I'll have to agree with 100% of this review. Besides, the Chinese vs.
Japanese conflict, the Traditional vs.Modern kung-fu conflict was
beautifully portrayed in a stand out scene between Jet Li and Chin Siu
Ho (Ting-an). You could tell something special was about to happen
even before any actual fighting occurred. In classic kung-fu movie
style Jet and Siu Ho each presented his stance.
There are two main intentions when a pugilist presents his opening
stance:
Firstly, your stance is a direct indication of your abilities. In
classic kung-fu movies, a master taking on a new, inexperienced
student would often have his new ward drop into a horse stance in
order to evaluate his balance, endurance, and strength. You will also
see examples of a fighter portraying a weak stance before a fight, and
then getting his butt whooped.
Secondly, presenting your stance is as much an announcement of your
specific discipline as a display of your skill. In older movies this
was often done with head-on shot/reverse-shots; meaning you would see
a head-on, full body shot of a combatant executing a stance, followed
by a reaction shot from the opponent ("Southern Drunken fist, huh?")
which leads to the opponent executing a reactionary stance ("I'll
counter with Mantis!"). You saw a bit of this in Forbidden Kingdom.
What was standout in Fist of Legend is the perfectly symmetrical, full-
bodied profile shot of Jet and Siu Ho as Siu Ho busted out a
beautifully executed cat stance. This was followed by a reaction shot
from Jet where he is recognizing the style taught to him by his late
master, a style that had become the base for his skill. They return
to the previous symmetrical shot as Jet hesitantly enters into an
adjusted (more relaxed) cat stance. Jet is giving his opponent face
as a senior brother of their kung-fu school and as the son of his
master. As the fight goes on, Jet realizes that he has to use his own
modern kung-fu to control the situation. His doing away with old
unnecessary movements is a physical manifestation of his resistance to
old Chinese views, particularly those towards the Japanese. He is
after all fighting for the honor of his Japanese girlfriend. He moves
into a more relaxed kick-boxer-like stance and starts shuffling his
feet like a boxer, yet in his movements (particularly his kick-work),
you can still see the grace and finesse of his base martial art. As
he comes out on top, you can see how his victory was as much
philosophical as physical.
On a side note: If you enjoy Fist of Legend and haven't seen Fearless,
it's definitely worth a viewing. In Fist of Legend, Jet Li plays Chen
Zhen a fictional student of real life Chinese national hero, Huo Yian
Jie. In Fearless Jet plays Huo Yian Jie himself. Although the
continuities of these two movies don't match up (In Fist of Legend,
Huo Yian Jie's final Japanese opponnent is a bumbling incompetent,
while in Fearless he's an honorable martial arts master), moving from
Fist of Fury to Fist of Legend to Fearless, it's interesting to see
how much more reasonable Chinese-Japanese relations have become.
Throw Gordon Liu's Heroes of the East (another indisposable piece of
Kung-fu cinema) in there and you'll see a more gradual progression.