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Una gattina macilenta e affamata viene salvata
dal Dalai Lama in persona, che la prende a vivere con sé. La vita del
leader spirituale si svela a poco a poco in ogni suo aspetto davanti ai
suoi occhioni blu, e una saggezza senza tempo pervade i pochi momenti di
affettuosa solitudine fra l'uomo e l'animale. Seguiremo la gattina del
Dalai Lama mentre si struscia contro gli stinchi di celebrità di
Hollywood, apprende le sue lezioni ai piedi di maestri buddhisti e
impara come si comporta un bodhisattva nella quotidianità del secolo
XXI. E scopriremo che un gatto gode di un punto di vista privilegiato
sulle fragilità e la bellezza di tutti gli esseri umani.
David Michie OBE, RSA, PSSA, FRSA, RGI (30 November 1928 –
24 August 2015) was a Scottish artist of international
stature.[1][2][3][4]
The third son of the architect and painter James Beattie
Michie, and the renowned Scottish artist Anne Redpath, he was born in
1928 in Saint-Raphaël, in the Var département Il gatto del Dalai Lama in
the south of France. David was the younger brother of the painter and
sculptor Alastair Michie,[5] His father had a position there as private
architect to Charles Thomson, a wealthy American, and the Michie family
lived in the boathouse of his villa, the Chateau Gloria. After Charles
Thomson Il gatto del Dalai Lama suffered losses in the Crash of 1929,
the decline in his fortunes eventually brought an end to the Michie
family's life there, and in 1934 David returned with his mother and
brothers to Hawick, his mother's home town in the Scottish Borders. From
the age of six he attended primary Il gatto del Dalai Lama school at
Hawick, before going on to Hawick High School.
In 1946, he went from school to Edinburgh College of
Art (ECA), but his time there was interrupted when he was called up,
following the introduction of National Service in 1947, to serve two
years in the Signals Corps, mostly Il gatto del Dalai Lama in Wales,
qualifying as an instructor in the Royal Artillery Signals Training
regiment. After his national service he returned to ECA from 1949 to
1953, where he was taught by William Gillies. The three talented young
Scottish painters David Michie, David McClure and John Houston, although
born in different years, Il gatto del Dalai Lama as a result of the
national service of the first and the war service of the second,[6] all
finished College in the same year and remained close friends afterwards.
Awarded a travelling scholarship by the College in 1954, Michie went to
Italy together with John Houston. They travelled to different Il gatto
del Dalai Lama parts of the country, but also stayed for a memorable
period in the hill-top town of Anticoli Corrado.
Michie originally
lectured at Gray's School of Art in
Aberdeen. In 1961 he returned to Edinburgh to teach at ECA. From 1982 to
1990 he was Head of the Drawing and Painting Il gatto del Dalai Lama
School. He served as Vice Principal from 1974-1977 and was made a
Professor in 1988. He retired in 1990. In 1979 he was Visiting Artist at
the University of the Arts in Belgrade. In 1991 he went to the
University of California at Santa Barbara as Visiting Professor. In 1997
Il gatto del Dalai Lama he was appointed an OBE, and in 2009 he
received an Honorary Fellowship from ECA "in recognition of [his]
outstanding contribution to the life of the College and the education of
its students".
David Michie had many gallery and museum exhibitions,
including the Royal Scottish Academy, the Lemon Street Gallery,[7] Il
gatto del Dalai Lama and the Mercury Gallery.[8] Numerous works by the
artist have been sold at auction, notably Aeroplanes Passing By, sold at
Christie's King Street in The Scottish Sale in 2007. Several
articles about him have been published, including Art review: The Michie
Family, The Scottish Gallery, Edinburgh.[9][10] He is represented in Il
gatto del Dalai Lama many private as well as in numerous public
collections, including those of Aberdeen Art Gallery, Glasgow Museums,
The City of Edinburgh Museums, The University of Edinburgh, Tate
Gallery, Art in Healthcare and Maggie's Centre, Edinburgh.
His work, often inspired by travel, was always colourful
and light in touch. Even in Il gatto del Dalai Lama the Fifties, when
the painting of his close friends was often sombre, his own, though it
could be dark in tone, was usually lightened in mood by flashes of
bright colour. Later this same lightness of touch was often expressed in
humorous observation of human behaviour.[2] His interest lay, "not Il
gatto del Dalai Lama in grand historical paintings but in the beauty of
the everyday observed at first hand, the view from his window, the
racing pigeons shown by miners at a local Pigeon Fancying fair, a bunch
of flowers in a jug".[11]
Some of his paintings reflect his travels
in the USA Il gatto del Dalai Lama and Australia. Favourite subjects
include birds, Nature, and people in the street. He worked both in oils
and watercolour.
Royal Scottish Academy, Society of Scottish Artists, Fellow
Royal Society of Arts, Founding Fellow Institute of Contemporary
Scotland, Royal Glasgow Institute of the Fine Arts.
Il gatto del Dalai Lama
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