50 Cent Animal Ambition Album Sales

[Silke Kawaiaea]

AnimalAmbition debuted at number four on the US Billboard 200, giving 50 Cent his fifth consecutive top five album in the country, while also debuting at number one on Billboard's Independent Albums chart.[1]

On December 4, 2013, while doing a press run for the launch of his SMS Audio line of headphones and speakers, 50 Cent announced that a "full body of work", titled Animal Ambition would be released in January 2014.[2] In a December 2013, interview with DJ Whoo Kid, he reiterated plans for the album, saying: "I'm going to drop it in January, it's a full body of work, I wouldn't call it a mixtape because it's a higher grade than the material that I put out on mixtapes. I recorded so many album quality songs that I'm going to put the Animal project out as my viral marketing plan and then it will come out after, Street King Immortal."[3] In January 2014, while visiting the Consumer Electronics Show, he explained his motivation to release new music in early 2014, saying: "I'm so anxious to put out material. It took me so long to get the business portion of music straight, because I had went through an auditing process because it was the last record required for Interscope Records. And now, I got Animal Ambition, I was inspired to write this. It really has to be current. If it's not like right now, what I feel is like the hottest thing, I know it's done right, but it's not necessarily what I should be doing right now."[4]

In a January 2014 interview with Sonic Electronix, he said that he was recording heavily in preparation for both of the albums, saying, "I want to put Animal Ambition out in the first quarter. And then it'll lead up to Street King Immortal. So it'll be twelve weeks. That's why I'm working so hard, when I leave here I go straight back to record again."[4] He also said that Animal Ambition has a shared sound and theme throughout, saying, "With Animal Ambition, the project is about prosperity. I got an interesting way of writing it, 'cause I wrote it from a distorted vision or viewpoint. When Biggie was doing 'Damn, niggas wanna stick me for my paper, damn,' that's about when you get something, the effects of others responding to you doing better. The jealousies connected to it, there's so many different ways to write it, that the album has those facets to it. The overall theme is ambition and prosperity."[4]

On February 20, 2014, 50 Cent left Shady Records, Aftermath Entertainment and Interscope Records, after a 12-year union and subsequently signed himself and G-Unit Records to Caroline, an independent distributor of Capitol Music Group.[6] On the same day, he announced that the album would be released on June 3, 2014.[7] In a February 2014 interview with Forbes detailing his departure from Interscope, 50 stated, "I'm a special case and situation. It's also because of the leverage of having the strong relationships with Eminem and Dr. Dre. They don't want me to be uncomfortable. They value our friendship to the point that they would never want [to jeopardize] it over that little bit of money."[8]

In a May 2014, interview with the Business News Network, he spoke about the album's promotional campaign, saying: "I actually decided to create a campaign for the actual record that can sustain the audience. Because it has to sustain your interest for one week until the next song comes, until the next song comes, until the next song comes. And the actual visuals match the song so if you weren't impressed by the music you'll understand creatively why it's the way it is when you see the images. It's obviously a more complex presentation because you have to be really premeditated. You have to know what each one of your songs are gonna feel like. We only needed to know what three looked like. With three records because we're only shooting three music videos before you sold millions of records. The adjustments are technology."[9] In June 2014, 50 announced that he would be accepting Bitcoin payments for the album, making him one of the biggest artists to use the cryptocurrency to date.[10]

On February 21, 2014, the music video was released for "The Funeral".[11] On March 18, 2014, the songs "Don't Worry 'Bout It", featuring Yo Gotti and "Hold On", were released via digital distribution, as the album's first and second singles.[12][13] On March 18, 2014, the music video was released for "Hold On".[14] On the same day, the music video was released for "Don't Worry 'Bout It" featuring Yo Gotti.[15] On March 25, 2014, the album's third single "Pilot" was released.[16] On the same day, the music video was released for "Pilot".[17] On March 31, 2014, the album's fourth single "Smoke" featuring Trey Songz and produced by Dr. Dre was serviced to mainstream urban radio in the United States.[18] The following day, the music video was released for "Smoke" featuring Trey Songz.[19] On April 15, 2014, the album's fifth single "Hustler" was released.[20] On the same day, the music video for "Hustler" was released.[21]

