Marilyn Manson Best Album
Chanelle Glugla
Though perhaps more famous in the public eye because of his controversies, Manson has over the years released some of music's most daring and anthemic records, each one teeming with angst, rage and anti-establishment themes.
As a songwriter, he has been the voice of the downtrodden and the outcasts for nearly three decades, and though he's now in his fifties, he's still releasing albums that capture the true essence of what he and his music stands for.
With eleven albums under his belt, Manson is a true icon on the music world, blending rock with metal, synth and pop with often excellent results. Controversies aside, here are all eleven of Marilyn Manson's albums ranked worst to best, from the 90s classics to his most recent record, 2020's We Are Chaos.
Born Villain is by no means a bad album, but as far as Manson records go, it's easily the least daring and memorable of his discography. As noted in the introduction, one of the joys of listening to a new Manson album is the anticipation to see what he'll do next, and in that vain Born Villain is a bit of a let-down.
Rather than attempting a new, genre-fusing style, Manson instead leaned into the more reliable beats of his previous records, bringing solid anthems with songs like "No Reflection" and "Overneath the Path of Misery," both of which are dependable tracks that just don't stand-out, simply because we've heard it all before.
On top of that, it's also wholly disjointed, with the industrial sounds being followed up by slower, less accomplished ballads that for some reason just don't mesh. Also, there's the issue of the lyrics, somewhere Manson has rarely had a problem, but on this album (see "Pistol Whipped") he seems determined to bring out the controversy with little thought or care. Not a terrible album, but easily the weakest of Manson's discography.
Lest We Forget: The Best Of is a greatest hits album by American rock band Marilyn Manson. It was released on September 28, 2004, by Interscope Records. The album was conceived by the band's eponymous vocalist as a "farewell compilation", and was originally going to feature a duet with Shirley Manson of Garbage. Upon its completion, neither singer was satisfied with the duet, and it remains unreleased. Instead, the band recorded a cover of Depeche Mode's "Personal Jesus" (1989), which became the only new track on the album and was released as a single. The deluxe version of the album included a bonus DVD containing sixteen music videos, one of which was the previously unreleased uncensored version of the music video for "Saint" (2004).
Lest We Forget: The Best Of received mostly positive reviews from music critics, several of whom complimented its track listing. The compilation's commercial performance exceeded expectations in the United States, where it sold over 78,000 copies in its first week of release and had sold over a million copies as of late 2010. It was also successful internationally, peaking within the top 10 of national record charts in Austria, Germany, Spain, Sweden, Switzerland and the United Kingdom. The band promoted the album with their "Against All Gods Tour".
The band's eponymous vocalist conceived Lest We Forget: The Best Of as a "farewell compilation", but not a greatest hits album, as "I was never really a top-40 artist."[1] Nevertheless, multiple critics classified the record as a greatest hits album.[2][3] Prior to the album's release, Manson said that he was going to abandon music in favor of becoming a visual artist and pursuing other non-musical careers; this did not happen.[4] Explaining his frame of mind when he made the album, Manson said, "You get frustrated sometimes when you know that your heart is really buried in your art, and you know more success equals being more mediocre. So you have to redefine success, and you can't compete with people who don't do what you do."[1]
After making the decision not to include the duet on Lest We Forget, Marilyn Manson took a break from making music. After receiving fellatio with a rosary wrapped around his penis, Manson had the idea to cover Depeche Mode's "Personal Jesus" (1989) for the album.[5][7] Manson said that he wanted to cover "Personal Jesus" because he found Depeche Mode's music hypnotic, sexy and inspirational.[7] Manson told MTV that "I thought if I had to write a song, [the lyrics of 'Personal Jesus' are] exactly what I would say. And that's why I picked this song, because I think it takes a little more of an ironic tone when you put it in context with what's going on today."[1] The band's version of "Personal Jesus" is the only new song on the album,[8] and was released as a single.[9]
The cover of Lest We Forget is a watercolor self-portrait by Manson entitled Experience Is the Mistress of Fools.[4][10] Copies of Lest We Forget contain a booklet with 29 pictures of the band's frontman, while a limited edition version of the record includes a bonus DVD containing 16 of the band's music videos.[11] The deluxe version also includes the uncensored version of the "Saint" music video, which had not previously been released.[9] MTV reported that the band would embark on the Against All Gods Tour in support of the compilation.[5]
