Re: {Taylor Bow Mega Pack}
Elis Riebow
Ah and before I forget: If someone is #1 the biggest pressure is on #1 to remain #1, not on others to catch up. Gaga was super active back then and she competed with.... herself in around 2010! When Britney catapulted herself to mega-stardom in 1999, she worked overnight without breaks and quickly released a follow-up album in 2000. She competed with...herself during her prime time in 1999-2004! Although people claim she competed with Xtina, I never felt that Xtina and Britney perceived themselves as direct competitiors. There was room for both. Britney did the same in 2001, releasing a new album within just 1 year. Then gaps became bigger after that. Taylor Swift is now under immense pressure to keep her level and other artists are maybe even happy to be not in the position as Taylor anymore, thinking about their own #1 time like....other people think about their stress time during bachelor studies time and are happy when its over [not all]. Taylor will be working excessively now, doing masses of interviews, going into every corner of the world, shaking hands until she feels pain in her hands, she will defend her place and do the pop star mega-marathon run for some time - after that she will be totally exhausted and probaby take a longer break and then her peak will be over and the torch of fame will be passed to a next-generation artist. Taylor fans should enjoy these times, they will never come back (Britney fans of 2011 era can tell you one thing or two about it), it is the absolute heyday for anything Taylor.
The 500,000 m mega mall, features 500 shops, including more than 100 food and beverage restaurants, a 19-screen theatre complex, 7,000 underground and surface car parking spaces and a five-star 200-bedroom hotel operated by Curio, a collection by Hilton.
But just two miles away, the Texas Department of Safety may have an answer for frustrated drivers like Taylor. The DPS has built one of six new Drivers License centers across Texasthat are larger, with more workers and are open longer. The DPS calls them megacenters. And director Steven McCraw says they are the result of $63 million dollars in funding from the state legislature to deal with the growing population.
Rather than thinking about megamusicals in relation to globalisation and economics, Taylor wants to explore the networks and ecosystems that they produce. Such an ecosystem encompasses not only the international megamusicals and the theatres they inhabit, but also the relationships with commercial and subsidised theatres, national and international tours, small-scale venues, school musicals and community projects, as well as conservatories and other educational courses for performers and creatives. Taylor chooses to use the idea of an ecosystem because it implies a network that is fluid and interdependent, where communication and exchange takes place, and where there are relationships between structures, institutions and strata.
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