Ample Guitar Martin Free Download

[Osias Baptist]

Ihave an Ample sound Martin guitar plug in loaded into Cakewalk (full function not a trial version of the guitar), which plays completely fine within the ample sound software e.g. playing a preset track in the 'Riffer' plays fine. My problem is when I try to 'Drag to Host' a preset track from 'Riffer' to a cakewalk track lane it seemingly transfers Ok but does not sound the same/ quite different when playing in the cakewalk track lane. When I 'Drag to host' a track from 'Strummer' in the Ample sound software to the Cakewalk track lane it transfers and sounds Ok/Identical when playing from the cakewalk track lane. Is there any fixes or reasons that anyone can suggest. Thanks for any help if you can.

Only about a year after Ample Sound first launched, it has already managed to produce no less than 5 virtual guitar instrument libraries. After doing a set of three electric guitars (Fender Strat, Gibson Les Paul & PRS Artist) they have recently released Martin and Taylor acoustic guitar libraries.

My favorite Ample Sound library is the Ample Guitar M, which brings the sound of the Martin D-41 dreadnought to your computer. This one sounds a lot like the Takamine I use myself, so I was drawn to it immediately.

The instrument is built on a total of 3,842 dry samples in finger and strum playing styles. The Ample Sound engine comes with tons of features that allow you to make it sound like you are playing/recording a real guitar. There are various playing styles, fret noise, resonance control, comprehensive chords and strumming, various stereo & mono modes and doubling, and lots more.

Ample Sound recognizes that you will likely need some more hands-on training, so they have included MIDI and project files of the demos for some of the major DAWs, so you can see how the tracks were programmed.

If you know how to play guitar you can obviously do some things quite a bit faster on a real guitar (depending on your skills of course), but once you get the hang of the Ample Sound guitar engine, it becomes a great alternative to recording your own parts or session guitarists.

One of the things that took me a while to grasp is the strummer, which includes no less than 28 modes and 14 strum notes, and a library of 15 chord types and a total of 180 preset chords in 3 positions.

Typically, realistic guitar strumming is quite hard to do with a virtual instrument, and AMG certainly is not perfect. It can sound a bit lifeless, but again, you have lots of parameters to control detail of the sound (strum time, legato, humanization, etc) and with proper care in your programming you will be able to create authentic results for most strumming modes. Note that all controls of AMG can be automated by MIDI through the CPS (Customized Parameters Setting) system.

This virtual guitar is simply amazing. The samples sound crisp to my ears and it has some kind of intimate vibe to it, which I love. I am well impressed with the overall sound and set of features of this instrument.

In short, Ample Guitar M is an excellent alternative to recording your own guitar parts or using session musicians, and I think it is raising the bar when it comes to realistic virtual acoustic guitar instruments.

Many thanks to regular contributors Shannon McDowell, Medway Studios, ThaLoops, Richard Hasiba, blortblort, Triple Spiral Audio , Wolfgang Gaube, Sounds2Inspire, Tonedeff, ModeAudio, Jonathan Litten, George Napier, Biswadeep Ray, Yonatan, Reynn, IzOhm, and HLplanet for supporting Rekkerd!

Recorded and scripted from the ground-up by composer and virtuoso guitarist Mike Georgiades, this guitar aims to set a new standard for virtual guitar libraries, offering a remarkably authentic sound out of the box, and helping to demystify the workings of the guitar for non-guitarists.

This is the default mode when first opening the instrument UI. As with all modes, the top half section displays the actual Martin J40 guitar from which the samples were recorded, and on the virtual fretboard any inputted (or automated) notes will be displayed.

Sequencer Mode features a fully customisable 4-bank 32-step (max) sequencer. Users can load and edit preset sequences, or create their own from scratch and save it. Each step of the sequence can be edited to alter the played string(s), articulation, pick/strum direction and volume. A very useful additional feature is the ability to record MIDI information and drag/drop the recording to DAW.

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