Lineage Theme

[Deandra Uleman]

Createa beautiful family website with family trees, members bio, photo albums, genealogical history and blog. All this presented in a sleek modern design. Attention to details in frontend, backend and in the code.Backed by clear documentationand reliable support offered via support and presale forum ora private message.

The clean code will please not only developers, in case you decide to do some advanced code customization, but also people with disabilities and search engines, as the Lineago was built with good accessibility and SEO practices in mind.

To better suit your color needs, Lineago allows you to create a custom color scheme in just a few clicks. It should go without saying that this is a responsive theme, so your site will look great on both mobile and desktop devices!

Custom color schemes

Create a custom color scheme by picking main colors via admin in just a few clicks, or get more involved using the dedicated CSS (SCSS) file and be able to change every color of the theme.

Is the price of the item an one-time payment or a recurring one?

As with all items on ThemeForest, it is just one-time payment. This payment includes six months of support and access to updates for the lifetime of the item (meaning for as long as the item will be sold on ThemeForest). You can extend the support if needed.

What is included in the item support?

Item support includes help with theme-related issues or explanation of theme features. While the customization is not included, I usually help my customers with some simple CSS snippets if needed,and provide some useful hints when it comes to the code customization. Please make sure to read through the theme documentation before reaching for a support, as it should answer most of your questions.You can read this official article to learn more about the item support.

Can I use the theme on both staging/development site and the live one at the same time?

Yes, you can use the theme on as many staging/development sites as you like, in parallel with your live site. The only limitation is that a single license allows you to use the theme with only one final live site.You can read more on licenses here.

I was wondering if there is a way at all to set up a page that shows the "lineage" of all the items trickling down from Themes all the way to the Controls / Sub tasks.

Potentially I can click on a theme and see what initiatives are in a theme.

I can see what features are part of which initiative and so on.

We are talking of 10s of themes with 100s initatives and thousands of epics etc.

Has anyone done anything like this before?

Thank you all so much!

Thanks Fabian, that does work but it doesn't let you see them in a nice manner. Just gives you a massive gant chart of junk....

I wish it was just showing the card and items portion on there instead of the whole shabam of roadmaps

Keeping in tune with what I hope is a final-season trend (evidenced this past fall by the marriage in "Drive"), this is an episode that shows the writers actually committing to a change in some of their characters. B'Elanna learns that she is pregnant, much to both her and Tom's surprise; despite their attempts, they weren't expecting to beat the odds against Klingon/human conception. But Doc has good news: B'Elanna is pregnant with a healthily developing baby girl.

Once this information floats around the ship, everyone is offering their advice on parenting. One theme Voyager has often pushed is one of a ship-bound "family." That's sort of the way it works here, with B'Elanna and Tom taking in information from their shipmates, the extended family that exists where traditional family cannot because of a 30,000-light-year separation.

One thing "Lineage" gets very right is its single-minded focus on what's important. This is a B'Elanna and Tom show, and the script demonstrates that it's aware of that fact. Compare this to "Shattered" last week, which wanted to be and could've been a standout Janeway/Chakotay show, but wasn't because the story was such an over-plotted mess with umpteen unnecessary characters. This time the writers get it right; the plot is straightforward and the story runs with characterization and decision-making. There are no unnecessary twists or distractions. With a premise that probably could've taken about a hundred obvious wrong turns, "Lineage" has the courage to take none of them.

Or take the Janeway scene, once the show's main conflict between Tom and B'Elanna arises. B'Elanna wants Janeway to act as captain in a personal disagreement. Janeway will not. She tells them they must work it out themselves. Her dialog is level-headed and fair. Good for her.

Or take the Harry Kim scene, where the writers have him say just enough without saying too much. Harry knows to help out a friend and give him some advice. But he knows when to pull back and stay out of things, simply telling Tom that until B'Elanna cools down, "My couch is your couch."

Why are Tom and B'Elanna in disagreement? That's actually where the core of the episode becomes evident: B'Elanna wants to tamper with her baby's genes and remove Klingon biological traits, like redundant organs. This would also have the effect of giving the baby a human appearance. She argues her position to the Doctor by saying her baby's health would benefit and is the primary issue, but Tom sees right through this argument and calls her on it flat-out: "You don't want her to look Klingon."

