Spider-Man: Into the Spider-Verse is a 2018 American animated superhero film featuring the Marvel Comics character Miles Morales / Spider-Man, produced by Columbia Pictures and Sony Pictures Animation in association with Marvel Entertainment, and distributed by Sony Pictures Releasing. It is the first animated film in the Spider-Man franchise and the first film in the Spider-Verse franchise, which is set in a shared multiverse of alternate universes called the "Spider-Verse".[4][5] Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman from a screenplay by Phil Lord and Rothman, it stars Shameik Moore as Morales, alongside the voices of Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Vlez, John Mulaney, Kimiko Glenn, Nicolas Cage, and Liev Schreiber. The film's story follows Miles as he becomes the new Spider-Man and joins other Spider-People from various parallel universes who team up to save New York City from the Kingpin.
Plans for an animated Spider-Man film by Phil Lord and Christopher Miller were leaked in 2014 and announced in April 2015. Persichetti, Ramsey and Rothman joined over the next two years, with Moore and Schreiber cast in April 2017. Lord and Miller wanted the film to have a unique style, combining computer animation with time-honored hand-drawn comic techniques inspired by the work of Miles Morales co-creator Sara Pichelli. The film required the largest crew of animators used by Sony Pictures Animation on a feature film.
New York City teenager Miles Morales struggles to live up to the expectations of his father, police officer Jefferson Davis, who sees Spider-Man as a menace. Miles' uncle Aaron Davis takes him to an abandoned subway station to paint graffiti to cheer him up. There, Miles is bitten by a radioactive spider and gains abilities similar to Spider-Man. Returning to the station, he discovers a collider built by Kingpin, who hopes to access parallel universes to abduct alternate versions of his late wife and son. Spider-Man attempts to disable the collider while fighting Kingpin's enforcers, the Green Goblin and Prowler.
Green Goblin shoves Spider-Man into the collider, causing an explosion that kills the former and wounds the latter, who then gives Miles a USB flash drive designed to disable the collider, warning that the machine could destroy the city if reactivated. After watching in horror as Kingpin murders Spider-Man, Miles flees. As the city mourns Spider-Man's death, Miles tries to honor his legacy and become the new Spider-Man but inadvertently damages the drive. At Spider-Man's grave, he meets Peter B. Parker, an older and worn-down version of Spider-Man from another dimension.
Distraught, Miles retreats to Aaron's home, where he discovers his uncle is the Prowler. He flees to May's house, where the new drive is completed by Peni; he is followed by Kingpin, Aaron, Octavius, Scorpion, and Tombstone. In the ensuing brawl, he reveals his identity to Aaron. Unwilling to kill his own nephew, Aaron attempts to spare Miles, but is fatally shot by Kingpin in retaliation and dies in Miles' arms. Miles flees just as Jefferson arrives on the scene; he mistakes the new Spider-Man as his brother's murderer. The heroes regroup with a devastated Miles. Unwilling to let Miles get killed, Peter restrains Miles with his webs for his safety and chooses to sacrifice himself by staying behind and deactivating the collider.
Jefferson arrives outside Miles' door and apologizes for his mistakes and expresses his faith in Miles, inspiring him. Miles manages to control his powers, escapes his restraints, and creates his own Spider-Man suit. He joins the other Spider-People in defeating Kingpin's enforcers, and uses the new drive to send them home. Kingpin fights Miles, attracting the attention of Jefferson. Realizing that Spider-Man is not the menace he saw him as, he encourages Miles, who throws Kingpin at the collider's kill switch, destroying it. The city is saved, Kingpin and his henchmen are arrested and Jefferson receives evidence of Kingpin's murders of Spider-Man and Aaron.
Miles embraces the responsibilities of his new life. Later, Gwen finds a way to contact Miles from her own dimension.[a] Elsewhere, Miguel O'Hara, also known as Spider-Man 2099, travels to Earth-67 and argues with its Spider-Man.[b]
In addition to the six main versions of Spider-Man present in the film, Chris Pine is featured as a 26-year-old, blond-haired blue-eyed version of Peter Parker's Spider-Man native to Miles' dimension. Though he offers to mentor Miles, he is murdered by Kingpin after the activation of the collider before he can do so. This version of Parker was intended to be "as competent a Spider-Man as possible," and combines elements from previous Spider-Man portrayals, but with slight differences to indicate that he is from a different universe than the others. According to Parker's eulogy, he was a graduate student and married to Mary Jane Parker.
