Not A Love Story Telugu Dubbed Movie Download
Rivka Licklider
Love Story is a 2021 Indian Telugu-language musical romantic-drama film[4] written and directed by Sekhar Kammula. Produced by Amigos Creations and Sree Venkateswara Cinemas, the film stars Sai Pallavi and Naga Chaitanya while Rajeev Kanakala, Devayani, Easwari Rao and Uttej play supporting roles. The film tells the story of an inter-caste relationship between Mounika (Pallavi) and Revanth (Chaitanya) who meet in the city while pursuing their dreams.
Mounika also hails from Armoor and her uncle Narasimham is an influential man in their town. He quotes a far lower price for Revanth's land and Revanth refuses to sell. That night, Mounika confronts Narasimham and demands the share of her money from their property. Narasimham refuses by intimidating Mounika, and she faints. Later, she angrily leaves the town and Revanth follows. She offers her jewellery to Revanth for their business expansion. Revanth mortgages his land and opens a bigger Zumba centre. They overcome their differences and fall in love. Mounika proposes Revanth and he accepts. As she is afraid of her abusive uncle, they plan to elope. Revanth's uncle, a police sub-inspector helps them and they devise a plan to frame that Mounika has committed suicide so that no one doubts her whereabouts. They decide to execute their plan after six months and make the necessary arrangements. Revanth goes to Dubai in the meantime and they decide to get married at a registrar's office once he returns.
Love Story received mixed reviews from critics who praised the performances while the lengthy runtime received criticism.[42] Neeshita Nyayapati of The Times of India called the film Kammula's "ode to love." She said that Chaitanya has delivered one of his career's best performances and Pallavi was "dream to watch" while also praising the supporting cast of Kanakala, Easwari Rao and Uttej. However, Nayapati felt that the ending was a little rushed.[43] Hindustan Times's Haricharan Pudipeddi stated: "In spite of the hurried climax and the predictable ending, the film works to a large extent because of its sensible treatment and earnest performances of Naga Chaitanya and Sai Pallavi, who complement each other so well."[44]
The Hindu critic Sangeetha Devi Dundoo appreciated the performances of Chaitanya and Pallavi, and Kammula's taking, writing, "Love Story could have been yet another Sairaat, but Sekhar expertly steers it in a different direction in the last act. Romance is one of the most commonly explored genres in commercial cinema and after a point, one tends to view it with cynicism. But this one kept me invested; I watched with bated breath, hoping that Revanth and Mounika cross the hurdles in their path.[45] Gabbetta Ranjith Kumar of The Indian Express called the film Kammula's best yet. "With its foot-tapping music, captivating dance moves and engaging script, it gives you bang for your buck and then delivers a social commentary that you take home with you," he wrote.[46] In another positive review, a critic from Deccan Chronicle appreciated the direction and performance, writing, "Love Story movie illustrates the prevalent caste discrimination amid a love story, and director Sekhar Kammula gets it right for most part, balancing the two aspects of the film."[47]
Balakrishna Ganeshan of The News Minute called Pawan Ch's music as one of the film's biggest strengths. He appreciated Kumar's cinematography but criticized the poorly done CGI to show the iconic Purana pul bridge. Ganesan also compared Love Story with Uppena which was released earlier that year, saying that both the protagonists were Dalit Christian but were deprived of a happy ending.[48] Murali Krishna Ch of Cinema Express said that despite a promising start, the film lost its steam as it progressed due to uninspired writing. He opined that Kammula has changed the usual style of filmmaking but the premise of the film itself is an old trope in Telugu cinema.[49] Vijaya Mruthyunjaya from Deccan Herald opined that the film lacked "heart" with unnecessary backstories and needless subplots, adding that Love Story paled out in comparison to other Telugu films of the same genre like K. Balachander's love tragedy Maro Charitra (1978).[50] Reviewing the film for Business Standard, J Jagannath criticized Kammula's direction saying that he treated the sensitive climax portions in an "almost flippant manner by leaving the audience high and dry with a hurried ending."[51]
The movie has a wafer thin story line and in such cases, an entertaining and gripping screenplay is a must. Sadly, it is nowhere to be found. Narration goes for a toss as the movie proceeds along at a very slow pace. The slow pace can really test the patience sometimes.
In Aapadbandhavudu (1992), Chiranjeevi (playing the role of Madhava) is a cowherd working for a Brahmin family. Madhava shows extreme benevolence and undergoes a lot of struggle to help Hema (played by Meenakshi Seshadri) who suffers from trauma after a rape attempt. Another film Subha Sankalpam (1995) starring Kamal Haasan and Aamani, also dealing with the subject of intercaste relationships, is again told from the perspective of a Brahmin character played by Vishwanath himself. In the film, the main leads Kamal Haasan and Aamani belong to the Shudra communities, and yet the story, instead of being about them, is told from the perspective of a Brahmin under whom they work.
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Every human being who sets sail in the ship of reality and dreams sways constantly in the endeavor to cross the sea of life. Sometimes they move towards their destinations and sometimes away from it. Rahul, struggling between losing and gaining, finds himself lost in the search of love. In search of love, he goes away from himself. He never in his wildest dreams had imagined such chaos. Later, this journey of Rahul turns out to be a wonderful experience.
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My journey as a writer didn't start last night. I have always been someone who loved to learn and express my ideas and since talking may not always be the best option, I resorted to writing my feelings and thoughts on paper. Writing is my passion but it's very difficult for me as am a working mothe... More
But what if there was another dimension to this template? What if the girl falls in love with not one, but two men at the same time? This is the premise of a new web-series Mana Mugguri Love Story, created by Nandini Reddy, and like the title suggests, the series follows the life of a young girl Swathi (Tejaswi Madivada) and how she is forced to choose between two men who are madly in love with her.s
Despite all this, the series spends very little time in building the equation between Swathi and Rishi, Surya. As a result, when both of them confess their love for her, it seems abrupt to not just Swathi but also to the viewers. And by the time the series crosses its mid-point, the focus shifts to reaching a logical conclusion at the cost of some of the best quirky conversations and scenarios that keep us hooked in the beginning.
The effort to make the romance appear poetic is evident from the time Ram embarks on a journey to meet Sita; the technical team and the actors pull all stops to present a charming, old world romance that can sweep someone off their feet. At first glance, Sita might come across like a character from a costume drama of the past, turned out in her best at all times, with winged eyeliner to boot. As the story progresses and we know her for who she is, the regal demeanour seems all the more appropriate.
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