On April 21, 2014, the music video for "Chase the Paper" featuring Prodigy, Kidd Kidd and Styles P premiered on MTV Jams.[22] The following day, "Chase the Paper" was released as the album's sixth single.[23] On April 29, 2014, the album's seventh single "Everytime I Come Around" featuring Kidd Kidd was released.[24] On the same day, the music video was released for "Everytime I Come Around".[25] On May 6, 2014, the album's eighth single "Irregular Heartbeat" featuring Jadakiss and Kidd Kidd was released.[26] On the same day, the music video was released for "Irregular Heartbeat".[27] On May 13, 2014, the album's ninth single "Winners Circle" featuring Guordan Banks was released.[28] On the same day, the music video was released for "Winners Circle" featuring Guordan Banks.[29] On May 19, 2014, the music video was released for "Twisted" featuring Mr. Probz.[30] On May 20, 2014, the album's tenth single "Twisted" featuring Mr. Probz was released.[30] On May 30, 2014, the album's eleventh single "Animal Ambition" was released.[31] On June 3, 2014, the music video was released for "Animal Ambition".[32] On June 24, 2014, the music video was released for "You Know".[33]

Animal Ambition was met with generally mixed reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 53, which indicates "mixed or average reviews", based on 15 reviews.[34] Killian Fox of The Guardian wrote "unchanged are his limitations as a rapper, both technically and in his choice of subjects." Also adding, "The theme here, we are told, is prosperity and its discontents, but he doesn't do much more than flaunt it and berate people for hating his success."[39] Sheldon Pearce of HipHopDX said, "This release was essentially pitched as a concept album on how wealth alters perception and inspires envy, and though it's possible to follow this loose narrative, the execution of this idea is thoroughly botched. In truth, this wouldn't be so difficult to stomach if he wasn't still rapping (both lyrically and contextually) like it's 2004. Animal Ambition is a drastically underperformed gut punch marred by its own limitations and its obsessive portrayal of self-worth amid a recitation of Get Rich or Die Tryin' buzzwords."[37] David Jeffries of AllMusic said, "Consider it the album before the album, and it plays out as interesting and often awesome, but put this next to his major works and it seems a bit off and quirky."[35] Simon Vozick-Levinson of Rolling Stone wrote "Tracks like "Hold On" and "Pilot" have all the smirking charm of 50's glory days. At their best, they can even recall his time as a mixtape hustler with a world to conquer and nothing to lose."[42]

Animal Ambition debuted at number four on the Billboard 200 chart, with first-week sales of 46,000 copies in the United States giving 50 Cent his fifth consecutive top 5 album in the country.[47] In its second week, the album dropped to number 15 on the chart, selling 17,000 copies.[48] In its third week, the album dropped to number 23 on the chart, selling 10,000 copies.[49] In its fourth week, the album dropped to number 39 on the chart, selling 7,200 copies.[50] As of December 2014, the album has sold 124,000 copies in the United States.[51]

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When it was announced that Mobb Deep had signed with G-Unit, the question arose: How would the gritty, raw, and often bleak duo from Queensbridge mesh with the shimmery, engineered, and self-celebratory demeanor of G-Unit? Unfortunately, the answer was: forgettably.

Don't get it twisted, Blood Money has decent moments. It's difficult not to nod your head to the production across the album (with Havoc taking on the majority of titles, but less than his typical share). Tracks like "Put 'Em In Their Place," "Day Dreamin'," and "Pearly Gates" stand out as notable offerings, while others come off as average. Havoc and Prodigy's visceral, unprocessed, hood-charm feels uprooted and their authority a bit diminished by the clear intention to construct records that coincide with the Unit's framework. Resulting in a collection of songs that feel somewhere between G-Unit junior varsity and a diet Mobb Deep, that were ultimately eclipsed by the southern takeover.

The G-Unit flag that waved so mightily in the 2000s was at half-staff by the end of the decade. 50 Cent's musical success and relevance was on a downslope, Young Buck and Game were ceremoniously removed from the picture, and Tony Yayo was, well, Tony Yayo. Which meant Lloyd Banks, G-Unit's silent assassin, was left in a discomforting position. The self-proclaimed Punchline King was reeling from a sophomore slump, as well as being dropped from Interscope. So his decision to title his third release as a sequel to his debut album felt more like a desperation move than a novelty nod to its predecessor.

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