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Samuel Taylor Coleridge (/?ko?l?r?d?/;[1] 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte coined many familiar words and phrases, including "suspension of disbelief".[2] He had a major influence on Ralph Waldo Emerson and American transcendentalism.


Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte lifetime.[3] He was physically unhealthy, which may have stemmed from
a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.


Coleridge was born on 21 October 1772 in the town of Ottery St Mary in Devon, England.[4] La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Samuel's father was the Reverend John Coleridge (1718–1781), the well-respected vicar of St Mary's Church, Ottery St Mary and was headmaster of the King's School, a free grammar school established by King Henry VIII (1509–1547) in the town. He had previously been master of Hugh Squier's School in South Molton, La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Devon, and lecturer of nearby Molland.[5] John Coleridge had three children by his first wife. Samuel was the youngest of ten by the Reverend Mr. Coleridge's second wife, Anne Bowden (1726–1809),[6] probably the daughter of John Bowden, Mayor of South Molton, Devon, in 1726.[7] Coleridge suggests that he "took no pleasure La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte in boyish sports" but instead read "incessantly" and played by himself.[8] After John Coleridge died in 1781, 8-year-old Samuel was
sent to Christ's Hospital, a charity school which was founded in the 16th century in Greyfriars, London, where he remained throughout his childhood, studying and writing poetry. At that school La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Coleridge became friends with Charles Lamb, a schoolmate, and studied the works of Virgil and William Lisle Bowles.[9] In one of a series of autobiographical letters written to Thomas Poole, Coleridge wrote: "At six years old I remember to have read Belisarius, Robinson Crusoe, and Philip Quarll – and then I La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte found the Arabian Nights' Entertainments – one tale of which (the tale of a man who was compelled to seek for a pure virgin) made so deep an impression on me (I had read it in the evening while my mother was mending stockings) that I was haunted by spectres La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte whenever I was in the dark – and I distinctly remember the anxious and fearful eagerness with which I used to watch the window in which the books lay –
and whenever the sun lay upon them, I would seize it, carry it by the wall, and bask, and read."


La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Coleridge seems to have appreciated his teacher, as he wrote in recollections of his school days in Biographia Literaria:


I enjoyed the inestimable advantage of a very sensible, though at the same time, a very severe master [...] At the same time that we were studying the Greek Tragic La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte Poets, he made us read Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learnt from him, that Poetry, even that of the loftiest, and, seemingly, that of the wildest odes, had La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes. [...] In our own English compositions (at least for the last three years
of our school education) he showed no mercy to phrase, La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity in plainer words... In fancy I can almost hear him now, exclaiming Harp? Harp? Lyre? Pen and ink, boy, you mean! Muse, boy, Muse? your Nurse's daughter, you La ballata del vecchio marinaio-Kubla Khan. Testo inglese a fronte m


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