Max
For landscapes and scenics, I would recommend the 50mm.
Gene Pallat
tos...@aol.com ab...@aol.com ab...@yahoo.com ab...@hotmail.com
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"Max Perl" <max_...@post11.tele.dk> wrote in message
news:3bd9c18d$0$25386$edfa...@dspool01.news.tele.dk...
Wait a minute here, with the 80 on the camera, the fifty is about 3"
deep and 3.5-4" diameter. I'd stick that sucker in my pocket before I
left it home, or else leave the 35 equipment at home !
It's funny but most of my personal shots that I have enlarged and
hanging were shot on a normal lens. Still mountains and a wide angle
go together well, I really wouldn't want to leave either at home, but
if I had to, I guess it would be the 80, since you can crop and pull
up a wide shot but can not widen a shorter shot.
DG
>
>
"David Grabowski" <nim...@capecod.net> wrote in message
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Max
"sandy schaffell" <oakv...@earthlink.net> skrev i en meddelelse
news:3xHC7.6338$2K5.5...@newsread2.prod.itd.earthlink.net...
>The main reason for why I also bring my 35mm system is that
>I will use it for tele (e.g. larger animals ect.). I have no tele yet
>for my 500C/M. I would very much like to have the 350/5.6
>super achromat. Then I would leave the 35mm system at home.
>
>Max
Oh of course Max,
We knew there was a reason , probably something just as you describe,
but we have to say our piece around here ! I use 35mm. now and then
myself, some things lend themselves to the format .
David Grabowksi
Dan Lindsay
Santa Barbara
> When I bring my Hasselblad on trip I ONLY take the 38mm lens. ;-)
Would be a very frustrating experience if you would bring along a second
lens with it, wouldn't it?
Another odd thing I notice is that wide angle on medium format doesn't quite
cut it like it does on a 35mm camera unless there is something great
happening in the sky or there are buildings and mountains in the background.
Just my thoughts. Go out and shoot and have fun.
Michael
> He obviously has a SWC which does not have interchangeable lenses.
That's why it would be very frustrating to find yourself out on your travels
with an extra lens...
I stupidly a Graflex rollfilm holder for it.
Thinking it would be doable.
But getting the groundglass off this thing is no mean trick.
I've seen sliding backs but they are not exactly compact or cheap.
Never actually seen one in person!
So it appears the sliding in Roll Film Holders would be the thing.
I'm interested in a 6x6 back to use with my Apo Rodagon 75 D which is
optimized for 1:1.
And I'm also interested in 6x12. And 6x9.
What is the smart thing to do. My camera does have a Graflock back but
as i said getting it off to do a shot is no picnic.
Am i missing smoothing?
Mark Rabiner
Portland, Oregon USA
http://www.markrabiner.com
>
> What is the smart thing to do. My camera does have a Graflock back but
> as i said getting it off to do a shot is no picnic.
> Am i missing smoothing?
>
Not sure why it's such a big deal. On my camera (a super graphic) you push
in two buttons and slide the back off of it. Takes about as much time as
sliding in a film holder <G> Are you sure you've removing it right?
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Stephe
Gotten some nice nudges and have now figured it out.
Feel silly
Thanks!