Native Instruments Guitar Rig V3.0.1 Cracked Vst Exe Download
Phyllis Sterlin
Thank you @mattse and @RobertDorn - we really appreciate you taking the time to help us find the root cause of this issue. Could you possibly let me know the following: computer model, macOS version, DAW version and if you are using Rosetta?
As I thought might be the case, I am unfortunately not seeing the CPU spikes on my MacBook Pro M1 Max, Ventura 13.6, Logic Pro 10.7.9 / Pro Tools 23.3.0.89. I will keep digging directly and also share the projects with colleagues using different systems to narrow down the variables.
People are also reporting CPU spikes with Kontakt 7.6.1 (released last week), and this again seems to be on specific systems. It is possible that the issue is with Kontakt, or that the issues are stacking on top of each other to make things even worse. I would assume that it is the latter as it sounds like rolling back to to KK2.9.4 addresses the issue.
I'm aware that the release of a bug-fixed KK V3.0.1 seems to have priority over all other KK-related activities, just because of MK3 keyboard owners who need to be served first. However, may I ask you which kind of improvements you have in mind for the announced KK V2.9.5 version?
Will it mainly include some improvements for MK1 owners, e.g. in order to satisfy them with a "final" version they will be able to keep on using safely for the next few years, or will it also bring some new stuff MK2 owners can still benefit from?
I'm asking those questions from the perspective of an MK2 owner having purchased that keyboard half a year ago but also having experienced recently that KK V3.X can't currently compete with its KK V2.X predecessors, especially in terms of functionality and workflow.
Hi Tim! Took a moment to check it out. I could record a little piece with up to 3 instances, after trying to record midi notes onto a 4th instance, I got the same error message with the latest Kontakt as with Komplete Kontrol 3.0 . Using Komplete Kontrol 2.9.4 with the latest Kontakt version installed doesn't give any system overload issues, as long as I just don't use the latest Kontakt plugin , but Komplete Kontrol 2.9.4 instead. With 2.9.4 I can practically use a limitless amount of instances in a very busy mix session on my MacBook M2 Max with 96GB of ram, Ventura 13.6, ProTools 2023.9, without any issues.
It seems that there is a variable certain systems that is causing this. We have some early theories which the Engineers are now looking into. They will need a bit of time from here, but it is obviously a hot-fix topic and they will release a fix to this and the other early issues as soon as possible (the current plan is to release multiple times as soon as each issue is fixed rather than hold any of them back). I am on vacation next week, but other colleagues are in the forums should anything new come to light or there be further information to share.
I noticed expansions missing as well. I'm also having issues with 3.0 in PT 2023.9 under Montery 12.7 with a MacBook Pro M1 Pro 16gb. NI instruments will just stop playing, not passing any audio. I've had this happen on sessions with 10+ KK instances or as small as just 1 KK instance. My System Usage during these issues show as fine, no CPU spikes, ram is far from maxed out. If I stop playback for a few seconds and try again, it seems to go away but sometimes only a few instruments will return. Then I have to stop a little longer and then a few more will return. Rinse and repeat until they're all back. Until the cycle starts again.
If I don't stop playback when one or more NI instruments aren't passing audio, as if all the audio that should have played was cached, all at once everything will play...in one VERY loud burst. It's wildly jarring. First time this happened, it left me white skinned with numb hands and feet. I'm gonna roll back to V2 until these V3 issues get sorted out.
Yes I am experiencing the same issue. I have over 30 expansions and only 8 are showing in the loops section and 12 in one shots. Also I can no longer grab and drop the samples into Studio One, I have to find them in explorer and drag them from there. Instruments are also taking a long time to load in KK 3.0 and I'm experiencing freezes where the only option is to kill Studio One and reload it, this is making KK 3.0 unusable.
