Download Foco Font

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I am kind of struggling with pairing right sans-serif typeface for body text. I need to use Foco for headlines for certain reasons. So far I didn't like anything I tried and I feel stuck. I would be glad for some advice.

Choose font families with a large number of styles. Families usually bring four basic styles: normal, italic, bold, italic bold; useful for smalldesigns or designs with few text. For larger projects such as a book or a corporate identity, it is advisable to foresee a greater number of possibilities in advance and avoid changing the font or altering the design of the chosen one for different highlights.

There is a base structure in each font. The Foco's o character is elliptical, which indicates that in its normal design, the font is slightly condensed. This serves as a reference to avoid overly expanded or rounded fonts (as long as the design does not require it).

The lowercase a or the support stroke of the capital R usually have a particular structure in each font. The ideal situation is to find a font that formally balances with these characteristics. As an example, if possible, avoid these combinations:

The font Foco has as a main characteristic in its design the rounded stroke to one side. This gives it enough personality. Try not to eclipse it with a font of greater visual weight in the design or typographies with a deep historical base.

Introducing Foco, a stunning creation by the talented team at Dalton Maag Ltd. This font is a true masterpiece, exuding elegance and modernity in every letter. With its clean lines and balanced proportions, Foco is a versatile typeface that will elevate any design project to new heights.

Another theme that shines through in Foco is its versatility. This font comes in a range of weights and styles, allowing you to mix and match to create your own unique look. From the bold and impactful Foco ExtraBold to the delicate and refined Foco Thin, there is a style for every design need. And with its extensive language support, Foco can be used for projects all around the world.

But what truly sets Foco apart is its impeccable design and attention to detail. Each letter has been carefully crafted to ensure a harmonious balance between form and function. And with its smooth and legible curves, Foco is not only visually appealing but also easy to read, making it a perfect choice for both print and digital designs.

Big thanks to daltonmaag for providing us this free font. Foco Sans Serif Font is the free demo version that contains only Uppercase, Lowercase, and Numeral Characters. So, if you want to access more features, feel free to check out the full version.

For Windows: FontForge, CorelDRAW Graphics Suite X5-X7, CorelDRAW Graphics Suite 2017, FontCreator, Microsoft Windows Font Viewer, AMP Font Viewer.

For Mac OS: FontForge, Apple Font Book, Bohemian Coding Fontcase, Mac OS X Font Book.

For Linux: FontForge

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If there is no reported author (designer) or license, it means that there is no information on the given font, but it does not mean that the font is free.

The fonts presented on this website are their authors' property, and are either freeware, shareware, demo versions or public domain. The licence mentioned above the download button is just an indication. Please look at the readme-files in the archives or check the indicated author's website for details, and contact him/her if in doubt. If no author/licence is indicated that's because we don't have information, that doesn't mean it's free.

The Bodoni typeface surfaced during a time when typeface designers were experimenting with the contrast between thick and thin type characteristics. Giambattista Bodoni took that experiment to an extreme, creating this dramatic font. It has resonated through time in famous logos like Vogue and Calvin Klein and is a great font to consider for mainstream fashion brands.

Garamond is more of an umbrella term for typefaces than a single typeface. Many of the iterations we see in recent decades are interpretations of alphabets designed by Claude Garamond and Jean Jannon in the 16th century.

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Uruguayan designer Fernando Diaz wanted to create a font that could be used simultaneously for long and short text without affecting legibility. Fenix was created. This serif typeface is inspired by calligraphy, and offers the chance for elegant readability in larger texts. It has rough strokes suggested from both sharp and edged curves. Spatial proportions are thoughtfully designed to save space in height and width. Fenix STD works well with Dosis, Open Sans, Raleway, and Exo.

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London-based designer James Barnard set out on a design journey: to create his own one day build (ODB, or phonetically oh-dee-bee), and complete the entire character set, numbers and the basic glyphs in 24 hours. The result? Odibee Sans (get it?). This ambitious and bold project speaks for itself, and works harmoniously alongside monospace and handwritten fonts.

Bowlby One SC proved that a font can be both utilitarian and decorative, taking forms to create a design from scanned and co-mingling 20th-century type specimens. During this particular era, there was a shift in typography identity to favor monumental style. Type itself then became a much more competitive business.

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Yvonne Schttler, the designer behind Krona One, was inspired by hand lettering on early 20th-century Swedish posters. This sans serif font is done in a low-contrast, semi-extended style, which makes it super-readable, memorable and attractive on either a small or larger display.

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