In Spin, Chuck Klosterman called the compilation "[f]ucking awesome" and said "there are only about ten compelling metal acts out there right now, and Marilyn Manson is three of them."[2] BBC Music's Richard Banks praised the album's "superb production" and Manson's "genius one-liners", saying "when the knob labelled 'shock-tactics' is already set to 10, one can't help but wonder where [Manson will] go from here."[3] The Chicago Maroon's Matt Zakosek opined "It would be easy to write a pithy, sarcastic review deriding Manson for his over-the-top showmanship-but sometime in the midst of all that devilish preening and posturing, he found the time to make some pretty good music."[13]
Richard Abowitz of Rolling Stone stated that Lest We Forget "includes all of [Manson's] essential pied-piper calls to alienated suburban youth" and that "Manson's mix of fetish, goth, hedonism and metal still jells".[8] A reviewer for Blabbermouth.net said that the album's track listing features "all of the group's classics".[9] Monica S. Kuebler of Exclaim! said "if you've been holding onto your hard-earned bones waiting for that one essential Marilyn Manson collection (without the filler), you may want to proceed directly to the nearest record store and turn those bones over immediately."[14]
Stephen Thomas Erlewine of AllMusic found the album's omission of "Dope Hat" (1994), "Man That You Fear" (1996) and "I Don't Like the Drugs (But the Drugs Like Me)" (1998) "curious". He added that "Nevertheless, [Lest We Forget] has enough of the hits to make this worthwhile for the casual fans, as well as those listeners who never wanted to admit that [the band's] late-'90s alt-rock radio staples were guilty pleasures."[12] In his book Dissecting Marilyn Manson, Gavin Baddeley opined that "for an album artist like Manson, [greatest hits] collections do fly in the face of the careful structure behind his best work, where the running order is an intrinsic feature of the package." Baddeley felt that, like the band's EP Smells Like Children (1995), "Lest We Forget is redeemed by a clever cover of an eighties pop song, in this case Depeche Mode's 'Personal Jesus'".[15] Writing for PopMatters, Lance Teegarden described the band's cover of "Sweet Dreams (Are Made of This)" (1995), "The Beautiful People" (1996) and "Mobscene" (2003) as "[a] few choice hits on a far too lengthy and same-sounding best-of."[11]
Industry forecasters predicted the album was on course to debut on the Billboard 200 with first week sales of around 60,000 units.[16] It went on to debut at number nine on the chart, selling 78,715 copies on its first week.[17] It would spend a total of 27 weeks on the chart,[18] and was certified gold by the Recording Industry Association of America in October 2005 for shipments in excess of 500,000 units.[19] As of November 2010, Lest We Forget had sold over a million copies in the United States.[20] It also debuted at number three on the Canadian Albums Chart.[21]
The album was successful internationally as well, particularly in Europe, where it debuted at number five on Billboard's European Top 100 Albums after peaking within the top 10 of national record charts in Austria, Germany, Spain, Sweden, Switzerland and the United Kingdom.[22][23] It also peaked at number two on the Compilation Albums Chart in France,[24] and was certified gold by the Syndicat National de l'dition Phonographique (SNEP) for shipments in excess of 100,000 units there.[25] In 2017, IFPI Denmark awarded the record a platinum certification for shipments of over 20,000 units.[26] The set originally peaked at number 20 on Denmark's Hitlisten.[27] Similarly, Lest We Forget received a platinum award from the British Phonographic Industry (BPI) in 2017 for shipments in excess of 300,000 copies there.[28] The album peaked at number four on the UK Albums Chart upon release,[29] and peaked also at the same position on the German Albums Chart,[30] where it was certified gold by the Bundesverband Musikindustrie (BVMI) for shipments of over 100,000 units.[31]
The album peaked at number 15 in both Australia and Japan,[32] and debuted at number nine in New Zealand.[33] It was certified gold by the Australian Recording Industry Association (ARIA) for shipments of over 35,000 copies in that country.[34] It also peaked within the top 20 of the national charts in Belgium,[35][36] Greece,[37] Italy,[38] Norway,[39] Portugal,[40] and Scotland.[41]
MARILYN MANSON was always a cohesive well integrated band, but even the best bands can get waylaid by a live recorded performance that comes off as something far less than the quality of a studio album. Usually, what you get in the live album is a trade off. You get the hoped for energy of a live concert that the bit and piece singing and editing and engineering and mixing and re-mixing cannot hope to achieve. The trade-off is that, in a live concert, you can hear the voice of the singer as it really is, and it usually does not hold a candle to the re-verbed, echoed and "sweetened" voice you've listened to for so long on the studio releases.
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