of the procession.


When the details of the folk-art held in the procession were ignored Mahaperiyaval pointed out that this particular art - POIKAL KUDIRAI - has been mentioned in Sri Rudram.


In Tamil language 'Poikal' means false legs and Kudirai means horse


A horse with false legs. A man gets into the legless wooden horse and uses his own two legs to dance around.


In Sri Rudram it is said 'aswebyo namah; aswapathibyaschyo namah; which means HE is the horse as also the ONE who rides it."
-------------------------------
Regards & Chant the Maha Mantra:
Hare Rama Hare Rama Rama Rama Hare Hare
Hare Krishna Hare Krishna Krishna Krishna Hare Hare

Pl visit: http://www.namadwaar.org/home.php

Dr D Bharadwaj

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Nov 30, 2012, 11:01:56 PM11/30/12
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Sir,

Thank you very much for sharing this and many beautiful mails.

Thank you, thank you.

శ్రీరమణార్పణమస్తు 


Dr. D. Bharadwaj
http://drdbharadwaj.blogspot.in

Na guror adhikam thathwam, na guror adhikam thapaH,
Na guror adhikam jnanam, thasmai sri gurave namaH

sarvE bhavantu sukhinaH | 
sarvE santu nirAmayAH |
sarvE bhadrAni paSyantu | 
mA kaschit duHkha bhAg bhavEt || 








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