Additional voices for the film include: Lake Bell as Vanessa Fisk, Kingpin's wife, Jorma Taccone as Norman Osborn / Green Goblin, a genetically enhanced mercenary working for Kingpin,[21] Marvin "Krondon" Jones III as Tombstone, Kingpin's silent and heavily armed bodyguard,[22] Joaqun Coso as Scorpion, a Mexican cyborg with prosthetic legs and a tail,[23] and Post Malone (who contributed to the film's soundtrack) as a bystander in Brooklyn.[21][24] An archival recording of Cliff Robertson from Spider-Man 2 was used for a flashback scene involving the character Ben Parker. Spider-Man co-creator Stan Lee appears in a posthumous cameo, as a character named Stan who sells a Spider-Man costume to Morales. Lord and Miller said it was important to give Lee a bigger moment in the film rather than just a passing cameo, because he was "so integral to the spirit of this movie," and the role was "extra meaningful" following Lee's death in November 2018.[10][25] Lee's character also has several brief "Easter egg" cameos throughout the film, such as when he walks over Miles and Peter B. when they are lying on the streets of New York City.[26][27][28] A young Matt Murdock from Gwen's dimension appears in an "Easter egg" cameo during Morales' final train fight scene as an alternate universe adopted son of Kingpin.[29]
Cameos during the film's post-credits include Oscar Isaac as Miguel O'Hara / Spider-Man 2099, an alternative version of Spider-Man from the Marvel 2099 imprint,[30] Greta Lee as O'Hara's AI assistant Lyla (respectively credited as "Interesting Person #1" and "Interesting Person #2"), and Jorma Taccone as the Peter Parker / Spider-Man from the 1967 TV series (replacing Paul Soles, with the character being credited as "Last Dude").[31] Donald Glover appears on a background TV screen, which is displaying a scene from the episode "Anthropology 101" of Community in which Glover's character, Troy Barnes, wears Spider-Man pajamas. This scene, a reference to an unsuccessful Twitter campaign suggesting Glover be cast in the lead role of The Amazing Spider-Man,[32] was cited by Miles Morales' creator, Brian Michael Bendis, as influencing the design and portrayal of the character.[33] Glover had previously voiced a version of Miles Morales in the Ultimate Spider-Man animated series, and played Aaron Davis in Spider-Man: Homecoming.[34]
Miles Morales's best friend and roommate Ganke Lee appears.[35][36] The character originally had a bigger role, but was rewritten due to Spider-Man: Homecoming having the similar character Ned Leeds.[37] Pixar animator Peter Sohn was cast as Ganke before the character's dialogue was cut from the final film;[38] Sohn would later voice the character in the sequel, Spider-Man: Across the Spider-Verse (2023).[39]
Following the November 2014 hacking of Sony's computers, emails between then-Sony Pictures Entertainment co-chairman Amy Pascal and president Doug Belgrad were released, saying that Sony was planning to "rejuvenate" the Spider-Man franchise by developing an animated comedy film with Phil Lord and Christopher Miller.[40] During her time as Sony's co-chairman, Pascal approached Lord and Miller about making an animated Spider-Man movie, to which Lord and Miller agreed with the condition that they could adapt Dan Slott's 2014 "Spider-Verse" comic book storyline and star Miles Morales as the protagonist.[41] Sony executives were set to talk about the project further in a discussion regarding several Spider-Man spin-off films at a summit in January 2015.[40] At the 2015 CinemaCon in April, Sony Pictures chairman Tom Rothman announced that the animated Spider-Man film had a July 20, 2018, release date, and would be produced by Lord and Miller, Avi Arad, Matt Tolmach, and Pascal, with Lord and Miller also writing a treatment for the film. Rothman said that it would "co-exist" with the live-action Spider-Man films; though Sony soon stated that the film would "exist independently of the projects in the live-action Spider-Man universe,"[42] as it is set in an alternate universe from those films, without the version of Spider-Man as seen in the Marvel Cinematic Universe (MCU).[43]
That December, Sony moved the film's release date to December 21, 2018.[44] By June 2016, Lord had written a script for the film, and the studio chose Bob Persichetti to direct.[45] Miller said the film would feel different from previous Spider-Man films, and would "stand on its own as a unique film-going experience."[46] It was also "rumored" to focus on the Miles Morales version of Spider-Man,[45][46] which Sony confirmed at a presentation for its upcoming animated films in January 2017. Peter Ramsey had joined the film as a co-director by that point.[47] The next month, Alex Hirsch was named as a story contributor and Christina Steinberg replaced Tolmach as a producer; she previously collaborated with Ramsey on Rise of the Guardians (2012) while at DreamWorks Animation.[9][48] In April 2017, the release date was pushed up one week from December 21, 2018, to December 14, 2018.[49] Lord and Miller announced the film's full title in December and said that multiple Spider-Men would appear in the film. By then, Rodney Rothman, who had previously co-written the screenplay for Lord and Miller's 22 Jump Street (2014), was added as a co-director.[50]
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