He's right, though it goes much deeper than that. "Lineage" has a flashback structure to it that goes back to B'Elanna's childhood. The flashbacks reveal a young B'Elanna (Jessica Gaona) at an age where her headstrong adolescence began crashing into her father's (Juan Garcia) own doubts about his shaky marriage. This comes to light gradually, eventually revealing that B'Elanna blames herself for the dissolution of her parents' relationship. As a child, she said and witnessed things at a time that would shape certain opinions for life.

As good as "Lineage" is as a character outing, it falls a little bit short with an ending that I found just a bit too melodramatic. Dennis McCarthy goes overboard with the violins while B'Elanna's tears come flowing, and the whole thing becomes a tad maudlin. It's credible given the depth of B'Elanna, and even effective to a degree, but for my tastes it seemed to be pushing it in trying to punctuate the Moment of Truth.

No matter. "Lineage" is one of Voyager's best-characterized episodes in some time, showing a cast that comes across as well oiled and execution that for the most part is flawless. It's not the sort of sci-fi/action outing that many fans of the series may hope to get, but it shows the creators of this series still know how to tell good, truthful, understated stories about their characters.

I agree with most of Jammer's assessments of this episode, but as a woman, I was very moved in the final scenes. I think every woman goes through similar uncertainties while she is pregnant, and I identified with B'Elanna. As trite as it may have played on the small screen, I identified with the moment when she realized that this little "parasite" was going to reflect HER--and she felt happy about it. So I'd give it four stars.

I must add that Icheb's pronouncement that he thought B'Elanna must be infected by a parasite was hilarious! As well as Seven's most droll expression when she announced to the Doctor that she believed B'Elanna was pregnant.

I agree with grumpy_otter: The last scene was quite moving. I think this episode is one of the, if not the most, poignant episode of Star Trek. The last scene was incredibily moving and I think it was great to tell this story with no B-plot and with no action insert.

I too liked the ending. I was happy to see the issue in this episode shift from the baby's appearance to B'Elanna's fear of Tom leaving her, like her father did, because it's much less clichd and more personal for the character. Besides, with Naomi Wildman you already have a basically human looking kid with alien cranial features, and I doubt anyone on Voyager is making fun of her. It's a bit of a non-issue.

The ending of this episode has one of my favorite all-time Voyager scenes. Where B'Elanna apologizes to the Doctor and they feel the baby kicking and the Doctor is genuinely awestruck and flattered when B'Elanna asks him to be the godfather. And they take one final look at the holographic image of the baby and B'Elanna says, "She is cute, isn't she?" and the two of them laugh. I love that scene. Its really sweet.

Well, there is considerable amount of scifi in this story. the issue of genetic altering of babies before given birth is actually quite contemporary.

and this scifi-setting is reflecting racial problems. it is a classic story and at least finally really good character work in this series.

i loved this very, very much. one of the best outings of the series, as far as I am concerned.

Urgh, "The Barge" remains my most hated episode of Voyager, even more boring and useless than the Threshold one. I didn't care much for this one either though it wasn't quite as bad. It was, however, boring. Indijo hit the nail right on the head there. This is supposed to be a SCIENCE FICTION show, goddamnit!!! I am singularly and adamantly NOT interested in the characters' personal dramas, insecurities, complexes and history. I want to see the scriptwriters' imagination in depicting a 24th-century Universe (the "fiction" part) and the technology that will be used and how in it (the "science" part). For the kind of garbage contained in this episode, I'll tune in to the Gilmore Girls, Rosa Salvaje or As The World Turns.

0.5 stars, and that's only because I'm in a good mood.

And BTW, what the !@#$% is this crap with Paris having a toaster in his and Torres' pad!? How the hell many of us wash our clothes using a threshing board or by stirring them with a huge paddle in a boiling pot?! For godsakes, enough already with this 20th-century tripe!!

Screw it, ZERO stars!! lol

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