Hello all,
Ellen, personally I would love to read translation of Leo Mazel on form!
If there is any interest, I could bring in a bit of of my current work with Valentina Kholopova's Expression Parameters (EPs). Philip Ewell wrote an article on it (MTO, 2014), where he introduced the concept and applied it to preludes for solo cello.
And I would think that some people are already familiar with this article, which would minimize advance reading. I expand upon
both of these analyzing Gubaidulina's Sieben Worte, where I
show that the EPs (in this case, harmonic colouring of cello, bayan, and strings) actually guide the overall form, which resists traditional formal analysis. Just a suggestion!
All the best,
Sasha Drozzina (she/her/hers)
PhD Student in Music Theory
College of Music & Dramatic Arts
Louisiana State University