I'd like to chime in that my system has gone nutso since I clicked that innocent looking "update" button to KK 3.0.1 I have Spitfire Symphonic Brass pane previewing some guitar - lots of nice previews but they are not horns; I have Symphony Strings Prof'l not loading samples because all it wants are the old BML Mural samples (which actually do load and play). Rescanned in Komplete Kontrol and it crashed, generating a report blaming scan app. Kontakt 7.6.1 froze and needed Force Quit. It's a big, bloody mess over here. Mac Studio M2Max 96GB, OS 13.6, KK 3.0.1
The amplifier is integral to the tone of an electric guitar or bass. Guitar Rig provides you with an extensive selection of classic amplifiers spanning decades from the 1950s to the present. The Amplifier Components in Guitar Rig are meticulously modeled after the sound and behavior of the original devices, including the interaction between their controls. Additionally, Expert panels provide controls that further expand the sonic possibilities.
Power Supply: Switches the frequency of the AC mains voltage powering the amplifier between 50 and 60 Hz. The AC mains voltage introduces ripple to the internal voltages of the amplifier at double this frequency, which imparts a subtle modulation to the sound.
Variac: Emulates the effect of inserting a variable transformer in the AC mains power line, thus reducing the supply voltage for the famous "brown sound", or increasing it to make the sound stronger.
Sag: Emulates the effect of sending excessive signal levels to the amplifier and briefly exceeding its power limit. Turning Sag to the right adds a compressed feel to the sound, similar to a a tube-based rectifier circuit. Turning Sag to the left reduces the amount of compression, similar to a diode-based rectifier circuit.
Response: Adjusts the power storing capacity of the power supply capacitors. Turning Response to the left decelerates the response of the supply voltage to dynamic playing. Turning Response to the right accelerates the response of the supply voltage to dynamic playing for a looser feel.
Bias: Adjusts the grid bias of the output tubes. This influences crossover distortion and determines the amplifier class rating of the circuit. Turning Bias to the right lets the circuit run hotter for a raw sound character.
AC BOX XV models the sound of a hand-wired amp from one of the most renowned British manufacturers. Its acclaimed tube sound and distinct vibrato produce unique tones that have been sought after by guitarists in rock & roll and beyond.
Vibrato/Tremolo: Switches between the vibrato and the tremolo effect. Vibrato can be adjusted using the Speed control, while Tremolo can be adjusted using the Depth and Speed controls.
Speed: Adjusts the rate of the vibrato or tremolo effect, depending on the setting of the Vibrato/Tremolo switch. When Sync is activated, Speed is set in note lengths relative to the tempo of the Metronome.
Bass Invader models the sound of a versatile amplifier associated with the Rock and Indie sound of the late 1980s and 1990s. It includes extensive tone shaping controls that allow you to precisely tailor the sound. Even though its character can be described as clean and sweet for most its range, it also produces very interesting distortion sounds when the controls are cranked up.
When required, you can reduce the CPU load by deactivating stereo processing for this Component. For more information, refer to Component Controls. You can also set an option in the Preferences to load Components using ICM in mono by default. For more information, refer to General.
Graphic equalizer: Boosts or cuts nine specific frequency bands: 40 Hz, 90 Hz, 180 Hz, 300 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, and 10 kHz. Moving a slider up boosts the respective frequency band by up to 12 dB. Moving a slider down cuts the respective frequency band by up to -12 dB. When a slider is centered, the respective frequency band remains unaffected.
Volume: Adjusts the output level of the graphic equalizer. Moving the slider up increases the level by up to 8 dB. Moving the slider down decreases the level by up to -10 dB. You can use this control to compensate for strong boosts or cuts made with the graphic equalizer.
Bass Rage models the sound of one of the most highly regarded bass amps. Its harmonically rich tube sound has been endorsed by many artists including George Clinton, Gene Simmons, and Dave Farrell. This powerful 300 watt amplifier delivers a wide range of classic bass tones that can be accessed using its flexible controls.
Chicago models the sound of a vintage amp from the 1950s. Its dirty and fuzzy sound is reminiscent of early Rock and Roll guitars, but can also be used to add character to other sounds, for example drums.
Normal/Mod: Switches between two basic modes of the amplifier. When Normal is selected, the original sound character of the amplifier is preserved. When Mod is selected, the sound character is tighter with a more controlled low-frequency response.
Tone: Adjusts the frequency response by changing the balance between low and high frequencies. Turning the control to the left emphasizes low frequencies. Turning the control to the right emphasizes high frequencies.
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