Gowarikerhad always aspired to make a romantic comedy and was inspired to adapt Rye's novel into a feature film after watching a play based on the same source material. Later, he bought the rights and co-wrote the screenplay with playwright Naushil Mehta. In the process, several plot changes were made for the cinematic adaptation, notably the similarity between the twelve girls, and the ending. Since Gowariker was against using prosthetics to create the twelve characters, Chopra worked on her body language and her voice to make them distinct. Principal photography was extensively done at sixty-seven locations across Mumbai, and partly in Baroda and Chicago. The soundtrack, consisting of thirteen songs, each representing an astrological sign and one compilation, was composed by newcomer Sohail Sen replacing Gowariker's frequent collaborator A. R. Rahman, with lyrics by Javed Akhtar.[citation needed]
Deep within a quaint rural village, an elderly man receives a card in the mail from his youngest grandson, Yogesh Patel (Harman Baweja). Over in Mumbai, Yogesh's family consults an astrologer to learn if their eldest son, Jitendra "Jitu" Patel (Dilip Joshi), a debtor, will go to jail, and also give him Yogesh's birthdate to learn his future. They are astonished to hear that Yogesh will inherit a fortune if he is married on the 20th of that month; the phone rings, and the family is overjoyed to hear that Yogesh's grandfather has made him his sole heir.
After Yogesh has met most of the girls, one of them, Sanjana (Priyanka Chopra), asks to talk to him privately. She says to him that a boy has agreed to marry her, but she is reluctant. She asks Yogesh to give her time to decide what to do about her boyfriend. He agrees, telling her about his problems with Jitu. Sanjana, touched that Yogesh will help her despite his own problems, hugs him. Devu walks in, and thinks he has interrupted them; Sanjana chases him, trying to explain. Tailing Devu, the detective is unaware that he had been with Anila at a hotel and sees him with Sanjana. Sanjana shows Devu a picture; when he says something supposedly demeaning, she becomes angry and tries to leave. Devu stops her, holding her while she cries before they leave in his car. The detective convinces Yogesh and his father that Devu is having an affair with Sanjana. Anila then comes downstairs, looking for Devu. Yogesh shows her the photos, telling her that Devu and Sanjana went to Khandala, a hill station near Mumbai. The detective tells Kanta this story, and they find Devu at a hotel with Sanjana. Devu thinks Yogesh betrayed him, and Yogesh thinks Devu is having an affair with Sanjana.
After seeing the last girl, Yogesh's mother Shakuntala beseeches him to choose with his heart instead of his mind. Yogesh sees all of the girls in a dream, and in the morning decides who he will marry. He goes to Rajni's office because she offered a 50-million-rupee dowry, and is relieved to discover that she is marrying someone else. Yogesh goes to Devu's house to tell him he wants to marry Vishakha, but Devu calls her and rejects her. He says there is no need for Yogesh to marry her; he knows about Jitu's debt, and says he will choose Yogesh's bride himself.
Yogesh is impatient, but Devu keeps the bride a secret. When she enters, Yogesh cannot tell who she is. When the ceremony ends, Devu welcomes the father of the bride: Sanjana's father. Yogesh is stunned when his grandfather brings the money to pay Jitu's debts. He asks Devu how he arranged the marriage; Devu explains that when Sanjana followed him and showed him a picture of her boyfriend, he remembered seeing the boyfriend kissing another woman in Khandala. He brought Sanjana to a hotel in Khandala to confront her boyfriend. Sanjana told him she would marry Yogesh, having realised that she loves him. The film ends with the marriage attendants asking Sanjana's astrological sign. Sanjana asks Yogesh what her raashee is, to which he says he does not know, and smiles.
After watching the play A Suitable Bride based on Madhu Rye's Gujarati novel Kimball Ravenswood, Gowariker decided to adapt it into a film.[8] He read the source material to learn more about it and then bought the novel's film rights.[7][8] In an interview, Rye revealed that he did not agree with Gowariker's description of the novel as a "frothy romance".[9] Rye said that the novel can be considered a cunningly crafted sex thriller driven by devilish characters while also being both a "side-splitting tingly comic" story as well as "a profound study of human nature."[9] Gowariker co-wrote the screenplay with playwright Naushil Mehta.[7][8] When asked if he was worried that the writers would make drastic changes in the adaptation, Rye replied: "I hope they do."[9] Due to the length of the novel, several changes were made with Rye's permission.[10]
The ending was altered by the writers; the protagonist chooses a completely different girl in the film than the one he selects in the novel.[11] Rye was concerned about the reactions of viewers who had read the novel, and it took Gowariker a while to convince him to agree.[11] The writers were highly impressed and relieved by the characters' fine detailing in the novel, adding: "The written matter was very strong and we had to just get a few layers on that."[12] While writing the screenplay, Mehta and Gowariker decided to have one song for each zodiac sign to bring out the personality of each sign and its related girl. They had to write each character with different nuances.[10] The title of the film is taken from a fictional book, What's Your Raashee?, about the compatibility between the sun signs, which the protagonist reads in the film.[13]
The casting of the lead pair was leaked well before the intended official announcements. Gowariker cast Harman Baweja after watching the trailer of his debut film, the science fiction romance Love Story 2050 (2008).[7] He asked Harman's father, Harry Baweja, to show him the film's rushes and was impressed with his performance, calling him the best person for the part. Following this, Priyanka Chopra, who had worked with Baweja in Love Story 2050, was cast to play all twelve of the potential brides, each related to one of the twelve zodiac signs.[7] On casting Chopra, Gowariker said: "I have always liked Priyanka's work, right from Hero: Love Story of a Spy. She's been fabulous in all her films. So when I thought of somebody doing twelve roles I thought about her, as I thought she had the potential." When Gowariker offered the film to her, Chopra instantly agreed to star in it.[10]
Chopra became the first actress in cinematic history to portray twelve distinct characters in one film and was considered for inclusion in the Guinness World Records.[14] On being asked about the decision of casting one actress to portray twelve characters, Gowariker said: "If we had taken twelve different actresses then the most beautiful one would have to be chosen. So beauty would get more importance. But by taking one girl to play all twelve roles, the importance shifts to the characters."[10] Gowariker decided not to use prosthetics or makeup to create different looks for the characters but to make them distinctive using hair and costumes. He wanted to differentiate the characters through their mannerisms and traits.[10]
Baweja, who is a Scorpio like his character Yogesh in the film, said that he could relate to the character. While reading the script, he told Gowariker that some of his character's dialogue was what he would usually say.[15] At the time, Chopra described the film as the "most difficult and important" in her career. She found playing twelve characters equivalent to performing in twelve different films.[16] She had to have a different look for each of them but had very little time to prepare and establish each character on screen, since each character had "one song and about two scenes". Since all the characters except one were between ages eighteen and twenty-four, Chopra found it difficult to make every character look distinct.[16] She said that there were not many options other than changing her hair and the characters' outfits to portray them. As a result, she chose to work on her body language and experimented with her voice and accent to make the characters distinct from one another, describing it as "a real test".[16]
In an interview with Bollywood Hungama, Chopra was quoted saying "when people play multiple characters, they have structures, they are from different parts of the world, sometimes they are a twenty-year-old and then become a forty-year-old in the same film, some with eyes small, etc. I have no clutches [sic]. All the girls I play in the film are in the age group of eighteen and twenty-four."[8] Additionally, she found playing the Capricorn girl, a teenager, very tough, saying: "To play a 15-year-old girl without make-up or special effects to make me look younger was the most challenging role for me. I had to look fifteen years old just through my body language. I didn't want any of the twelve girls to be caricatures."[17] Chopra also read Linda Goodman's Sun Signs and Love Signs to prepare for the parts. Initially, it was planned to film one character at a time, however, that did not happen.[16]
Principal photography began in Mumbai on 6 December 2008.[18] The art direction was handled by Nitin Chandrakant Desai, Piyush Shah did the cinematography, and Ballu Saluja edited the film.[5] Before the filming began, several rehearsals were done to choose the right look for the characters.[12] Neeta Lulla was brought in to design Chopra's clothes, while a non-film hair stylist named Asha Harirahan was chosen to design twelve different hair styles and the look of each character.[19] It had a single start-to-finish schedule and was filmed at 65 different locations across Mumbai.[18][20]
Gowariker remarked that shooting this film was more challenging than Jodhaa Akbar because of filming at so many locations. He found it more time-consuming and challenging but also called it an exciting experience.[20] The second schedule started in January in Mumbai, with scenes also being filmed in Chicago and Baroda, and was scheduled to last until April 2009.[20] The film was also shot at the Mehboob Studio and Film City.[5] The musical numbers were choreographed by Terence Lewis, Rekha Chinni Prakash, Chinni Prakash, Raju Khan, and Rajeev Surti.[5] The song "Aaja Lehraate" was filmed in a single continuous take using a five-camera setup. It was a draining process for Chopra and Baweja, since each mistake required returning to the beginning and filming all over again.[21]
3a8082e126